Sentences with phrase «light film forms»

Mix ground pork, scallions, garlic, soy sauce, salt, wine, sugar, oil, ginger, and pepper with chopsticks in a medium bowl, stirring in one direction until it all comes together and a light film forms on the sides of bowl, about 20 seconds.

Not exact matches

Sprinkle spice mixture evenly over meat and knead with your hands, rotating bowl, until spice mixture is evenly distributed and a light film has formed on the side of the bowl, about 1 minute.

The first layer of the film consisted of a nanocrystalline form of cobalt oxide that provided a stable, physically robust interface with the light - absorbing semiconductor.

Grey salt, Celtic salt, Sel Gris — Harvested from the light film of salt which forms during the evaporation process.

- a light film former forms a durable protective seal so ends feel soft and smooth and stay that way

International in scope, the anthology brings to light the important contributions that these directors made to the development of film as an art form.

«First Reformed,» which played at the Venice and Telluride film festivals before arriving in Toronto, is an exceptional return to form for Schrader after several much - maligned disappointments («The Canyons,» «Dying of the Light»).

But project this onto a wall in a dark room with a heavy amount of smoke in it, and you'll be astonished to see the conical shape the light from the film projector begins to form.

Most films that get this far must have some form of entertainment value and gone through multiple viewers before getting the green light, and while this one may not be for me, there's clearly some sort of audience out there that can appreciate it.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening September 2, 2011 BIG BUDGET FILMS Apollo 18 (Unrated) Found - footage horror flick, set in 1974, shedding light on a government cover - up of a NASA space mission on which the crew of astronauts were attacked by parasitic life forms they discovered on the moon.

The movements of people and light are captured brilliantly, and it's a testament to Farr's skill how easy it is as a viewer to get totally immersed in the city scenes that whirr past the car window that forms our viewpoint for much of the film.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

It was a series he began in 1973 with the 16 mm film Line Describing a Cone, in which a volumetric form composed of a beam of projected light slowly evolves in real, three - dimensional space.

In the sculptural work, I construct compositions with minimalist, architectural ceramic forms which are coated with a film of directed or reflected light from adjacent, brightly colored surfaces.

Created in the darkroom with the help of a Van de Graaff generator, sheets of unexposed film are subjected to electrical discharges, creating sparks of light that scar the film with patterns reminiscent of organic life forms and tree - filled landscapes.

With gentle mockery and sharp intellect, Julian Opie uses painting, printmaking, sculpture, film and light installations to reinterpret familiar objects, and illustrate how modernist concepts and forms have been assimilated into the lexicon of everyday life.

«Vertical Elevated Oblique» included C - stands used as workhorses for lighting, fabric, showcards and other apparatus in the film industry (Syms grew up in Los Angeles around this business and remains based in the city) strung with found photographs in which several hands were pictured forming the kind of gestures seen in her video, while items of the artist's clothing printed with phrases were also slung over these tubular frames, suggesting an absent body.

Form is suggested by broad areas of color, sometimes applied with a heavy impasto or gauzy indistinctness, and scrubbed onto the canvas until it resembles a film of floating light.

While Pat O'Neill is primarily known as an experimental filmmaker, this small retrospective, which filled two moodily lit galleries with five decades» worth of sculptures, drawings, photographs, slides, and films, made a case for another, adjacent view of his practice — one concerned with fixed visual forms.

Both films are a study of light in space and form in nature - core ideas in Merz's sculptural work.

This event forms part of the FVU touring exhibition A Light Shines in the Darkness in which six artists» films travel to churches and cathedrals around the country.

Dean's acute regards for light and subtle forms of motion combine to create singular evocations of sensibility and place, the spirit of the moment, and the essence of film itself.

Vertical roll, black, neon and strobe light; dancers, musicians, computer language, television broadcast and satellite transmission form the visual and aural vernacular of his tapes and films, recently gathered under the title, Channel Mix.

Filmed from a single vantage point, like a painting set in motion, Richardson has digitally enhanced the nearly monochromatic setting with strange yellow tendrils of light, undulating and twisting beneath the water, hinting at an undiscovered or mutated bioluminant life - form, or perhaps the aftermath of something altogether more disturbing.

The videos include the work by Ludwig Hirschfeld - Mack, Kreuzspiel, which concerns the reconstruction of a machine for light shows designed in the mid 20s; Ein Lichtspiel schwarz - weiss - grau of 1930 by László Moholy - Nagy, which contains clear references to light effects; the film Filmstudie (1926) by Hans Richter, renowned for his experimentation with abstract and moving forms in the first half of the last century, and lastly the video Blue Movie by Marc Adrian, which belongs to a later generation but undoubtedly bears the legacy of the aforementioned experimental works.

Filled with 200 bunk beds scattered with books, the animal forms of gargantuan sculptures, a massive LED screen playing edited extracts from science - fiction and experimental films, and piercing lights that suggest some unseen surveillance, the Turbine Hall has taken on the appearance of an epic film set.

Encompassing photography, sculpture, sound, LED light boxes, film, video installations, architectural interventions, and live performances called «happenings», Aitken's work testifies to his continuing engagement with the myriad of art forms available to the artist in the 21st century.

Both films are a study of light in space and form in nature — core ideas in Merz's sculptural work.

Piercing Brightness presents new works by British and London - based artist Shezad Dawood, who employs a combinatorial practice of film, light sculpture and painting that forms and reshapes connections through disparate histories, techniques and landscapes.

Until the installation of his 1973 solid - light film, Line Describing a Cone in Chrissie Iles's Whitney exhibition Into The Light in 2001, Anthony McCall remained one of those artists whose work circulated almost entirely in the form of two or three very well - known documentary photographs: his art was immediately recognizable, canonical even, but rarely experienced firstlight film, Line Describing a Cone in Chrissie Iles's Whitney exhibition Into The Light in 2001, Anthony McCall remained one of those artists whose work circulated almost entirely in the form of two or three very well - known documentary photographs: his art was immediately recognizable, canonical even, but rarely experienced firstLight in 2001, Anthony McCall remained one of those artists whose work circulated almost entirely in the form of two or three very well - known documentary photographs: his art was immediately recognizable, canonical even, but rarely experienced firsthand.

To prevent air bubbles forming under the film (which are a nightmare to get rid of), before you apply the film spray your window with a light coating of water and detergent.