Sentences with phrase «like ica»

The Whitechapel now feels more like an institute than a gallery, and people are rightly comparing it with PS1 in New York, though it is also like the ICA in certain ways.
There are other ways of being an artist and of showing art — there are those who mine the darker underbellies of our culture and of human existence, and it is the work of those precious galleries like the ICA to investigate and experiment with this.
«There really is no other organisation like the ICA — indeed it is the birthplace of all ICAs,» he said.
Performance, when usually handled by larger institutions like the ICA and the Barbican in London, or the Liverpool Biennial and others, seems to be presented as a clean, precise, quizzical and sometimes participatory activity.
And it is not unreasonable to expect a fund like ICA to outperform the index with an expense ratio of 0.6 %.

Not exact matches

A call to the minister, Phil Larson, yielded the information that what looked like «Biller - ica» was pronounced «Bill - rica,» and the suggestion that I call church historian Charles Stearns.
There is no higher authority on a certain team, that is playing in a certain big shouldered city, that is second to none, and it just so happens to start with «Ch», and ends in a «go», and those syllables sandwich an «ica», much like my Turano bread sandwiches around a classic heaping helping of Italian Beef.
With the generosity of individuals like you, the ICA provides advocacy, research funding, and education to ensure early diagnosis and optimal care with dignity for people affected by IC.
«Tate Modern, Tate Britain, V&A, National Gallery, ICA, and some of the cheesier ones like the Jack the Ripper the museum, that was very sweet with life sized models kind of falling apart.»
These antics have earned Childish a place in the history of British contemporary art (as well as solo shows in places like White Columns and ICA London), but he remains philosophical about his relatively newfound recognition.
So far, Muir has nearly tripled the number of ICA patrons, according to The Art Newspaper, and has been drawing crowds with shows of popular artists like Jacob Kassay and the provocative new drawing exhibition «Keep Your Timber Limber,» which brought out 1,200 visitors to its opening earlier this week.
I - D / Art: Some Like it Hot, I - D, March 2012 Aaron Cutler and Mariana Shellard, The hand made Luther Price, IDIOM Tara Merenda Nelson, KITTENS GROW UP: Tara Nelson & Luther Price in conversation, Luther Price: Fancy Days, Fancy Times, Big Red & Shiny Chloe Penman, Nine Films by Luther Price: Thomas Beard and Ed Halter at the LUX / ICA Biennial, Reel Reel Journal Andrew Lampert, Luther Price, BOMB 120
«Grandfather: A Pionner Like Us» closes this Sunday at ICA LA.
A recent retrospective of this Chicago Imagist associate at the ICA Boston has generated new interest in her diagram - like paintings, which often show anonymous women struggling to get into, or out of, restrictive clothing and undergarments.
E-flux brought 30 or 40 museums on board right away including really important places like the Stedelijk Museum in Amsterdam, Walker Art Center in Minneapolis, the ICA in Miami, and DIA Art Foundation.
2007 PURE, Sean Kelly Gallery, New York, USA I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum, St. Louis, Missouri, USA Like Colour in Pictures, Aspen Art Museum, Aspen, Colorado, USA Ensemble, ICA, University of Pennsylvania, Philidelphia, USA; curated by Christian Marclay Sparkle Then Fade, Tacoma Art Museum, Tacoma, Washington D.C., USA New Prints 2007, IPCNY, New York, USA 2006 Shiny, Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, USA Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA The Last Time They Met, Stephen Friedman Gallery, London, England The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois, USA Gay Art Now, Paul Kasmin Gallery, New York, USA; curated by Jack Pierson Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, Massachusetts, USA The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum, Los Angeles, California, USA 2005 Art inside the Park, Memorial Park, Jefferson City, Missouri, USA Suspended Narratives, Lora Reynolds Gallery, Austin, Texas, USA Landscape Confection, Wexner Center for the Arts, Columbus, Ohio, USA Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago, USA; toured to Hayward Gallery, London, England Visual Music: 1905 - 2005, Museum of Contemporary Art, Los Angeles, California, USA Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England
Twenty - four - year - old Andrea Crespo has had a busy (and impressive) few years, exhibiting at big - league institution like The Whitney, ICA London, New Museum (online), Swiss Institute, Serpentine Galleries, and The Kitchen since the beginning of 2015.
including places like: ICA London, Bluecoat - Liverpool Biennial, Chalton Gallery London and my old studio in Glasgow
And it emerged, the artist told ICA director Ekow Eshun during their catalogue interview, «Like, bang, there it is.
Like MoMA before it and the Whitechapel Gallery under Bryan Robertson after it, the ICA aspired to be a «laboratory».
Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?
2018 Galerie Max Hetzler, Berlin Galerie Greta Meert, Brussels Aspen Art Museum, Aspen 2017 Marian Goodman Gallery, New York Nature & Politics Saint Louis Art Museum, Saint Louis Figure Ground Haus der Kunst, Munich (catalogue) Nature & Politics Moody Center for the Arts - Rice University, Houston 2016 Nature & Politics Museum Folkwang, Essen (traveled to Martin - Gropius - Bau, Berlin; High Museum, Atlanta)(catalogue) 2015 Galerie Rüdiger Schöttle, Munich Galleria Monica De Cardenas, Milan Marian Goodman, London 2014 Thomas Struth - Photographs Metropolitan Museum of Art, New York Rineke Dijkstra & Thomas Struth: Seeing Henry Art Gallery, Seattle Cristina Iglesias & Thomas Struth Ivory Press, Madrid Galerie Max Hetzler, Berlin Five Works Nederlands Fotomuseum, Rotterdam Marian Goodman Gallery, New York 2013 Stiftung zur Förderung zeitgenössischer Kunst, Weidingen / Eifel 2012 St. Petersburg Schirmer / Mosel Showroom, Munich Galleri K, Oslo 2011 Thomas Struth, Fotografien 1978 — 2010 Museu Serralves, Porto; traveled from: Whitechapel Gallery, London; K20, Düsseldorf; Kunsthaus Zürich, Zurich (catalogue) 2010 Situation Kunst, Bochum Thomas Struth, Korea 2007 — 2010 Gallery Hyundai, Seoul New Works Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York (catalogue) 2009 Paradises Frieze Art Fair 2009 - DB VIP Lounge, London Museum of Cycladic Art, Athens 2008 Galleria Monica de Cardenas, Zuoz Galerie Meert - Rihoux, Brussels Museo d'Arte Contemporanea Donna Regina — MADRe, Naples Familienleben SK Stiftung Kultur, Cologne; traveled to: De Pont Museum of Contemporary Art, Tilburg (catalogue) Family Portraits Galerie Paul Andriesse, Amsterdam 2007 Making Time Marian Goodman Gallery, New York Making Time Galerie Max Hetzler, Berlin Making Time Museo del Prado, Madrid (catalogue) 2006 Thomas Struth — Rineke Dijkstra Galerie Xippas, Athens Galerie Meert - Rihoux, Brussels 2005 Audience, Read This Like Seeing It For The First Time (Video work in collaboration with The Bern Academy of Music) Marian Goodman Gallery, New York Museum Photographs 1987 - 2004 Galleri K, Oslo Audience Galerie Paul Andriesse, Amsterdam Imágenes el Perú Museo de Arte Lima, Lima Arbeiten aus Peru Galerie Max Hetzler, Berlin Audience Galerie Rüdiger Schöttle, Munich 2004 Pergamon Museum I - VI Hamburger Bahnhof - Museum für Gegenwart, Berlin (catalogue) Une Heure: Video Portraits CAPC - Musée d' Art Contemporain de Bordeaux, Bordeaux 2003 1977-2002 Museum of Contemporary Art, Chicago Metropolitan Museum of Art, New York Cities Marian Goodmann Gallery, Paris Strassen Galleri K, Oslo Pergamon Musum I - VI Galleria Monica de Cardenas, Milan 2002 Pergamon I — IV Marian Goodman Gallery, New York 1977 - 2002 Dallas Museum of Art, Dallas; MOCA - Museum of Contemporary Art, Los Angeles (catalogue) New Pictures from Paradise Staatliche Kunstsammlungen Dresden; Centro de Fotografía, Universidad de Salamanca (catalogue) Galerie Rüdiger Schöttle, Munich 2001 Pictures from the Dandelion Room Schirmer / Mosel Showroom, Munich (catalogue) Galerie Max Hetzler, Berlin (catalogue) Galerie Meert - Rihoux, Brussels 2000 My Portrait National Museum of Modern Art, Tokyo; traveled to: National Museum of Modern Art, Kyoto; Galleri K, Oslo (catalogue) Galerie Shimada, Tokyo 1999 Galleria Monica de Cardenas, Milan Still Centre National de la Photographie, Paris Gallery Shimada, Tokyo The Berlin - Project (with Klaus vom Bruch) Hamburger Kunstverein, Hamburg New Pictures from Paradise Marian Goodman Gallery, New York; Marian Goodman Gallery, Paris 1998 The Berlin - Project (with Klaus vom Bruch) Kunstmuseum Luzern, Luzern Still Carré d'Art, Musée d'Art Contemporain, Nîmes; Stedelijk Museum, Amsterdam (catalogue) Centro Galego de Are Contemporanea, Santiago de Compostela Galerie Meert - Rihoux, Brussels Nouveau Portraits Marian Goodman Gallery, Paris 1997 Face to Face (with Luo Yongijn) Fine Arts Foundation of Beijing; International Art Palace, Peking (catalogue) Portraits Sprengel Museum, Hanover (catalogue) Achenbach Kunsthandel, Düsseldorf (with Cindy Sherman) The Berlin - Project (with Klaus vom Bruch) Galerie Max Hetzler, Berlin Marian Goodman Gallery, New York Nieuw Werk Galerie Paul Andriesse, Amsterdam 1996 Valocuvia Fotografier Kluuvin Galleria, Helsinki (catalogue) Galerie Shimada, Tokyo 1995 Strangers and Friends Art Gallery of Ontario, Toronto (catalogue) Strassen Kunstmuseum Bonn, Bonn (catalogue) Neue Arbeiten Galerie Max Hetzler, Berlin Oeuvre récentes Galerie Marian Goodman, Paris Landschaften Galerie Shimada, Yamaguchi 1994 Strangers and Friends Institute of Contemporary Art, Boston; ICA - Institute of Contemporary Arts, London (catalogue) Marian Goodman Gallery, New York Galerie Meert - Rihoux, Brussels 1993 Museum Photographs Hamburger Kunsthalle, Hamburg (catalogue) Galleria Monica de Cardenas, Milan Photographien aus Deutschland Galerie Shimada, Yamaguchi The Saint Louis Art Museum, St. Louis Marian Goodman Gallery, New York Galerie Max Hetzler, Cologne 1992 Portrait Museum Haus Lange, Krefeld (catalogue) Directions Hirshhorn Museum and Sculpture Garden, Washington D.C. Galerie Max Hetzler, Cologne 1991 Galerie Meert - Rihoux, Brussels House - Street - Individual - Group Galerie Shimada, Yamaguchi 1990 Photographs The Renaissance Society, University of Chicago, Chicago (catalogue) Portrait and Museum Photographs Marian Goodman Gallery, New York Galerie Paul Andriesse, Amsterdam Giovanni Minelli, Paris Urbi et Orbis, Paris 1989 The Clocktower, New York (with Andreas Gursky) Halle Sud, Geneva Galerie Peter Pakesch, Vienna Neue Bilder Galerie Max Hetzler, Cologne 1988 Galerie Meert - Rihoux, Bruxelles Neapel and Tokyo Galerie Rüdiger Schöttle, Munich Portikus, Frankfurt / Main (with Siah Armajani) 1987 Unconscious Places Kunsthalle Bern, Bern; Westfälisches Landesmuseum Münster, Münster (with Siah Armajani); Prefectural Museum of Art, Yamaguchi; Fruitmarket Gallery, Edinburgh (catalogue) Tokyo und Münster Galerie Max Hetzler, Cologne 1986 Galerie Shimada, Yamaguchi 1985 Galerie Rüdiger Schöttle, Munich 1980 Galerie Rüdiger Schöttle, Munich Stadtmuseum Düsseldorf, Düsseldorf (with Roswitha Ronkholz) 1978 PS1 - Contemporary Art Center, Long Island City
2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.
Collar's exhibitions and performances include: A rock that keeps tigers away, group exhibition, Kunstverein München, Munich, July 2017; a performance event and micro residency, Kunstraum, London, June 2017; Plural Melts at Yvonne Lambert, Berlin, 2017; Tall Tales, touring group exhibition and performance, Freud Museum, London, Touchstones Gallery and Museum, Rochdale and Glasgow Women's Library 2016; Tarantallegra, group exhibition, Hester, New York, July - Aug 2016; Secret Surface, group exhibition, KW, Berlin, Feb - May 2016; 11/50, solo exhibition, Fig - 2, ICA, London, March 2015; Probably, Like a Melon Rolling Off a Table: Part II, solo performance for Saturday Live, Serpentine Galleries, London, Jan 2015; Secret Agents, group exhibition, Finnish Museum of Photography, Helsinki, Sept - Oct 2015; PALIMPSEST, performance collaboration with William Cobbing at Hayward Gallery Project Space, London, 2014; Let's Make Another Possible Now, group performance event as part of ANTIKNOW at Flat Time House, London, 2014.
Equally at home in museum settings — like Tate Modern, the ICA Boston and MCA Chicago, where he has mounted recent one - person exhibitions and projects — and in collaboration with mainstream rock bands like Blur and U2, his work crosses media and genres with quiet, computer - assisted abandon.
Becoming like water is the central, surging theme in Hito Steyerl's new HD video projection Liquidity Inc, one of five works the Berlin - based artist is presenting in the ICA's theatre.
In Eva Wylie's solo exhibition with ICA Baltimore, the printmaker silkscreens collage - like imagery directly on the walls.
She has unearthed historic images, like this one of Marcel Duchamp talking to ICA board chair Lally Lloyd at the opening of The Other Tradition (1966).
In naming the fund, visionary Philadelphia patron Daniel W. Dietrich, II wished to attract fellow contributors, encouraging ICA to reach and expand toward new possibilities — like an adventurous inchworm.
Selected collective exhibitions and screenings include: JUMP, Cac Brétigny, Brétigny (2016), PREDICTION, Mendes Wood DM, São Paulo (2016), Camera of wonders, Centro de la Imagen, Mexico city (2015); Artists» Film Club: Breaking Joints: Part 2, ICA, London (2015); Rideaux / blinds, IAC, Villeurbanne (2015), Late capitalism, it's like, almost over, The Luminary, St Louis, Missouri (2014); Things, Design Cloud, Chicago (2014); Graphic Design, Prague (2014); La Méthode Jacobson, Nouvelles vagues, Palais de Tokyo, Paris (2013).
Matt Mullican's works have been shown at numerous international art institutions like Pirelli HangarBicocca, Milan (2018), Kunstmuseum Winterthur (2016), The Hammer Museum UCLA (2014), Haus der Kunst, Munich (2011), Metropolitan Museum (2009), Biennale Sao Paulo (2008), ICA (2008), Centre Georges Pompidou (2008), Bolzano's Museion (2006), Museum Ludwig in Cologne (2006), Lentos Museum in Linz (2005), Documenta, Kassel (1982, 1992 and 1997).
If you would like to make a donation to the ICA Singapore, please contact Alvan Loo, Director (Advancement): [email protected] or +65 6496 5158
His work has been an inspiration for global activist projects like Art in Ad Places, Brandalism, No Ad Day, exhibited internationally at the U.S. pavilion at the Venice Architecture Biennale, ICA Boston, Austin Museum of Digital Art, the International Poster Biennale in Warsaw, and featured in The New York Times, The LA Times, El Pais, New York Magazine, Hyperallergic, and Bomb magazine, among others.
His recent exhibitions include «More Than Two (Let It Make Itself),» curated by Micah Lexier (The Power Plant, Toronto), «Untitled» (Cooper Cole, Toronto), «History» (Tomorrow, Toronto) and «Like Minded» (Plug In ICA, Winnipeg).
Kraczon has been the receiving curator at ICA for several traveling exhibitions, including Dear Nemesis, Nicole Eisenman 1993 — 2013 (2014), Readykeulous by Ridykeulous: This is What Liberation Feels Like ™ (2014), Jeremy Deller: Joy in People (2012), and Tim Rollins and K.O.S.: A History (2009).
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