The School spawned other mini-movements
like Luminism and the Rocky Mountain School.
Not exact matches
His DayGlo canvases hover somewhere between
luminism and appropriation,
like geometry caught in the act of cross-dressing.
19th century American landscape painting, depicting the American wilderness (including movements
like Hudson River School and
Luminism) is a particular strength of the museum and includes works by Frederic Church (1826 - 1900) and Thomas Cole (1801 - 48).
Exponents of
Luminism included frontier painters
like Missouri man George Caleb Bingham (1811 - 1879), as well as wilderness or coastal landscape artists - from the Hudson River School and other groups / locations from around America - including Fitz Hugh Lane (1804 - 1865)(Nathaniel Rogers Lane), Martin Johnson Heade (1819 - 1904), Frederic Edwin Church (1826 - 1900), as well as John F. Kensett (1816 - 72), Jasper Francis Cropsey (1823 - 1900), Sanford Robinson Gifford (1823 - 80), Albert Bierstadt (1830 - 1902), William Trost Richards (1833 - 1905), Norton Bush (1834 - 94), Edmund Darch Lewis (1835 - 1910), Alfred T. Bricher (1837 - 1908), Thomas Moran (1837 - 1926), George Tirrell, Henry Walton, and JW Hill.
Like French Impressionism,
luminism is all about the depiction of light, but its treatment is very different.
In Strange Muses I, the figure as a veil -
like apparition is reinforced with a prismatic
luminism employed by Hudson River School painters
like Frederic Church; the aura surrounding the figure, although a product of the lenticular lens, takes us into the transcendental world of the Hudson River School painters.