Sentences with phrase «light on the costume»

A new DLC Trailer has been shared by Square Enix that shed light on the costumes that the first downloadable content pack of the game has brought to Japan.

Not exact matches

As the woman shrieks and rails («You there with your fancy man in the garden in the bright light of day... canoodling with him you in nothing but your floral swimming costume and showing your very thighs»), Mantel's mother, in a turn that anticipates Mantel's later descriptions of Anne Boleyn, rises from where she is basking, blinks, and dawdles indifferently indoors, leaving her daughter — small, foursquare, hands planted on her hips — to defend the family honor.

Any parent that left their porch light on or distributed candy was ostracized from the church, and local businesses were boycotted if they sold «occult» costumes.

and I turn the lights off for Trick O» Treaters (there aren't many little kids in my neighborhood, and most of them go to other neighborhoods on less busy streets... so all we get are older kids who don't even wear costumes... which is really just going door - to - door begging for food... which is awkward).

The increased visibility of radical Christian fundamentalism would seem to shine a new light on John Doe, and the omnipresence of themes of vigilantism could have done the same for all involved (before his identity is revealed, Doe's costume even looks a lot like Rorschach's).

Everything looks tacky: the set, the costumes, the lighting, the script (one host actually says, «The tension mounts») and above all the dancing, with its tiresome emphasis on tricks over human contact, or the dancing illusion thereof.

Though the story hardly lacks for event as it traces Khayyam's ascension from the peasantry to the royal court, the period costumes and sets look to be on loan from Medieval Times, as do most of the actors, and the boxy, harshly lit compositions make everything feel even more cardboard.

It's a light rpg with a combat system based on halloween theme with costumes.

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

Through compositing, they are incorporated into the soft lighting on CGI costumes and the constant swoops and whirls of cinematographer Trent Opaloch (District 9, Elysium).

He is joined on lighting design by Donald Holder, music arrangement by Glen Kelly and costume design by long - time Stroman collaborator William Ivey Long.

That would be enough to tide over fans anticipating the upcoming definitive release, but there are also shorter featurettes on costume design, theatrical lighting, and film editing; a selection of auditions and screen tests (though, it must be noted, not including Jennifer Hudson's — I guess some things had to be saved for later); an extensive still gallery; and, most intriguingly, pre-visualization sequences for the musical numbers shot with dancer stand - ins.

And for all his comments about specific actions, line readings, and so on made by the actors, he sheds no light on how he arrived at such offbeat casting choices; after all, the likes of Anderson, Dan Aykroyd, Anthony LaPaglia, and Eric Stoltz aren't exactly the names that immediately come to mind for a costume drama.

Based on Oscar Wilde's play, Oliver Parker's An Ideal Husband is a light and entertaining rendition with stellar actors and marvelous sets and costumes.

Newcomers include actors Orlando Bloom, Treva Etienne, Geoffrey Rush, and Jonathan Pryce, executive producer Bruce Hendricks, a huge special effects team from Industrial Light and Magic, set decorator Larry Dias, art director Derek R. Hill, sword master Bob Anderson (who also worked on the original Star Wars Trilogy and The Lord of the Rings), and costume designer Penny Rose, among many other crew members.

And so on through to the cast: «Eugene — Joseph Cotten,» and there is Cotten in costume, lovingly lighted in cameo against a solid black background; «Isabel — Dolores Costello,» and on through the principal players.

The information provided is based on movement content, lighting design, accompaniment, costume and set design or use of camera.

The Drama Teacher's Resource Room This site provides lesson plans; resources on costumes, props, set design and lighting; and links to drama Web sites.

It lists several frameworks - such as costume, lighting and sound - and provides specific questions which are aimed at getting students to think about what they are seeing on stage.

To attend a Creative Workshop for suggestions on how to enhance your parade entry using costuming, lighting, music, decorations and more, contact [email protected].

While you are probably planning on getting out of your costume only for showers and the odd formal dinner, you will need to prepare for bad weather too, no matter how optimistic the weatherman.So, while keeping it to the minimum, pack a warm fleecy top as well as a light waterproof jacket.

Also, with the figures themselves, I would make part of the base hollow so light can come through and light up the stripes on the costumes!

Choreography: Richard Alston Set & costume design: Howard Hodgkin Music: W.A. Mozart Lighting: Peter Mumford First performed by Ballet Rambert at the Theatre Royal Newcastle on 9/10/81.

Choreography: Richard Alston Set & costume design: Howard Hodgkin Music: Igor Stravinsky Lighting: Peter Mumford First performers by Ballet Rambert at the leeds Grand Theatre on 13/01/87.

1982Slaughter on Macdougal Street, Set, costume, and lighting design.

The concurrent exhibition on view at the Walker and MCA Chicago foreground Cunningham's artistic collaborations, focusing on his key concept of «common time,» whereby the elements of his performance apparatus (e.g. dance, music, costumes, décor, and lighting) are created independent of one another, but come together as interdependent, kept under the same constraints.

Her piece The Time Game shows a naked woman holding an hourglass and kneeling on the front lawn of an imploded house as a swirl of mayhem breaks loose in the background: kids are shown riding tortoises, wearing traffic - light costumes, and dancing in girly dresses, and a man can be glimpsed running behind the house.

What (Else) to Do When You're in Town for Nyu's 2017 Commencement States News Service; May 2, 2017; 700 + words... an exhibition featuring the work of 18 MFA set, costume, lighting, and film designers... exhibition of thesis work by Steinhardt MFA students (on display in the gallery through... s work is also featured in the 2017 Whitney Biennial Exhibition, on view through June 11 at...

It may screw up the faces of some to see it this way, but a protest is a protest is a protest, and whether you're putting on 350 year old costume (it is said that the bar of England went into mourning on the death of Charles II in 1685 and never came out) or dressed in torn jeans and lighting a can fire, those are trappings and window dressing.

Children are also on sensory overload, distracted by shouts from friends, flashing lights on houses or costumes, and their own thoughts as they race to fill their buckets with candy.