With Kobo Aura HD just like the Kindle Paperwhite the eink display, which is a reflective display, that is does not have own light source, placing a capacitive layer and a front
light film layer causes clarity loss by upto 20 %.
Not exact matches
Building on more than seven decades of expertise in optical science, 3M's Multi-layer Optical
Film is composed of hundreds of
layers, combining the company's core technologies -
film, adhesives and
light management.
This
film was the
light - emitting «active»
layer, where electrons and holes combined and released photons.
When
light was absorbed in this two -
layered film, electrons and holes were generated.
Inorganic thin -
layer and hybrid
films alike have
layers with different refractive indexes to help tune the wavelengths of
light that pass through the
film (or touch screen).
The researcher's prototype device, which can be attached to a window, comprises three
layers: a lens array at the rear focuses
light onto a transparency
film on which a photograph is printed; the
light passes through and is projected onto a «diffuser» in front, where the image is revealed.
The spontaneous conversion of excitons (bound electron - hole pairs) to free carriers via these
layer - edge states appears to be the key to improving the photovoltaic and
light - emitting thin -
film layered materials.
If you get the thickness of a metal
layer right, you can make a beam splitter that divides an incident beam of
light into two equal parts, with just a little bit of the
light lost to the metal
film itself.
Thin -
film solar cells are plagued by diminishing returns: thinner panels are cheaper to make, but as the semiconductor
layer gets thinner it loses its
light - trapping ability.
Researchers have made thin -
film solar cells with absorbing
layers just tens of nanometers thick, but such a fine
film can allow much of the
light to pass through before it has a chance to be absorbed.
The first
layer of the
film consisted of a nanocrystalline form of cobalt oxide that provided a stable, physically robust interface with the
light - absorbing semiconductor.
It results in damage to the retina, the
layer of
light - sensitive tissue at the back of the eye that records images, like
film in a camera.
Sometimes the plot falls away and the
film becomes about vision and the play of
light, the
layered use of
light, as in the 20 - minute sequence in Rita's house.
And sate it does, at least from a technical standpoint: The 2.35:1 anamorphic widescreen transfer * is the finest for one of the
film's theatrical cuts — a remarkable feat considering it's the longest instalment of the trilogy (and thus harder to squeeze onto a single - sided, dual -
layered platter), though perhaps not so astonishing in
light of two years having passed since The Fellowship of the Ring debuted on the format.
Whereas the prestige MGM
films of the period are characterized by low contrast, brightly
lit scenes and subtle soft focus, «Spellbound» adds extra
layers of shadows and abstract patterns; and sharper detail, with a peculiar glow around the actors: characters glow with hypnotic power, as though the
film stock was imbued with the luminescence of fine lead crystal.
Regular touch
layers are transparent
films placed in front of displays, which reduce the
light output (brightness).
Mainly for the Kindle line of e-readers, these cases have a fine
layer of
film that can charge by ambient
light.
Because it's not optimal to look at a book with the area around the letters shining brightly directly into your eyes, the Kindle crew here has turned the whole show on its head, shining
light from the side of the screen across it, down toward the display through a reflecting
film layer just 0.5 mm thin.
Painting, cutting,
layering, and folding strips of Mylar, he manipulates the translucency of this plastic
film to create an ephemeral experience for the viewer that changes with
light and movement.
The title of the show comes from the printing procedure that includes
layering of ink on
film, then
light through
film and finally color through the silk screen, resulting in a print being a sediment
At the Whitney he brings together his own works, alongside historical photographs, sculptures, paintings, drawings,
film and video from the Whitney's holdings and those of other public and private collections — all presented within a
layered exhibition design by Mauss that allows for the works to be seen in a new
light.
Layering translucent red panels of color over her muddy landscapes like a screen, this application mimics both
light - leaks in
film as well as digital color filters popularly used in photo - sharing social media outlets.
Another setup pertains to the
light sensor being interposed between the transparent cover
layer and a thin -
film transistor
layer that's part of the
light - generating
layers.