Sentences with phrase «light photography features»
After just over a week with the phone, there are only a couple of things about the Honor 9 that give me pause: Firstly, the camera just isn't that great, particularly in darker conditions — that's just weird given how prominently low - light photography features in the marketing for this phone.
https://www.androidcentral.com/ Not exact matches
Features like the ability to adjust for various lighting conditions, an f - stop range of 12.7 to 32, and a close - up feature for artsy images all let beginners experiment with creative photography.
Auckland, NZ About Blog Ambient Light is your go to place for New Zealand based live music news, reviews and interviews, featuring some of the best concert photography you'll find worldwide.
For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.
Lights, Camera, Creeper: The Making of JEEPERS CREEPERS 2 featuring writer / director Victor Salva, actors Travis Schiffner, Josh Hammond, Billy Aaron Brown, Eric Nenninger, Nicki Aycox, director of photography Don FauntLeRoy and more... (15 minutes)
The flip phone ain't dead — at least not in China, where Samsung announces the W2018, a high - end device featuring flagship internals and a camera with an f / 1.5 aperture for better low - light photography.
Going beyond simple point - and - shoot photography, the 8 - megapixel rear camera offers a Burst Shot mode that captures still pictures at a rapid - fire pace at three images per second with zero shutter lag, and its Best Shot feature recommends the best picture to keep based on colors, lighting, and clarity.
In terms of optics, the Galaxy S7 sports a 12 - megapixel rear - facing camera with an f / 1.7 aperture for better low - light photography, and has features such as, phase detection auto - focus (PDAF), auto HDR, LED flash and optical image stabilization (OIS).
Taking what I had learned from lighting feature films has helped me to understand how to capture scenes and subjects for my travel photography.
Auckland, NZ About Blog Ambient Light is your go to place for New Zealand based live music news, reviews and interviews, featuring some of the best concert photography you'll find worldwide.
Packs Light — Travel Young and Pack Light Paper Planes & Caramel Waffles — Travels for Those Who Love Beaches & Outdoors The Paradise Blogger — Exploring the World's Best Beaches, Islands, Waterfronts Passport Collective — Best for Encouraging New Experiences The Passport Lifestyle — Photography for Travelers The Path She Took — Green Travel Blog by a French Solo Traveler Pause The Moment — Petite Adventures — Part - Time Travel and Living the Expat Life The Pink Backpack — Female Travel and Adventure Blog Featuring Photography Pinoy Adventurista — Adventure Blog of a Filipino Male PhilaTravelGirl — Affordable Luxury Solo Travel with a Side of Points The Planet D — Adventure Travel Couple Planes & Champagne — Globetrotting, Bubble Drinking & Luxury Loving Blog Planit NZ — Budget Travel Guide for New Zealand Points & Travel — Where Luxury Travel & Value Intersect The Poor Traveler — Traveling at Any Cost Postcards from the World — Travel and Expat Life Blog With an Involvement of the Readers Practical Wanderlust — A Down to Earth Approach to Having Your Head in the Clouds Pretravels — Your Journey Begins Here Pretty Wild World — A Visual Travel Blog Pumps & Pineapples — Luxurious Travel on a Budget
Subtitled Written in Light, this exhibition of the museum's holdings features works from the birth of photography until 1930, interspersed with contemporary work such as Hunter's Vale of Rest, which examines the post-industrial urban landscape at the turn of the millennium.
Featuring a collection of previously undiscovered work by Charles Sheeler, Charles Sheeler: Fashion, Photography, and Sculptural Form casts a new light on one of America's best - known modernists.
Light Work is pleased to present the 2018 Newhouse Photography Annual featuring work by photography students in S.I. Newhouse School of Public Communications at Syracuse Photography Annual featuring work by photography students in S.I. Newhouse School of Public Communications at Syracuse photography students in S.I. Newhouse School of Public Communications at Syracuse University.
There is a great show open right now in the East Bay of the San Francisco Bay Area called New Neon: Light, Paint, and Photography at the Bedford Gallery in Walnut Creek, featuring a roster of Califo
It also features street art, fine art, photography, objets d'art, lighting, sculpture, and other unique collectibles.
In 2015, Chiara was one of seven artists featured in Light, Paper, Process, Reinventing Photography, at the J. Paul Getty Museum in Los Angeles.
Of course, we've featured the abstract photography of Weiss previously, enjoying the way he captures bold shapes and lines that play with light and shadow.
Light and Space: Photographs by Architects is an upcoming exhibition at FRONT art space featuring the photography of nine Selldorf designers.
Light Work and Urban Video Project (UVP) are proud to present Accumulations and Number Sixteen, concurrent exhibitions featuring the work of Xaviera Simmons, whose multidisciplinary artistic practice includes photography, sculpture, installation, sound art, video, and performance.
Of Metal & Light features work by three artists who explore the elementary nature of photography, both chemically and conceptually.
Sean O Hagan has reviewed «Shape of Light: 100 Years of Photography and Abstract Art» at Tate Modern featuring Maya Rochat in The Guardian.
Opening: «Steven Baldi: Branded Light» at Koenig & Clinton Steven Baldi is currently featured in an acclaimed group show about the use of stock photography in fine art, on view at the Walker Art Center in Minneapolis.
Shape of Light: 100 years of Photography and Abstract Art will feature more than 300 works by more than 100 artists.
Light and Shadow is part of the CONTACT Photography Festival and features works by artists who have completed photography courses in Continuing StudiesPhotography Festival and features works by artists who have completed photography courses in Continuing Studiesphotography courses in Continuing Studies at OCAD U.
A new installation by Cairns will be featured in the upcoming exhibition Shape of Light: 100 Years of Photography and Abstract Art at Tate Modern, London, and he will also be participating in London Nights at the Museum of London.
A precursor to appropriation artists of the 1980s, Heinecken is known for series like the influential «Are You Rea» (1966 - 67), in which he used magazine pages placed on light tables to create unexpected juxtapositions of advertising and feature photography.
Maya Hayuk was in town to install a mural for the new exhibition as well as Marco Pho Grassi who created a special installation «Le Grand Verre» a project that featured a mix of medias from painting, film, light, and photography.
Oppenheim's work has also been featured in several prominent group exhibitions including Light, Paper, Process: Reinventing Photography, The Getty Center, Los Angeles (2015), Photo - Poetics, Deutsche Bank Kunsthalle, Berlin and Solomon R. Guggenheim Museum, New York (2015), The Dying of the Light: Film as Medium and Metaphor, MASS MoCA, North Adams, MA (2014), AIMIA AGO Photography Prize Exhibition, Art Gallery of Ontario, Toronto (2014), and New Photography, Museum of Modern Art, New York (2013).
Her work is also featured in various permanent collections, including at the Museum of Fine Arts in Houston; the Worcester Art Museum in Worcester, Mass.; George Eastman House of Photography in Rochester, N.Y.; Light Work; and the Danforth Museum in Framingham, Mass..
Also on view at this time is the Light Work Grants in Photography exhibition, featuring photographs by 2010 grant recipients Yasser Aggour, Ron Jude, and Lida Suchy.
Light Work and Urban Video Project are proud to present Accumulations and Number Sixteen, concurrent exhibitions featuring the work of multidisciplinary artist Xaviera Simmons.The works within these exhibitions present an artist working with — and through — formal languages of performance, video, sculpture, photography, and social and art histories.
Light Work features a multi-gallery exhibition by Demetrius Oliver, showing work in the main gallery, Urban Video Project, and the Robert B. Menschel Photography Gallery.
PART 2: LIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moLIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moLIGHT AND SHADOW The ESSAY «Light and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moLight and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and moLight and Shadow» discusses... flicker films, Plato's allegory of the cave, H.P. Robinson's allegorical images, working with the absence of light, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight, Tony Conrad's slow emulsions, photography as fairy magic and sun drawings, Adam Fuss's photograms, Hiroshi Sugimoto's feature - length exposures, Cai Guo - Qiang's explosions, light as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight as cancerous radiation, light and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight and shadow in city planning, contrast and lighting in works by Rineke Dijkstra, Jacob Riis, Weegee, Adrienne Salinger, and others, O. Winston Link's environmental light, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight, darkness and light as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight as metaphors for knowledge, morality, and power, pools of light in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight in Expressionism, film noir, and works by Hans Bellmer, Esther Bubley, and Anna Gaskell, Group f / 64, available light in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and molight in the work of Roy DeCarava, Yinka Shonibare's interpretation of Dorian Gray, public projected images, Indonesian shadow play, Gregory Barsamian's kinetic sculptures, flickering portraits by Christian Boltanski, Kara Walker's silhouettes, and more...
Transmedia Photography Annual Exhibition — Best of Show Award Exhibition Dates: January 18 — March 8, 2011 Light Work is pleased to announce the Transmedia Photography Annual exhibition, featuring photographs by seniors in Syracuse University's Department of Transmedia, part of the College of Visual and Performing Arts.
Amy Elkins (BFA 2007 Photography) Photographer and curator; represented by Yancey Richardson Gallery, NYC; co-founder Women in Photography; known for her archiving of prisoners on death row in Texas; winner of the 2014 Aperture Portfolio Prize; artist - in - residence, Villa Waldberta, Munich (2012) and Light Work, Syracuse, NY (2011); included in the permanent collections of North Carolina Museum of Art and Light Work, Syracuse, NY; exhibited at Kunsthalle Wien in Vienna., the Carnegie Art Museum in Oxnard, CA, the Minneapolis Institute of Arts, Minneapolis; solo and group exhibitions at the International Modern Photography Festival, South Gyeongsang Province, South Korea;» Cast,» Philadelphia Photo Arts Center, Philadelphia; «Gazed Upon» (curator), Ampersand Gallery, Portland, OR; «Deconstructing the Female Gaze» (curator), PPOW Gallery, NYC; photos and features include «Prison Photography,» included in The Telegraph's Stella Magazine, Real Simple, The Huffington Post, American Photo, Harper's, Newsweek and The New York Times.
«Light, Paper, Process: Reinventing Photography,» featuring the work of Matthew Brandt, Marco Breuer, John Chiara, Chris McCaw, Lisa Oppenheim, Alison Rossiter, and James Welling, opens tonight at Getty Museum.
Other forthcoming events include an Into the Light abstract art and photography exhibition at Tate Modern, featuring images by Paul Strand, Man Ray and Barbara Kasten over the past 100 years.
This fully illustrated catalogue accompanying Charlesworth's first major survey in New York features series such as Stills (1980), a group of 14 large - scale works rephotographed from press images that depict people falling or jumping off buildings; Modern History (1977 - 79), which pioneered photographic appropriation; the alluring Objects of Desire (1983 - 88) and Renaissance Paintings (1991), which continued Charlesworth's trenchant approach to mining the language of photography; Doubleworld (1995), which probes the fetishism of vision in pre-modernist art and marks Charlesworth's transition to a more active role behind the camera; and her final series, Available Light (2012).
Additional quote from above: «One of the fascinating features of IR photography is its ability to penetrate haze and light fog.
Inspired by Light and Technology, a Stunning Device Designed for Every Photography Fan The HUAWEI P20 Series reflects the art of light, with camera features that enhance the smartphone photography experiLight and Technology, a Stunning Device Designed for Every Photography Fan The HUAWEI P20 Series reflects the art of light, with camera features that enhance the smartphone photography Photography Fan The HUAWEI P20 Series reflects the art of light, with camera features that enhance the smartphone photography experilight, with camera features that enhance the smartphone photography photography experience.
Huawei's focusing on portrait and selfie photography in its new phones, with an 8 - megapixel front - facer behind an f / 1.9 lens, and a wide variety of new photographic features for the rear camera that can intelligently enhance lighting in portraits based on facial mapping.
It's the day after Apple's Sept. 12 iPhone event and Apple Senior Vice President Phil Schiller is enthusiastically explaining the origins of the Portrait Lighting feature in the new iPhone 8 Plus and iPhone X. «We didn't just study portrait photography.
Other features that enhance photography results include the largest light sensor in a smartphone (to allow in more light, resulting in a clear, focused image) and Night Mode (for incredible night - time photography).
The camera will include features such as an ISO6400 sensor for low - light photography, a 24 mm wide - angle F2.0 lens and more.
The new 12MP rear camera features Samsung's dual - aperture technology, something that allows for far better low - light photography.
Although the OnePlus 5T features the same main camera sensor as the OnePlus 5, it now offers improved secondary camera shooter with a large f / 1.7 aperture for superior «low light photography».
The G4's rear shooter features an f / 1.8 aperture, which is unprecedented in the realm of smartphone photography, and will allow for more vivid photos in low - light situations without the need for flash.
The thicker and more premium device also features a higher resolution 21 - megapixel sensor with phase detection laser autofocus, optical image stabilization and an aperture of f / 1.8 for low - light photography.
The device takes its name from the dual - camera setup on the back (13 MP + 13 MP), allowing for cool features like refocusing a shot after the fact, bokeh effects, and better low light photography.