Sentences with phrase «like documenta»

De Keyser was born in 1930 in the Flemish town of Deinze, Belgium, where he still lives, and his reputation was almost entirely confined to his home country and the Netherlands until 1990, when he began exhibiting regularly abroad, first in Germany and then throughout Europe and further afield, not only in one - person shows but in big international exhibitions like Documenta 9 (Kassel, 1992) and «The Broken Mirror,» an important painting survey in Vienna in 1993.

Akram Zaatari has received widespread recognition in major institutions and exhibitions like Documenta 13 and has won the 2011 Yanghyun Prize and the 2011 Grand Prize Videobrasil.

Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.

But these things, like documenta, do start that way.

Not exact matches

Rail: There was a generation of curators like Jan Hoet, one of the creators of Documenta, who said that painting is dead.

Twenty years after the First Cyberfeminist International at Documenta X, what does Cyberfeminism look like in 2017?

Select group exhibitions featuring his work include Objects Like Us, The Aldrich Contemporary Art Museum, Ridgefield, CT (forthcoming, 2018 - 2019); UPTOWN: nastywomen / badhombres, El Museo del Barrio, New York (2017); Black: Color, Material, Concept, The Studio Museum in Harlem, New York (2015); The Great Mother, the Fondazione Nicola Trussardi, Palazzo Reale, Milan (2015); The Freedom Principle: Experiments in Art and Music, 1965 to Now, the Museum of Contemporary Art Chicago (2015); NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York (2013); Contemplating the Void: Interventions in the Guggenheim Rotunda, Solomon R. Guggenheim Museum, New York (2010); the Whitney Biennial, New York (2006); and Landings, Documenta XI, Kassel, Germany (2003).

During his short career, Absalon exhibited in important institutions like the Centre Georges Pompidou in Paris (1991) and took part in dOCUMENTA IX (1992).

In 2012 Adnan's oil paintings and leporellos (books filled with her illustrations and writing which unfold like accordions) were a big hit at Documenta in Kassel, Germany.

Like John McCracken, Kerry James Marshall, and Charlotte Posenenske, she is an artist whose work appeared at multiple locations throughout Documenta 12 this past summer — an ennoblement closely followed by her first solo exhibition in an American museum, currently on view at the Museum of Contemporary Art, Los Angeles.

While the traditional model is a biennial — occurring every two years — other exhibitions occur over varying time frames such as every three (like the schedule Prospect New Orleans has since adopted), five (documenta), or even ten years (Skulptur Projekte Münster).

The works by the Austrian artist Peter Kogler (born 1959), a two - time Documenta participant, are made up of only a few sign - like elements.

The names ranged from those with the renown of Pontus Hultén and Anne d'Harnoncourt to those of more esoteric reputation, like Jean Leering and Franz Meyer, who directed public collections in Eindhoven and Krefeld respectively, as well as collaborating on an influential Documenta exhibition each.

Over in the documenta - Halle, in another act of virtuoso cultural metamorphosis, Thomas Bayrle has made Tibetan mandala - like choreography from reconfigured and animated engines, a reminder of Kassel's fateful wartime industries.

dOCUMENTA (13) lacks an overall concept and doesn't feel master - planned; instead it appears to have self - generated, like a huge organism.

(The status of the Sámi is a mini-theme running through Documenta, in works like Synnøve Persen's proposals for a Sámi flag and Keviselie / Hans Ragnar Mathisen's wonderfully detailed hand - drawn maps of Scandinavia with all the familiar place names replaced with Sámi words, which have been perpetuated largely through oral tradition.)

All over the city — in a graveyard, in a bar, in the ancient Olympic stadium — Pope.L had placed live performances and recordings of people whispering or quietly singing, and Whispering Campaign (2016 — 17) seems like the emblematic artwork of Documenta 14: intentionally fractured, at times unintelligible, vaguely menacing, and cohering only partially, and in retrospect.

Given the fact that he hasn't shown any substantial amount of work in the States for about two decades — aside from a few group shows, art fairs, and his inclusion in the famously identity - politics - focused 1993 Whitney Biennial, where he showed a series of weapon - like wall sculptures (dealing with notions of surveillance, the police state, militarization) that were pieced together with vintage gun parts, carved branches, and coyote bone among other sundry items — «At the Center of the World» was a rare treat for countless artists, curators, and critics who could only follow Durham from afar while his work continually appeared abroad at august venues like the Venice Biennale, Documenta, and galleries and museums across Europe and Latin America.

Naaem Mohaiemen included in Documenta 14, related interview featured on E-flux Conversations: Never Liked Goodbyes Anyway: Naeem Mohaiemen and Didem Pekün in Conversation

Organisers hope the event will draw as many as 300,000 viewers and establish Cleveland as a cultural destination along the likes of Kassel, Germany, where documenta is held.

Europe, with exhibitions like «Documenta» and «Zeitgeist,» is way ahead of us in integrating European and American art.»

(One need only think of the hullabaloo that ensued with shows like Magiciens de la terre, the 1993 Whitney Biennial, or Enwezor's own Documenta 11, all of which challenged contemporary art's monologue of sameness.)

Previously topped by familiar names like artists Damien Hirst and Ai Weiwei and gallery supremo Larry Gagosian, the 2012 title went to Carolyn Christov - Bakargiev best known for curating the marathon Documenta 13 art fair staged in Kassel in Germany.

Matt Mullican's works have been shown at numerous international art institutions like Pirelli HangarBicocca, Milan (2018), Kunstmuseum Winterthur (2016), The Hammer Museum UCLA (2014), Haus der Kunst, Munich (2011), Metropolitan Museum (2009), Biennale Sao Paulo (2008), ICA (2008), Centre Georges Pompidou (2008), Bolzano's Museion (2006), Museum Ludwig in Cologne (2006), Lentos Museum in Linz (2005), Documenta, Kassel (1982, 1992 and 1997).

Nari Ward, «LIVESupport,» at Lehmann Maupin, 540 West 26th Street, through April 17, opening February 25, 6 — 8 p.m. Nari Ward has built an impressive exhibition record over the past decade, with appearances ranging from an eerie, cage - like installation in Minneapolis's Walker Art Center Sculpture Garden in 2000 and a star turn at Documenta XI to a show - stealing group of enormous, diamond - shaped sculptures in the Battle Ground Baptist Church at Prospect.1 in New Orleans.

Like other recurring exhibitions founded in the wake of tragedy (the Gwangju Biennale and Documenta come to mind), Surviving Sandy uses the exhibition format as a generative act.

A hippie with Christ - like looks, a modern Bosch in the East Village who deeply disliked the institutionalization of the art world, Thek created his own «Individual Mythology» (also the term used by curator Harald Szeemann for the section of Documenta 5 in which Thek participated), at times appropriating from those he thought of as his peers — meat shoes via René Magritte («Buzzard,» 1968); twin helix towers of Babel via Vladimir Tatlin; incongruent objects displayed in vitrines via Joseph Beuys; a Brillo Box (with meat) via Andy Warhol.

Feldmann contributed to significant group shows around the world, beginning with his participation at Documenta 6 in 1977 and more recently in major museums, like the Stedelijk in Amsterdam and the MoMA in New York.

Many festivals are annual, but some - like the Venice Biennale - are held every two years, and a few - like the Yokohama Triennial (every three years), or Kassel's Documenta (every five years)- take place even less often.