Sentences with phrase «lighter cerulean»

«Bend Sinister» is an off - axis, five color chevron consisting of two different values of blue: a chilly cobalt and a lighter cerulean, stacked on top of a lemon yellow and bordering a warm orange.

Not exact matches

Even hundreds of feet beneath the surface the reefs were illuminated by cerulean - hued sunlight, bright enough to gather specimens without lights.

Other highlights include ambient interior lighting with 64 color choices (may we suggest a calming Cerulean during the day and daring Magenta at night?)

Painters, sculptors and potters of international renown come for the big skies, the rugged beauty of the boulder - strewn moorland, and the intense light that turns the sea cerulean blue even in mid-winter.

This Caribbean beach has cerulean water, light golden sand, and gorgeous green forest on the surrounding hills.

I saw some cerulean blue sky and a little bit of sun that day but we were still being tormented by light rain showers.

Unison Pastels: Grey 27, Cadmium Yellow light & Mid, Lemon Yellow Light, Warm Pink, Cool pink, Cadmium Red, Burnt Siennas, Burnt Orange mid & dark, Red Brown mid & dark, Cerulean Blue, Cobalt Blue, Yellow Greens, Blue greens, Dark Blue / Green, Prussian Blue, Blue Violet, Cobalt violet, Lilac light Blue Grey mid & dark, Rembrandt light & Mid, Lemon Yellow Light, Warm Pink, Cool pink, Cadmium Red, Burnt Siennas, Burnt Orange mid & dark, Red Brown mid & dark, Cerulean Blue, Cobalt Blue, Yellow Greens, Blue greens, Dark Blue / Green, Prussian Blue, Blue Violet, Cobalt violet, Lilac light Blue Grey mid & dark, Rembrandt Light, Warm Pink, Cool pink, Cadmium Red, Burnt Siennas, Burnt Orange mid & dark, Red Brown mid & dark, Cerulean Blue, Cobalt Blue, Yellow Greens, Blue greens, Dark Blue / Green, Prussian Blue, Blue Violet, Cobalt violet, Lilac light Blue Grey mid & dark, Rembrandt light Blue Grey mid & dark, Rembrandt Black

Colours: Cobolt Violet, Indian Yellow, Turquoise, Opera Rose, Light Red, Raw Sienna, Ultramarine Blue, Ultramarine Violet, Yellow Ochre, Burnt Umber, Cerulean, Alizirin Crimson, Olive Green, Raw Umber.

Paris light is beautiful cerulean gray.

[ok for week no. 2 meeting] white paper 90 lb smooth, notebook is fine exacto or utility knife rubber cement straight edge or ruler fashion magazines, instructions in class to follow commercial paint supply color strips, instructions in class to follow titanium white or equivalent gouache french ultramarine blue gouache cobalt blue gouache cerulean blue gouache veridian green gouache cadmium red medium alizarin crimson gouache magenta gouache cadmium yellow light gouache cadmium yellow deep gouache raw sienna gouache lamp black or equivalent gouache 2 glass containers with lids for water plastic paint palette with dividers 2 - 3 paint brushes including small round tip, medium flat, example # 8 flat or equivalent small spray bottle [facial atomizers are good] clean rag or paper towel

Unison Soft Pastels: Dark Red, Cadmium Orange, Cadmium Orange Red, Purple Red Dark, Cadmium Yellow, Yellow Ochre, Blue Violets, Cerulean Blue, Cobalt violet, Lilac light, Violet, Purple, Yellow Greens, Dark Blue / Green A49

Colours: raw umber, burnt sienna, yellow ochre, burnt umber, ultramarine blue, cobalt blue, cerulean blue, king's blue light, alizarin crimson, cadmium red light, cadmium orange, naples yellow light, naples yellow dark, cadmium yellow light, lemon yellow, titanium white

Colours: Ultramarine blue, burnt sienna, oxide of red, cerulean blue, raw sienna, manganese violet, white, lemon yellow, kings blue light, cobalt blue, naples yellow, cadmium yellow, alizarin crimson, paynes grey.

Colours: Cobolt Blue, French Ultramarine, Cerulean Blue, Cobolt Violet, Raw Sienna, Burnt Sienna, Cadmium Lemon, Lemon Yellow (Nickel Titanate), Aureolin, Opaque White, Veridian, Light Red.

Also included is Andy Warhol's Little Electric Chair, 1964 that Twombly traded directly with the artist, a cerulean blue in stark contrast with the dark silkscreen inks and, two rare early works by Bruce Nauman, including one of only three Light Trap photographs, William T. Wiley or Ray Johnson Trap, 1967.

LB: My first palette consisted of, going around from the bottom left of the palette and moving along the outer edge to the top right or middle of the right edge: titanium white, zinc yellow, cadmium yellow light, naples yellow, yellow ochre, alizarin crimson, cadmium red light, venetian red, ultramarine blue, cobalt blue, cerulean blue, virdian green, chromium oxide green, ivory black, burnt sienna, raw umber.

One each of: Cream, Ginger Root, Lemon Yellow, Canary Yellow, Yellowed Orange, Yellow Ochre, Spanish Orange, Goldenrod, Sunburst Yellow, Sand, Orange, Pale Vermilion, Poppy Red, Carmine Red, Crimson Red, Crimson Lake, Magenta, Process Red, Mulberry, Pink, Blush Pink, Light Peach, Beige, Peach, Dark Purple, Lilac, Parma Violet, Violet, Imperial Violet, Violet Blue, Ultramarine, Copenhagen Blue, True Blue, Lt. Cerulean Blue, Peacock Blue, Cloud Blue, Indigo Blue, Light Aqua, Aquamarine, Parrot Green, Yellow Chartreuse, Chartreuse, Lime Peel, Spring Green, Apple Green, True Green, Grass Green, Olive Green, Dark Green, Sepia, Jade Green, Putty Beige, Light Umber, Burnt Ochre, Sienna Brown, Terra Cotta, Tuscan Red, Dark Umber, Dark Brown, Warm Grey 20 %, Warm Grey 50 %, Warm Grey 70 %, Cool Grey 20 %, Cool Grey 50 %, Cool Grey 70 %, Black, French Grey 20 %, French Grey 50 %, French Grey 70 %, White, Metallic Silver & Metallic Gold coloring pencils.

In «Distance from the Sea» (2009), a small square canvas, one can detect the wonderful light yellow passage over a diffused pink plane seeping through from underneath two quasi-rectangular forms in cerulean blue.

I had a comparable sigh of relief on seeing an Ann Truitt drawing at the Matthew Marks Gallery, a tiny slice of cerulean blue along a horizon of light pencil.

«The natural light in Chatham is different than in most places,» Bonnie explains, since the water shifts from gray to cerulean throughout the day.

The iridescent tiles in various cerulean shades catch the light beautifully and led to a similar scheme for the rest of the house.

Stairwell landing features built - in bookcases lined with beadboard backsplash flanking storage bench painted Benjamin Moore White Dove topped with a cerulean blue cushion and yellow and gray quatrefoil pillows below walls painted Sherwin Williams Mindful Gray adorned with a large blue and purple abstract canvas lit by a champagne silver crystal chandelier.