Sentences with phrase «light wall sculptures»

In «Heaven or Las Vegas,» Navarro has created a series of neon light wall sculptures based on the floor plans of 12 of the world's best known skyscrapers, including the Jumeirah Emirates Towers in Dubai, Lotte World Tower in Busan, and the Twin Towers in New York.

Not exact matches

Canadian artists decorate the walls with ice sculptures and incredible murals, which come alive under the glow of colored lights.

Bandshell at Forest Park in Woodhaven • $ 300,000 to improve lighting along the shorefront facing Queens in Franklin D. Roosevelt Four Freedoms Park on Roosevelt Island • $ 1.5 million to renovate the baseball fields at Glen Oaks Playground in Glen Oaks • $ 1 million to renovate Hallets Cove Playground in Astoria • $ 975,000 to improve the asphalt field at Hoffman Park in Elmhurst • $ 1.3 million to construct a meditation garden and upgrade Rachel Carson Playground in Kissena Corridor Park in Flushing • $ 322,000 to construct a skate park at Laurelton Playground in Laurelton • $ 850,000 to upgrade Lannett Playground in Far Rockaway • $ 600,000 to renovate Maple Playground in Flushing • $ 1.5 million to install new play equipment and to upgrade the sprinklers and surface at Mauro Playground in Kew Gardens Hills • $ 350,000 for landscape improvements along the Merrick Boulevard Mall in Springfield Gardens • $ 700,000 to enhance the lawn area, install new walkways, decorate pavers, install new benches and plantings, create a new entry and repair the retaining wall at Newtown Playground in Elmhurst • $ 2 million to upgrade to existing benches and equipment in Norelli Hargreaves Park in Jamaica • $ 300,000 for a mall enhancement and tree plantings along the Northern Boulevard Mall between 62nd Street and 102nd Street in Woodside / Jackson Heights • $ 400,000 to renovate Kingsland Homestead in Flushing • $ 3 million for the preservation of the New York State Pavilion in Flushing Meadows — Corona Park • $ 480,000 to replace the aviary mesh and marsh bridge at the Queens Zoo in Flushing Meadows — Corona Park • $ 2 million to renovate the asphalt field at the World's Fair Playground in Flushing Meadows — Corona Park • $ 800,000 to formalize the picnic grove, add gravel pads and grills, install new fences and benches and upgrade the basketball courts in Rainey Park in Astoria • $ 1.5 million for turf and track upgrades at Roy Wilkins Park in Jamaica • $ 1.4 million to renovate Sandpiper Playground in Rockaway Beach • $ 600,000 to renovate the museum building at Socrates Sculpture Park in Long Island City • $ 500,000 construct a dog run at Triborough Bridge Playground B in Astoria • $ 375,000 for pavers and accent lighting at Tribute Park in the Rockaways • $ 250,000 for site acquisition to add to Udalls Cove in Little Neck • $ 175,000 to improve sidewalk and perimeter of Veterans Grove in Elmhurst • $ 1.6 million to resurface the baseball field and upgrade the play equipment at Vleigh Playground in Flushing • $ 300,000 to support the borough's Tree Stump Removal Program.

Wall Color: Benjamin Moore Hazy Skies Dark Planked Wall Color: Cravy by Kwal Paint Area Rug Coffee Table Sofa (in Rain) Leather Chairs Art Ledge Faux Fiddle Leaf Fig Tree Basket Fur Pillows Dark Blue Velvet Pillow Tree Cut Print Art Art Light Tripod End Table White Table Lamp Arc Floor Lamp Bamboo Blinds Curtain Rod White Grommet Curtains Coffee Table Tray Black Star Sculpture Striped Throw Blanket Faux Pencil Succulent

With its geometric design, this wall sculpture creates ever - changing shapes of light and shadow.

GUEST BEDROOMS: - Two king - sized bedrooms housed in stand - alone pavilions - Featuring king four - poster beds, cream coloured walls, wooden floors and soaring roofs - Front terrace lit by colonial - style bell - jar lanterns and furnished with antique daybed leading from glass sliding doors onto the bedroom - Spacious dressing rooms - Wall - mounted LCD satellite TV, DVD player and iPod dock - Air - conditioned and fan - cooled - Air - conditioned ensuite bathroom with sculptured terrazzo bathtub, double washbasins, glass doors leading to alfresco area with outdoor rain shower in a private walled courtyard - Additional single bed can be configured upon request

The newly updated steakhouse on Seven Seas Mariner, Prime 7, now has unique, rectangular light fixtures that are reminiscent of a sculpture across the ceiling, and cream - colored, pillow - backed chairs contrasted by sapphire walls and wood finishes.

This sculpture expanded the exhibition Quick Light beyond the walls of the Gallery connecting Katz's work with the Serpentine's parkland surroundings.

Attached to the wall, these embryonic sculptures resemble orbs of light.

Eiben's works, whether pastel watercolors or aluminum wall sculptures, evoke freshness and light — perhaps one reason his upcoming solo show at Christian Lethert is entitled «Running on Sunshine.»

As the artist explains,» The space will be filled with sinuous, large, sprawling structures on two opposing walls (units composed of weaving of metal grid and clear, iridescent,» edge glowing» Plexi glass), which transmit, reflect, and refract light while the painted dark walls of the gallery are enclosed with images that echo the shadows and reflections of the gleaming sculpture.

Horizonal oval shaped ceramic slates mounted and protruding a few inches from the walls are installed around the sculptures and alternate from dark vibrant earth tones to creamy light gradations that connote pristine marble surfaces.

It will include works from Turner Prize winner Martin Creed, the playful minimalist who created the notorious room with lights going on and off, Andrea McLean whose dense surfaces teeming with birds, beasts, flowers and trees, double up as a delicately detailed diary of her experiences, Neil Jeffries's wall - based sculpture, David Batchelor's jewel bright minimalist painting.

Outstanding works in the contemporary collection include Frank Stella's monumental geometric painting Raqqa II (1970), Ellsworth Kelly's minimalist painting Blue Panel (1980), Anselm Kiefer's Untitled (1980 — 86) triptych, Gerhard Richter's abstract painting Station (577 - 2)(1985), Elizabeth Murray's three - dimensional painting Pigeon (1991), Guillermo Kuitca's evocative painting People on Fire (1993), Sean Scully's luminous painting Wall of Light Peru (2000), Jaume Plensa's illuminated sculpture Doors of Jerusalem I, II, & III (2006), Beth Lipman's monumental glass sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture Isculpture Doors of Jerusalem I, II, & III (2006), Beth Lipman's monumental glass sculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture Isculpture Bride (2010), Mickalene Thomas's powerful painting Three Graces: Les Trois Femmes Noires (2011), Kehinde Wiley's provocative portrait Judith and Holofernes (2012), and Yinka Shonibare's dynamic outdoor sculpture Wind Sculpture Isculpture Wind Sculpture ISculpture II (2013).

A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the late 1Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the late 1light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the late 1960s.

The northern façade, in contrast, features a curtain wall of windows that bring natural light into the museum's galleries and allow visitors to take in views of the sculpture garden and the surrounding cityscape.

From his precisely gridded works of the 1970s to the three - dimensional panels of the 1980s and his now celebrated Wall of Light paintings from the 1990s, this volume gathers the entire oeuvre of the artist, whose work is held in numerous public collections including the Metropolitan Museum of Art, MoMA, and Solomon R. Guggenheim Museum, New York; the National Gallery of Art, Corcoran Gallery of Art, and Hirshhorn Museum and Sculpture Garden, Washington, DC; Modern Art Museum of Fort Worth, Texas; and the Tate, London.

Louise Bourgeois and Ursula von Rydingsvard make light - handed, spontaneous drawings distinct from the immense sculptures that are their hallmark, while Catherine Lee's works - on - paper directly recall her repetitious wall reliefs.

Matthew Ritchie's installations, which integrate painting, wall drawings, light boxes, performance, sculpture, and projections, are investigations of the idea of information explored through science, architecture, history and the dynamics of culture, defined equally by their range and their lyrical visual language.

«40 Years: Part 1» features significant Minimal and Conceptual works like Incomplete Open Cube by Sol LeWitt; a Fred Sandback yarn sculpture; Measurement: Wall (1969) by Mel Bochner; a conceptual ruler drawing and a painting by Sylvia Plimack Mangold; Dan Flavin's neon light piece; Wolfgang Laib's Rice House, and two 1960s prints by Donald Judd.

Doug Aitken's first solo exhibition in London for eight years will occupy both floors of Victoria Miro and include a specially reconfigured presentation of his acclaimed multi-channel film installation Black Mirror, alongside new wall - and floor - based sculptures and light box...

Light literally dances on every wall and even on the ceiling — the blinking lights bridge the many large light sculptures and installations, melting the exhibition space -LSB-.Light literally dances on every wall and even on the ceiling — the blinking lights bridge the many large light sculptures and installations, melting the exhibition space -LSB-.light sculptures and installations, melting the exhibition space -LSB-.....]

On Aug. 2, an exhibition of Abstract Expressionist painting and sculpture from the National Gallery of Art in Washington will open in the Clark Center's other galleries, which are below grade but get some natural light from large window wells (though the larger gallery is marred by a diagonal wall).

In 1968, he began creating wall sculptures using incandescent light and sheer fabric before shifting his attention to neon.

Cologne - based artist Regine Schumann creates sculptures and wall - reliefs using acrylic glass and a special phosphorescent pigment that allow the works to glow from within, whether in day light or UV light.

A new monumental, Corten - Steel outdoor sculpture entitled Boxes Full of Air will stand in stunning contrast to the enormous, permanent stone sculpture Wall of Light Cubed (2007).

Biography: Matthew Ritchie's installations, which integrate painting, wall drawings, light boxes, performance, sculpture, and projections, are investigations of the idea of information explored through science, architecture, history and the dynamics of culture, defined equally by their range and their lyrical visual language.

From the delicate nature of early wall sculptures — including Diary of Flowers (1994), composed with hundreds of doodled paper napkins, and Changing Things (1997), made from disassembled silk flowers — to the large cut - paper photographs of flowering trees, gold - leafed newspaper pages, and light - filled mirror mosaics of the past decade, Hodges» art typically begins as humble, even overlooked materials that are transformed through his touch.

Matthew Ritchieʼs (b. 1964) installations integrating painting, wall drawings, light boxes, performance, sculpture and moving image are investigations into the complex and transient nature of information.

In stark contrast to white walls and light patchwork floorboards, the sculptures of Lionel Maunz shade the space of Bureau in New York.

Made of day to day ephemera such as discarded Christmas trees and plastic bags, the lighter than air new wall sculptures of Ilene Sunshine are playful drawings in sticks and string.

From the delicate nature of early wall sculptures - including Diary of Flowers (1994), composed with hundreds of doodled paper napkins, and Changing Things (1997), made from disassembled silk flowers pinned to the wall - to the large cut - paper photographs of flowering trees, gold - leafed newspaper pages, and light - filled mirror mosaics of the past decade, Hodges» art typically begins as humble, even overlooked materials that are transformed through his touch.

by Tara Plath In stark contrast to white walls and light patchwork floorboards, the sculptures of Lionel Maunz shade the space of Bureau in New York.

When exhibited in their glowing light boxes they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures such as Dan Flavin's fluorescent light installations or Donald Judd's metal and Perspex wall reliefs.

Since exploding onto the art scene in 2003 with his playful wall drawing performances, Robin Rhode has scribbled on just about every type of surface, while also making photographs and sculptures of objects like bikes, candles, and light blubs out of chalk and charcoal.

abstract three - dimensional wall sculpture, acrylic and wood on panel carved strips of wood dyed and painted in shades of light blue, teal, aqua, white and grey 30 x 36 x 2.5 inches, c...

Rather than creating closed sculptural masses, Sonnier began composing open forms that combined neon light, glass, and other industrial materials to create sculptures that interact with the wall and the viewer.

Marking his second solo exhibition with the gallery, Polychromatic Structures comprises a series of site - responsive installations of his geometric polychrome basswood and ink sculptures that are placed across the walls according to the light, scale and vantage points of the gallery.

The lighting is so dim that you must get very close to the drawings on the wall and bend down to discover the subtle details of the floor - based sculptures — like the dripping wax and the back - lit window in the shape of witchy eyes.

She cast the organic shapes large - scale in milky acrylic to create two translucent, radiant sculptures — a 15 - foot - long, wall - mounted horizontal piece titled Slug and a 13 - foot - tall floor - to - ceiling piece titled Egg, each lit from within and host to a lush universe of plant life.

The monumental sculpture climbed down the walls, invading the entire space, from shadow to light.

Marc Glimcher, the proprietor of Pace, was leaning against the wall of his gallery's booth, which was painted light blue and had a series of small Kiki Smith sculptures of birds and wolves that looked like they were leaping through an azure sky.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

KAYA's floor - to - ceiling panels of industrial materials, LED lights and aluminum hand bars demand viewers» attention to the detriment of Jessi Reaves» nearby, wall - mounted constructions and furniture sculptures.

Whether wall mounted or free standing, Kunin's intricate sculptures become even more animated with the play of light on their iridescent surfaces.

More recently, Gisela Colon, who has been recognized in ArtForum as a next generation light and space artist, has created «irregularly shaped wall mounted acrylic orbs... scarab - like objects achieve their iridescence via the play of natural light, yet the sculptures appear to change color as one moves around them, as if lit by multihued bulbs.»

A central figure in the California Light and Space movement, Laddie John Dill has been using a combination of weighty and incandescent elemental materials to construct luminous sculptures, formalistic wall pieces, and site - specific installations since the 1960s.

Part of a network of art sites on island developed by Japanese businessman and art collector Soichiro Fukutake, the museum features polished concrete chambers housing the work of three artists: a selection of Claude Monet's water lily paintings (the skylight and glistening mosaic floor creates a shrine - like experience); an installation by Walter de Maria that consists of a central, polished granite sphere sitting on a staircase with surrounding gilded wall sculptures; and three James Turrell light works.

Recycled plastic iceberg sculptures cover the floor and glow eerily under black light while scents waft through the air and videos documenting collisions between the natural and manmade world stream continuously on two glass screens that reflect images onto the walls.

New paintings, drawings and sculpture are featured in «Sean Scully: Wall of Light Cubed» at Cheim & Read's gallery on 25th Street.