Sentences with phrase «light installations inspired»

Say hello to Heath at the door grab a beer from Brooklyn Brewery then enjoy Julia's elaborate light installations inspired by supernatural imagery while you dance the night away to the tunes of DJ jojoSOUL Julia's installation will remain on view at the Vazquez (93 Forrest Street) for Armory Weekend, Saturday, March 7 and Sunday, March 8, 2 - 7 pm.

Not exact matches

Bloomberg Philanthropies recently announced it is bringing back the nationwide Public Art Challenge that inspired the Breathing Lights installation in 2016.
Inspired by the lights of nearby Times Square, Art Nerd New York favorite Leo Villareal was commissioned to create a gorgeous glowing installation for the lobby of the Durst Corporation -LSB-...]
Join our creative Christmas workshop where we invite you to make decorations, Christmas cards and color wheels inspired by Olafur Eliassons light installation in the Astrup Fearnley Collection.
That's exactly what Bloomindale's Lights Up a Child's Mind campaign is doing by commissioning artists to create installations inspired by the word «light,» auctioning off the light - works after the holidays, and donating one hundred percent of the proceeds to The Child Mind Institute.
As visitors approached House of Vans, they were greeted by Ken Farmer's light installation on the building's facade, inspired by a once flickering light that used to be a part of the building's burnt out marquee.
CAPTURE will introduce new works developed by Cocksedge over the last four and half years that push the mediums of light and structure, including a large - scale light installation, a collection of dramatic, seemingly impossible, hand - wrought dome lamps, and Poised, a series of unyielding steel tables inspired by the delicacy of paper.
The central metaphor of the exhibition is that of a bruise, which shows up in Byron Kim's Innocence over Blue (2016)-- a painting about a bruise — and Ligon's A Small Band (2016), a neon light installation of the words: «blues,» «blood» and «bruise,» not to mention the Armstrong song that helped inspire the show.
A Certain Slant of Light (2014), created for the glass atrium of New York's Morgan Library, reflected the colors of the four seasons, and his recent solo show at James Cohan, My business is circumference (2016), included installations inspired by fog, the light of a passing cloud, and the colors he noted during a hike through Yellowstone National Light (2014), created for the glass atrium of New York's Morgan Library, reflected the colors of the four seasons, and his recent solo show at James Cohan, My business is circumference (2016), included installations inspired by fog, the light of a passing cloud, and the colors he noted during a hike through Yellowstone National light of a passing cloud, and the colors he noted during a hike through Yellowstone National Park.
Scharf has continued to pioneer unique projects like his Cosmic Cavern — a black light disco installation that was first exhibited at the 1985 Whitney Biennial and inspired his Cosmic Cavern A GoGo disco party, held in the basement of a Brooklyn warehouse from 2008.
New Yorker Rachel Rose's 2015 video work «Everything and More,» about astronauts and the cosmos, was shown at the Whitney Museum of American Art; Wakefield felt she'd take a mystical approach to Desert X. Images of Smith's LED - illuminated, mirrored shack in Joshua Tree, «Lucid Stead,» went viral in 2013, he'd likely create another colorful, Light and Space Movement - inspired work for Desert X. Aitken's immersive video installation «Diamond Sea,» which was presented at the Whitney Biennial in 1997, explores southwestern Africa's Namib Desert.
Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.
Inspired by Reiner Ruthenbeck's 1977 installation Zwielicht / Entre chien et loup at the Serpentine Gallery, as well as the exhibition of Julio Le Parc's works at the Serpentine Sackler Gallery, this evening of screenings, readings, talks and performances addressed light, happiness, affect and productivity in contemporary culture.
The Crystal Land is divided into three sections: a series of wall reliefs (Crystal Landscape Paintings) inspired by the artist Robert Smithson; a film, including a «glass cinema» and movie posters (The Light Club of Vizcaya: A Women's Picture) inspired by the writer Paul Scheerbart; and a large - sacle installation (Island Universe) inspired by the physicist Andrei Linde.
Golden Waters, a large - scale installation inspired by the Arizona canals, shown above and Pink Lotus, a multifaceted large - scale light installation at the The Peninsula New York created in honor of Breast Cancer Awareness Month are Amorós most recent site - specific installations.
The custom - designed vehicle with light poem and video installation is inspired by Montgomery's conversations with nine children living with sight loss from all over the country.
A quiet noise emanates from the closet, where a minimalist film dimly lights the shoes and books on a shelf there, the music painting the scene all around, and aptly so: «your motion says you are in the mood» is the inaugural exhibition of Christopher Fullemann's new sculpture at n / a, inspired by Arthur Russell; The closet installation is an accompaniment piece by the gallery director and curator Nicholas Andre Sung features music and imagery of Arthur Russell.
Silya Kiese's lively demonstrations and lectures related to interdisciplinary topics in fine art, contemporary sculpture, installation, light - art, and mixed media have inspired many students.
Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.
It was Schimmel who inspired his close artist friend, Chris Burden, by finding the vintage street lamps Burden would use for the outdoor installation that evolved into Urban Light at LACMA.
Opening: «Spencer Finch: My business is circumference» at James Cohan Gallery Finch attempts to work some perceptual magic inside the white box with three nature - inspired installations about light.
For this show, however, he has also created sculptures that include delaminated OLED screens playing illustrations the artist creates algorithmically (a maze, for example, morphs into a tree - like form), and a Light and Space - inspired installation whose black scrims make you feel as if you've stepped into a single square inch of one of Zheng's paintings.
Cape Farewell's first exhibition, The Ice Garden, presented sound, light, text and sculptural installations by artists inspired by their voyages with Cape Farewell, in the Clarendon Quad in front of the Bodleian Library.
As much art installation as light fixture, these floating Calliope pendants were inspired by the elegance of Japanese calligraphy and the artistry of hand - blown Murano glass.
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