Sentences with phrase «like op art»

On the other hand there is painting as a kind of drug offering a hallucinogenic experience, like Op art.

In most European countries, it generally includes the form of optical art that mainly makes use of optical illusions, like Op art, as well as art based on movement represented by Yacov Agam, Carlos Cruz - Diez, Jesús Rafael Soto, Gregorio Vardanega or Nicolas Schöffer.

In most European countries, it generally includes the form of optical art that mainly makes use of optical illusions, like op art, as well as art based on movement represented by Yacov Agam, Carlos Cruz - Diez, Jesús Rafael Soto, Gregorio Vardanega or Nicolas Schöffer.

After that dizzying period of unbridled catharsis, the art world gradually migrated toward more sober - minded forms of expression, like op art and minimalism.

In person the grid weaves in and out of consciousness like Op Art or like color for Ad Reinhardt amid Reinhardt's approach to black.

On close inspection, the lines of colour patterns jangle and jar with our vision, creating an unsettling optical effect rather like the Op art of Bridget Riley.

She might shade her less than dense patterns, like an Op Art recreation of Robert Delaunay.

I like Op Art as much as the next person, but it has never once had me reeling.

Not exact matches

The artist likens the intended experience of her installation to that of the op - artists of the 1960s, which saw the likes of Bridget Riley manipulate traditional art techniques to create optical illusions.

Where else can Op Art, with Maxwell Davidson, or a relative outsider like Forrest Bess, with David Zwirner, look sedate and sophisticated?

• Tony Smith (1912 — 1980), sculptor who bridged AbEx and minimalism (dad of Kiki) Mel Kendrick (b. 1949), formalist process - based sculptor Chris Wilmarth (1943 — 1987), sculptor of steel, bronze, and etched glass Joel Shapiro (b. 1941), minimalist sculptor who flirts with figuration Christopher Wool (b. 1955), Neo-AbExer with a taste for graffiti and repetition Alex Hubbard (b. 1975), rising master of painterly materials and abstract coloration Josh Smith (b. 1976), Factory - like painter of great expressive volume Jacob Kassay (b. 1984), mirrored - painting - wunderkind - turned - sackcloth artist • Andy Warhol (1928 — 1987), Pop maestro and appropriationist world - changer David Robbins (b. 1957), artist and «Concrete Comedy» theorist David LaChapelle (b. 1963), lush photographer of celebrity decadence Ronnie Cutrone (1948 — 2013), Factory personality and East Village cult figure George Condo (b. 1957), Neo-Picassian painter of the grotesque Mark Dagley (b. 1957), Op abstractionist • Richard Serra (b. 1939), grand master of process art and the post-industrial sublime Grégoire Müller (b. 1947), painter of current - event appropriations Philip Glass (b. 1937), «Einstein on the Beach» composer Lawrence Chandler (b. 1951), composer, musician, and sound artist • Sol LeWitt (1928 — 2007), father of conceptual art, multitasking artistic outsourcer Adrian Piper (b. 1948), performance art innovator Mark Williams (b. 1950), monochromatic minimalist painter

Paintings from earlier in that decade utilized compounded waveforms like those found in some Op art.

Abstraction survives in Ross Bleckner's disco glow, Alan Uglow's tape - like disruptions of a color field, and Peter Schuyff's version of Op Art that trades sensual overflow for an illusion that will not go away.

Building on the languages of Pop Art, Minimalism and Op Art, Halley, like his fellow Neo-Geo adherents, sought to capture what he saw as the «geometricisation of modern life».

Herrera's geometric, hard - edged abstract paintings, influenced by her university degree in architecture and singularly focused on the interactions of space and color, prefigure the Op Art and Minimalism of artists like Ellsworth Kelly, Frank Stella, and Kenneth Noland.

It surely has to include Op Arts like Julian Stanczak, even if you feel the dizziness in your stomach before it reaches your eyes.

The 1969 Alvin Loving: Paintings was immensely successful; critics like Dore Ashton placed Loving's work directly in the context of modernist art in a transitional moment from abstract expressionism to op art and other minimalist approaches.

While he was influenced by Milton Avery, who was best known for his pastel - like, two - dimensional, flat - field works that were derived in part from Matisse's style, Rothko, however, is not two - dimensional and there is considerable «depth» in his fields and grounds, yet he stops far short of the Op Art phenomenon that would follow.

While they no doubt owe much to the precedents of Op art and Pattern and Decoration, Takenaga's repetitive forms, like Ross Bleckner's, inspire more mystical interpretation... Takenaga's paintings portray matter and energies beyond what we know, beyond the everyday world.

Heddaya writes: «From the outside, Weathersby's pieces straddle the clinical geometry of Op art and the organic architectural character of traditional room dividers and panels, like the Arab mashrabeya or the Japanese screen, and are unobtrusive, orderly, suggestive even of a painterly monasticism... Ken Weathersby is certainly not the first artist to have manipulated painting and denotation, or desecrated the ever - cooling corpse of canvas — the project has a distinctly vintage, Black Mountain College feel to it — but there is a focused and exploratory energy at work in his pieces, a maturity of purpose that stands at ascetic remove from the cloying color and sloppy corporeality that too often comes to the fore in Bushwick.»

See the excellent first show by Brent Wadden, a young Canadian - born painter who has set aside his brushes and taken up weaving, making thick rug - like abstractions whose jagged, interlocking shapes have the wobble of Op Art except softened by vagaries of color, texture and edge.

Some of its associated artists were part of collectives like the Anonima Group — founded in 1960 by Ed Mieczkowski, Frank Hewitt, and Ernst Benkert — but Op Art as a style wasn't nestled in the hands of a few promoters, nor situated in a specific locale.

The Op Art people like Anuszkiewicz and Stanczak are more or less influenced by Albers, who is coming right out of the Bauhaus.»

Larger works like DNA: Black Painting: Ph Bk / B Cert: II, 2015 also sideswipe racial connotation with color as racial terminology, while also ratcheting up the artist's litany of Op art effects, ranging from Mr. Ryman's sly use of chromatic underpainting to Jasper Johns» shifting avalanche of cross-hatch marks.

Fashion brands soon popularized the bold patterns of Op Art through their «Mod» designs, while art critics like Clement Greenberg critiqued the movement for its gimmicks and commercial appeArt through their «Mod» designs, while art critics like Clement Greenberg critiqued the movement for its gimmicks and commercial appeart critics like Clement Greenberg critiqued the movement for its gimmicks and commercial appeal.

A highly influential movement, Abstract Expressionism eventually led to Minimalism - one of the first contemporary art movements - via sub-styles like Op - art, championed by Bridget Riley (b. 1931).

New movements like Abstract Expressionism, Neo-Dada, Pop - Art, New Realism, Mimimalism, Op Art sprang up to reflect changing values and creative priorities.

Thus, movements like Neo-Plasticism (1918 - 31), Abstract Expressionism (1947 - 65), and Op - Art (1955 - 70), to name but three, championed a completely different set of aesthetics to that of academic aArt (1955 - 70), to name but three, championed a completely different set of aesthetics to that of academic artart.

While the term became widely popular to refer to the particular kind of paintings Op artists tend to create, many of the artists didn't like the term and preferred for their work to be referred to as perceptual art instead.

Her paintings look like throwbacks to the Op art of Bridget Riley or Richard Anuskiewicz.

These recent paintings are astral - like, conflating lyrical abstraction with Op Art and hard - edged painting to create portals with a view of some great abyss or boundless space beyond.

Like Pop art, Op art represented a revolt in the 1960s against what younger artists considered the long, almost tyrannical dominance of Abstract Expressionism.

Then Cubism rejected the notion of depth or perspective in painting, and opened the door to more abstract art, including movements like Futurism, De Stijl, Dada, Constructivism, Surrealism, Neo-Plasticism, Abstract Expressionism, and Op - Art, to name but a fart, including movements like Futurism, De Stijl, Dada, Constructivism, Surrealism, Neo-Plasticism, Abstract Expressionism, and Op - Art, to name but a fArt, to name but a few.

These so - called «Op - art» pieces produce a disorienting physical effect on the eye, a bit like the «optical flutter» I feel when looking at Piet Mondrian's Broadway Boogie Woogie, painted in the 40s when captivated by American jazz.

For the issue, writers reached out to environmental thinkers to pen Op - Ed pieces, and got staff writers to discuss issues like organic food, environmental art and sustainable design.