This well -
lit outdoor scene shot with auto settings shows the limitations of the low resolution camera
Not exact matches
The 1080p picture isn't as sharp as Criterion's best high - def transfers, but the image quality is strong throughout and shows off a very evocative sense of
lighting in the many
outdoor scenes.
Too, the more naturalistic
lighting of Part III leads to areas of the image getting swallowed up in shadow no less so in HD, although virtually any
scene taking place in daylight
outdoors is showcase stuff.
While the indoor
scenes in «Unsane» will constantly remind the viewer of iPhone camera limitations, the
outdoor scenes in natural
light were more cinematic.
There are bags of options within the camera app - ISO, exposure adjustment, timer, anti-shake,
light metering options, 13
scene modes and four filters - but what we really liked was the
Outdoor Visibility mode which puts the screen up to maximum brightness so that you can see what you're shooting even in bright sunlight (even if it does switch itself off every time you come back to the app) and the fact that the shutter delay is as short as you'll find on any smartphone.
With a colorful rooftop showcasing spectacular city views and a three - story
light sculpture of L.A.'s infamous freeways in the sky lobby, the property brings the indoor /
outdoor lifestyle to life while drawing design inspiration from the city's car culture and urban
scene, foothills and classic beach towns.
Running on my fairly high - end PC, the Unreal 3 powered game absolutely hated rendering
outdoor scenes with lots of dynamic
lighting effects and skirmishes.
On top of that we note a more muted range of upgrades over the original game compared to the more radical revamps found in the Redux edition of Metro 2033 - once again, the
outdoor scenes are given a refresh (particularly in terms of
lighting), but there's also the sense that interior illumination has been given an additional parse too.
At its absolute best, Metro Last
Light still holds its own against even the most beautiful of current - gen titles - the first
outdoor scene in particular looks simply sumptuous on the new wave of consoles.
Outdoor scenes were entirely naturally
lit, with an overall ominous feel set by the mist the crew encountered on those days.
Shooting
outdoors, or in bright
light conditions, the Huawei Mate 10 Pro generally delivers good target exposure, even in tricky high - contrast
scenes, where both shadow and highlight detail are well - preserved.
For both static
scenes and
scenes with subject movement, performance is phenomenal in both indoor and
outdoor lighting conditions, achieving the top mark of 100 in these cases.
Even under close inspection, no color shading is evident in bright -
light shots, such as the
outdoor scene on the left.
With advances in dynamic range and detail capture, as well as significantly reduced artifacts and very good image stabilization the iPhone 7 performs particularly well in bright
light conditions, making it a great smartphone camera for
outdoor enthusiasts shooting landscapes, street
scenes, architecture, or portraits in good
light.
The new flagship's improved aperture offers significantly better low -
light shooting than the Galaxy S8, and the phone captured a ton of fine detail in busy
outdoor scenes.
A good overall score for texture, with excellent fine detail preservation in static
scenes outdoors, and very acceptable results in low -
light conditions.
The Meizu Pro 7 Plus offers its best detail preservation in bright indoor conditions (100 Lux) and very bright
outdoor conditions (1000 Lux), but in lower
light, detail is noticeably affected both in static
scenes and particularly in
scenes containing subject movement, which is often very blurred.
If tablet cameras are important to you, the new camera interface is easy enough to use, but I found most photos, except for those in well -
lit,
outdoor scenes, had a showstopping amount of grain.
If a
scene isn't brightly
lit or it isn't generally good weather
outdoors, the Z3 camera can be hit or miss.
The bright aperture lets in 28 percent more
light than the S8's f / 1.7 lens and the f / 2.4 aperture is said to help prevent overexposure in bright
scenes, such as a sunny
outdoor day.
Set up a «garden»
scene that automatically turns on the
outdoor lights and switches the indoor
lights off, or set up a «morning»
scene that switches the coffee maker on and turns on the TV.
Outdoors and in brightly
lit scenes, the difference between the S9 and S8 isn't noticeable, and the f / 2.4 aperture mostly just helps with better (or less blown - out, to be precise) exposure of a
scene.
On the downside, it notes occasional strong loss of details
outdoors, fine details lost in low -
light scenes, and ghosting effect in some
outdoor conditions.
These
lights are perfect for summer patio entertaining and a fun way to create a magical
outdoor scene from your windows at night!
Light the candles as dusk falls and set the
scene for a magical evening
outdoors.
Thus, decorating your
outdoors with a
lighted nativity
scene is a creative way to commemorate the occasion.
I like the shutters and would use a shadow box frame with a
light and paint an
outdoor scene on the glass..