Sentences with phrase «like color field»

These outliers contributed to the rise of movements like Color Field Painting, Post Painterly Abstraction, Minimalism and Neo-Expressionism, and contemporary abstraction would not be the same without them.

Frankenthaler's paintings began to gain attention at galleries and her most well - known work, Mountains and Sea, had a profound influence on other artists, like Color Field painter, Morris Louis, who said that Frankenthaler was, «a bridge between Jackson Pollock and what was possible.»

They're like color field paintings.

Shards of paper topiary and supple sprigs of necklaces emerge from a coruscation of fierce blue circles shimmering like a color field in heat, distorting perspective and dimension.

[37] When in 1967 he returned to abstraction his works were parallel to movements like the Color Field movement and Lyrical Abstraction.

Ward overlays this contemporary monetary reference with cowry shells, an earlier form of currency found in many cultures, and gives the paintings a distinct patina by pouring and rubbing white rum flecked with gold and silver powder in a ritualistic fashion, producing an ethereal aura much like a Color Field painting.

[27][28] When in 1967 he returned to abstraction his works were parallel to movements like the Color Field movement and Lyrical Abstraction but he remained independent of both.

Not exact matches

«For example, the sherbet «Essence of Ghost» is literally body - chilling, the flavor is a mysterious combo that draws on childhood memories, and the color is pale white with gentle wisps of gray like ghosts floating through a foggy field.»

Fromthe field it looked like a huge waterfall of color, from which at intervalscame a roar not unlike that which one hears at Niagara.

We use a Himalayan salt lamp, which not only purifies the air and reduces electro - magnetic field radiation, but it has a very relaxing light color that looks like warm fire tone that promotes sleep.

The Allende carbonaceous meteorite is peppered with inclusions that have a ceramic - like chemistry (red for calcium, blue for aluminum, green for magnesium in the false color image below; field of view is 0.5 millimeters, approximately one - hundredth of an inch).

my understanding of regular potatoes any color skin flesh etc. is this... potatoes are on the dirty dozen list... sweet potatoes are on the clean 15... i eat over 50 % of my diet in the form of a few different colors of sweet potatoes... i buy them bulk... peel»em very deeply... at least 1/2 inch all around... i sometimes get them as large as 6 pounds (football sized)... i used to wear out the regular potatoes but after speaking with the safety expert from a huge potato company to find out if the potatoes are grown on soil which had grain crops treated with round - up herbicide filled with atrazine and glyphosate (which most grain crops are... inluding many wheat crops... they get sprayed like 3 days before harvest... then the round - up is in the soil)... problem is... the round - up stays for 7 years... after stayin» off the soil for a couple years... it can have any kind of crop planted on it and get an organic rating... but... whatever was planted on that soil is then full of round - up... so... this crop rotation onto fields which had grain crops sprayed with round - up herbicide etc. is EXTREMELY COMMON IN THE GROWING PRACTICE FOR REGULAR POTATOES... very common practice... so even if you peel»em deeply... they are still soaked with round - up... the glyphosates get in the gut... the aluminum which is all over everything grown above ground and not covered (hot house etc)... gets eaten9ya can't wash it off... unless ya peel everything... but greens etc. ya can not get it out... it gets in the fiber)... then ya eat it... it goes in the gut... mixes with the glyphosate... becomes 10,000 timesmore toxic... inhibits the bodies ability to properly process sulfur into sulfide and sulfate... basically many very smart researchers are sayin'this is the cause of all this asperger's... autism... alzheimer's like symptoms in the elderly... you can only take so much nano... pico... and heavy metal poisoning... the brain starts to act very strangely... so... long story short... i eat lots of sweet pots grown on clean soil... they are non-gmo and basically grown organically... but... the grower doesn't pay for the certification... i make sure to get my omega 3 from fresh ground flax seed in the morning away from my sweet potato consumption... the omega 6 in the sweet pots inhibits the absorption of omega 3 and i only want so much fat daily... i'm on the heart attack proof diet by dr. caldwell b. esselstyn jr....

These new models allow you to change out the lens just like a DSLR, and you can achieve those effects that fashion bloggers love including depth of field, super-sharp focus and true - to - life color.

«I like designs with the beauty of the flowers we see in the Peruvian sierra, the geometric shapes seen in terraced fields and the colors of our traditional Cuzco weavings.»

There is also a very effective «search» tool, where you can narrow down your field of searching by listing favorite trends like hair color, ethnicity, race, religion, vital statistics and build, and a lot more.

There are a few niggling criticisms, like the lack of precipitation when it's raining or snowing (the only affect weather has is to slightly alter the color of the field) and the fact that Franchise and Superstar modes are identical to last year, but the game is otherwise solid with a noticeable absence of bugs and glitches.

This emphasis on complexity and a disinterest in reducing a heroine to a sad - sack victim extends to Lelio's hyper - vivid aesthetic, which drapes the film in surreal dream sequences, beautiful colors and left - field soundtrack choices like «Time» during a pivotal emotional scene.

As I was standing in the back - straight bleachers at my very first Indianapolis 500, I caught sight of the field firing out of Turn 2 during the first lap, a hail of oncoming bullets like bright - colored cans of motor oil.

Joan assessed the crowd, lighting upon the most interesting: young men turning white T - shirts into art, pinching the material tight and rubber - banding each section until they looked like porcupines being dipped into huge steaming vats of colored dyes; the young woman with a bird's nest of purple hair sitting at a potter's wheel, slamming down hunks of clay, her hands moving nearly as fast as the wheel, cups, vases, plates, bowls, trays, appearing like magic; the elderly man in a worn blue linen suit, a jaunty straw boater on his head, a smeared palette tight in his hand, painting a mammoth canvas of people on a beach staring out at an ocean where a sailboat bobbed in the distance, though he himself was standing in a mowed field; the handsome young man at an old - fashioned school desk, a manual typewriter in front of him, a stack of paper to the side.

I have a lot of information I want to share with other writers, and I know this is a field where self - publishing really sells better (in my opinion) and I feel better equipped to market writing books than I did something like the coloring book.

Think about how you can use existing branding like your logo or company colors to enhance your eBook cover and link your readers to the reality that you are the go - to expert in your field.

like the colors are all bright and look cartoony» Well maybe you're not trying to troll but your question is just waaay out of left field.

The game did feature a dark color palette, but this posed no barrier to visually impaired players, because of the listen mode, which turned Joel's field of vision into a radar - like display, showing all enemies within a given distance.

This perceptual complexity, along with the fusion of color and structure, lies, I believe, at the core of the renewed interest in the work not just of Thomas, but also of formally oriented Color Field painters of the»60s and»70s, like Morris Louis, Kenneth Noland, and Gene Dcolor and structure, lies, I believe, at the core of the renewed interest in the work not just of Thomas, but also of formally oriented Color Field painters of the»60s and»70s, like Morris Louis, Kenneth Noland, and Gene DColor Field painters of the»60s and»70s, like Morris Louis, Kenneth Noland, and Gene Davis.

Curated by Paul Schimmel, the show charts Guston's progress as he played with Color Field painting, moved into grid - like abstractions, and came gradually closer to figuration, combining the visual languages of Abstract Expressionism and Minimalism.

Washed - out fields of color are usually pitted against off - white backgrounds, causing them to look like specimens under a microscope.

And on these fields of color are our two playful icons, two letters or characters, subject to a strange gravity, rolling downhill, levitating themselves, bouncing up and down like the ball in a sing - along.

Pollock's use of all - over composition lend a philosophical and a physical connection to the way the color field painters like Newman, Rothko and Still construct their unbroken and in Still's case broken surfaces.

Across the front of the image, Johns has included three fields of red, black, and yellow color, enveloping sketches drawn from cast body parts, (like those seen in Untitled from 1974).

These artists are acting like industrious junior postmodernist worker bees, trying to crawl into the body of and imitate the good old days of abstraction, deploying visual signals of Suprematism, color - field painting, minimalism, post-minimalism, Italian Arte Povera, Japanese Mono - ha, process art, modified action painting, all gesturing toward guys like Polke, Richter, Warhol, Wool, Prince, Kippenberger, Albert Oehlen, Wade Guyton, Rudolf Stingel, Sergej Jensen, and Michael Krebber.

Gridding both a source photograph and a canvas, Close paints brightly - colored concentric rings that up close look like simple color fields, but from afar turn out to be very detailed portraits.

They leave their mark or its illusion, like thumbprints and color fields for Carrie Moyer or the brush itself for David Reed as the subject of his art.

A synthesis of liquescence and color contours, of parts fused into a single expansive field, Untitled III is developed much like the land - and seascapes that surrounded de Kooning on the East End of Long Island.

Late 19th - century Americans like Augustus Vincent Tack and Albert Pinkham Ryder, along with early American Modernists like Georgia O'Keeffe, Marsden Hartley, Stuart Davis, Arthur Dove, and Milton Avery's landscapes also provided important precedents and were influences on the Abstract Expressionists, the Color Field painters, and the Lyrical Abstractionists.

Color Field pioneer Sam Gilliam, for example, first applied acrylic paint to raw, unprimed canvas by staining it like a piece of fabric, as realized in the sculpture - painting hybrid Hedge Sky.

At the time Bennington was a bastion of Color Field painting and Greenbergian formalism, and although Mueller rejected many of its tenets, he was also deeply marked by the work of artists like Helen Frankenthaler and Kenneth Noland whose influence, he remarked to an interviewer much later, was «shoved down your throat» at the Vermont college.

Another has abstract figures lying about on a field much as in early Joan Miró or Arshile Gorky, in colors much like theirs, and yet another includes sand and coffee grinds — like a blend of everyday life, Jean Dubuffet, and an underground cave.

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

Ramos Rivera's fields of rich color and glyph - like mark making recall both the work of Joan Miro, Paul Klee and Cy Twombly and the iconography of the indigenous cultural heritage of his native Mexico.

Taking its example from other European modernists like Joan Miró, the Color Field movement encompasses several decades from the mid 20th century through the early 21st century.

Sites, subjects, and methods of observation are critical to each artist's visual language: planted fields, elevations seen from an airplane window, gradations of color in a sky reflected on a watery plane, shapes glanced at through apertures between buildings, or the puzzle of shapes in a tapestry - like world are some of the inspirations for the paintings shown here.

The artistic goal of all of these artists was to recover something like a pre-cognitive sensation of visual experience: an image of the world as a field of colored patches and films.

Veils may sound flimsy, and color - field painting has had to battle a reputation as lightweight compared to Abstract Expressionism before it and Minimalism to come, but these are not like the physical curtains that often heighten the illusion in trompe l'oeil painting.

Unlike his cohorts, he did not adopt Frankenthaler's «staining» of unprimed canvases with poured color or employ acrylics but, like them, he considered expansive fields of color ample content, emphasized two - dimensionality in his work and eliminated bravura brushwork.

Color - field painters can take on the scraps of abstraction or traces of figuration, like Seth Price and his enigmatic silhouettes, Ellen Berkenblit with horses and women, or Elliott Green between abstraction and landscape.

By merging formalist color fields with more traditional subjects, Diebenkorn revived a legacy of figurative depictions championed by the likes of Henri Matisse and continued by a new generation of representative painters.

Abstraction survives in Ross Bleckner's disco glow, Alan Uglow's tape - like disruptions of a color field, and Peter Schuyff's version of Op Art that trades sensual overflow for an illusion that will not go away.

The first uses candy stripes like road barriers to penetrate space, the second fields of color somewhere between Robert Motherwell and Donald Sultan.

A canvas like Mountain of Heaven, 1961, illustrates how Bearden was indeed an experimenter, but not in the iconoclastic sense of the AbEx group, nor in the Greenbergian formal sense favored by the younger color - field painters.

These large, abstract, and lush pieces reference color field painting as well as natural and interstellar phenomena like hoarfrost, wormholes, and the moon.