Sentences with phrase «light hits your face»

«You want the light hitting your face, but make sure your face is lifted up so there are no awkward shadows,» says English.

Then, when the light hits your face it just glows in all the right places.

I don't have the world's greatest camera equipment at my disposal but I have taken both photos in the same place at the same time of day with pretty much the same amount of light hitting my face.

I also gave myself a Diva ring light I purchased at Amazon, it made a HUGE difference in my set up and the way light hits my face and shows my work.

But when I move and the light hits my face, my eyelids get a soft, satiny sheen.

All the high quality liners are matte bc when the lights hits your face, people don't see a white blob on your eye lid.

Roger Deakins» cinematography takes to heart that mention of a «world of shadows» and encompasses the interplay of light and dark with precision (Bond's introduction, for example, has him walking down a darkened hallway until a perfect beam of light hits his face).

Having said that, the phone can unlock really fast after scanning your face, this unlocking method is blazing fast presuming there's enough light hitting your face, and you don't have glasses or something of the sort covering your face.

Not exact matches

A reader forwarded this photo of Trump Palace, an apartment building on the Upper East Side (69th Street), which is where Blakeman hangs hit hat, noting the irony of the fact that the face is, well, rather light in color.

It's done by applying highlighter on the areas of your face where the light would naturally hit — cheekbones, brow bones, the cupid's bow, and chin.

This is where light naturally hits on an rectangle shaped face and will help broaden this area.

This is where light naturally hits on a round shaped face and will help broaden this area.

This is where light naturally hits on a heart shaped face and will help broaden these areas.

That way, you've got a case of BA - BAM when the light hits yo» face.

Basically wherever the light hits, and you want to bring out the beautiful features of your face.

If the light doesn't hit the face or body well, move and find a better spot before setting up or asking someone to help you.

The shoulder - grazing length is universally flattering for every face shape, works on a number of hair textures, not to mention that Palermo's honey blonde highlights hit the light just right for a year - round sun - kissed effect.

As any light hits the bamboo silica in this matte foundation formula, the microscopic particles will bounce light away from the face, resulting in a red - carpet - worthy filter for skin.

A few pumps of this foundation creates an even semi-matte base with a finish that looks like the equivalent of a «grammed selfie where the light is hitting your face in all the right places.

In order to do it right, consider which parts of your face the light is likely to hit, and add highlighter there.

Contrast and dynamic range are impressive with decent blacks, free of crushing; only the occasional blasted - out highlight (as on Jones's face when the bright lights hit her white make - up) made me wonder if some clipping could have been avoided.

Or, as Hank, the cad in her life, puts it, «the only bright light you saw were the ones that hit you in the face when you opened the fridge».

The way the light hits the skin of his partners, and the way he hides his own face under the shadows of his baseball cap, are key to understanding how he experiences the world.

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Southside With You is the debut feature film from New Jersey director Richard Tanne, combining the soft summer light of Chicago with a hard - hitting assessment of the issues that the Obama presidency would face, even when Barack was just a chain - smoking hotshot lawyer with a clapped out car.

Two minutes later, I was at a traffic light with a stupid grin on my face and some middle - aged woman in a Subaru Outback was hitting on me.

The interior hits you in the face with Recaro race seats for the front, light grey seatbelts, 18» (I think) display.

Also, although it might seem as though sunset would be a good idea here, sunrise is much better for photographs with the way the light indirectly hits the mountain faces and illuminates the lake.

Each weight class provides a different game experience, with the lightest Flyweight weight class providing a very fast and in - your - face experience, while the heaviest Heavyweight weight class is hard - hitting, and more focused on different aspects of the game.

Hit him in the face with more light arrows (or your Longshot) and stun him and attack him.

Back away and use a light arrow to hit him in the face and stun him, now run around behind him and use the Biggoran's Sword or the Megaton to hit his tail (his weakpoint) and if you don't have any light arrows you can use your Longshot but you'll have to move much faster since he does not stay stunned as long.

Zelda be like: «Ima prepare my Light Arrow to hit you in tha face Killager!»

The stage lights burn hot on my face as I clutch the guitar, my left hand carefully positioned over the neck, right hand ready to hit the strings like my life depended on it.

When you look at light hitting someone's face, it's just one mark.

Here, your face is on the surface and you actually see what it means to be a painter, you are actually dealing with the weave of the canvas and how light hits the paint on the side, things that you tend to forget about in many circumstances of viewing paintings.

In one large - scale painting, projectors broadcast beams of light onto the naked men's bodies; where each beam hits their flesh or another surface it leaves behind an image of a smiley face.

Horrifically timely in light of the escalating violence and doomed gun debate facing our country at the moment, these loaded metaphors hit upon our inherent attraction and repulsion to such artifacts, isolating them in the aesthetic frame of the objet trouve.

Interview with Georganne Deen, Summer 2011 Fee, Georgia, Artslant, Interview w / Georganne Deen, Apr 22, 2008 Bors, Chris, Artinfo, Georganne Deen in New York, Apr 3, 2008 Reverend Jen, Artnet, Diary of an Art Star, Mar 31, 2008 Tanner, Matt, Beware the Wild Children, Grand Street News, Mar 2008 Powers, Kevin, Interview with Georganne Deen, Artes & Leiloes (Portugal), Nov, 2007 Behrens, Katja, Verspielter Exorzismus, TAZ nrw, March 20, 2007 Wertheim, Christine, Georganne Deen: Underground Woman, X-TRA, Winter 2006 Harvey, Doug, I Art the 80's, L.A. Weekly, March, 2006 Fahl, David, Text Hook, Houston Press, June 17, 2004 Klaasmeyer, Kelly, Deen's List, Houston Press, Jan. 2, 2003 Lowry, Mark, Artist's Work Hits Close to Home, Fort Worth Star Telegram, Mar. 13, 2002 Mitchell, Charles Dee, Self Examination Turns Disturbing, The Dallas Morning News, Feb. 28, 2002 Deen, Georganne, The Girlfriend and The Devil, Grand Street # 70 Halstrup, Anjee, Georganne Deen: The Secret Storm and the Vogue Book of the Dead, ZERO magazine, July, 2001 Rodriguez, Juan, Georganne Deen at Babilonia 1808, Artweek, June, 2001 McEwam, Ann, 15 Psychic Orgasms, Waitako Times, Mar. 8, 2000 Mutch, Nicola, Ads Undermine American Dream, Otago Daily Times, Oct. 26, 1999 Munro, Bruce, Artist Explores Dream World, The Star, Oct. 27, 1999 Madoff, Steven Henry, Pop Surrealism ARTFORUM, Oct., 1998 Gopnick, Blake, Old Wounds Healed Through Older Art Form, The Globe & Mail, Jul 29, 1998 Hume, Christopher, Allegories of Her Hateful Family Tree The Toronto Star, Jul 11, 1998 Schoenkopf, Rebecca, The Glamour of Ugly, Orange County Weekly, Sept 19, 1997 Curtis, Cathy, Light Images, Dark Truth, Los Angeles Times, Sept 9, 1997 Dambrot, Shana Nys, Georganne Deen, JUXTAPOZ, Fall 1997 Kim, Soo Jin, Georganne Deen, Art Issues, Summer 1997 Kandel, Susan, Fierce: Georganne Deen, Los Angeles Times, Feb 28, 1997 McKenna, Kristine, Los Angeles, Art & Antiques, Summer 1996 Zellen, Jody, The Mother Load, World Art, Summer 1995 Lueck, Brock, Co-Mix Art: Fine Tooning Pop, The New Art Examiner, Mar, 1995 McKenna, Kristine, Coming to Terms With Mom, L.A. Times, Dec 18, 1994 Desmarais, Charles, Georganne Deen, Grand Street # 49, 1994 Dubin, Zan, Experiences of a Girl as Seen by a Woman, L.A. Times, Oct 23, 1993 Rose, Cynthia, Pacific Meltdown, British Vogue, Jul, 1991 Carlin, John, Bad Influences, The Paper, Jun, 1988 Smith, Alton, Reinventing the WheelI, Village Voice, Nov 29, 1988 Tanney, Kathy, Paper Tigers, Plastic Toys, Art Week, Aug 22, 1987 Knight, Christopher, Bad Influences Knocks Popular Culture Wisdom, L.A. Herald Examiner, Aug 4, 1987 Leston, Kimberely, Georganne Deen, the Face, Dec, 1986 Pincus, Robt, Voyage on Sculpture May Make Some Viewers Ill, San Diego Union, Jul 10, 1986 Wilson, William, Social Distortion Exhibition, L.A. Times, Jul 10, 1986 Rugoff, Ralph, Exterminating Angel, Los Angeles Weekly, Oct 11, 1985 Drohojowska, Hunter, The Art World's Biggest Pests, Los Angeles Herald Examiner, Oct 20, 1985

As for the edges and fine details, while keeping almost everything soft, I added slight wisps of hair in the mustache and beard along the lit side of the face, as well as lifting a bit of paint from where the light hits the hair on the side of his head.

Here, your face is on the surface and you actually see what is means to be a painter, you are actually dealing with the weave of the canvas and how light hits the paint on the side, things that you tend to forget about in many circumstances of viewing paintings.

These aren't filters, but rather a real - time analysis of the light hitting the subject's face, and these lighting effects can be added before and after the photo is taken.

Low light performance is good too, and detail doesn't take too bad of a hit in very low light conditions, especially when the automatic «soft flash» kicks in, which illuminates the screen a cream color at high brightness to simulate a front - facing flash.

I've seen the way her face lights up when she plays with a child on her wavelength (anything that involves pretending to be an animal is a big hit).