Use this guide in your small group, house church or class to create discussion and convey biblical truth about how we should live now in
light of the future reality.
We are to be living now in
light of that future reality.
When people see our lives lived in
light of this future reality, they recognize the desires of their hearts, and will long to join with us in our gospel - filled lives.
Not exact matches
He shows us how we can live in
light of this
future redemption here and now by living according to the principles
of new
reality (Kingdom
of God) that Jesus inaugurated.
To learn to address the current issues
of the day in
light of the past, present and
future reality of Christian praxis is to make education a process
of doing, rather than merely learning about, theology.
In
light of the
reality of the money in football the only way we would
of or can compete more in the
future is with a owner like Chelsea / City and not like we have.
And while Gandhi wasn't a bad biopic, its near domination
of the technical awards stole the spotlight from pioneering scifi flicks such as Blade Runner - whose set design set the template for cinematic dystopias to come - and Tron, whose now - hokey
light - bright costumes framed how
future audiences would perceive virtual
reality worlds.
The highlights
of the
future Active Tourer include new LED and OLED
lights, navigation and control systems, a new display technology building on micro-optics and holography, and a head - up display with augmented -
reality representation.
With all the horrible
realities of the world weighing us down and a bleak
future, sometimes it's a daft little app that tries to puts virtual creatures into our world so we can throw balls at them which brings some
light to the darkness.
Those raw brown gestures from the cave
of Lascaux, the
light blue that all but belongs to Fra Angelico half a millennium before Yves Klein thought to trademark one, the red cloak that gives Caravaggio's John the Baptist command
of the
future even as his eyes sink, the mere white
of Jan Vermeer's pearl and fur, J. A. D. Ingres's yellow - gold that refuses the softness
of satin, Mark Rothko's darkness that owes little more to
reality but despair — the procession itself is arbitrary.