Sentences with phrase «like robert»

It also features photography, including war photographs by camera artists like Robert Capa (1913 - 54).

Despite the efforts of the above pioneers, along with those of inter-war artists Marcel Jean (1900 - 93), Joan Miro (1893 - 1983) and Andre Breton (1896 - 1966)- see their respective works Spectre of the Gardenia (1936, plaster head, painted cloth, zippers, film strip, Museum of Modern Art NYC); Object (1936, stuffed parrot, silk stocking remnant, cork ball, engraved map, Museum of Modern Art NYC); and Poem - Object (1941, Museum of Modern Art NYC)- junk art did not coalesce into a movement until the 1950s, when artists like Robert Rauschenberg (1925 - 2008) started to promote his «combines» (a combined form of painting and sculpture), such as Bed (1955, MoMA, New York) and First Landing Jump (1961, combine painting, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYC).

Like Robert Smithson's writing — what was your relationship with him?

The intellectual theory, demateriality and transcendence insisted upon by her minimalist artistic antecedents is rejected in favor of something experiential and earth - bound, like Robert Ryman without the purity.»

Fayez Sarofim, who was born in Egypt and was at one time married to Louisa Stude Sarofim (who has also appeared on this list), has amassed a formidable collection that includes pieces by heavyweights like Robert Motherwell, Willem de Kooning, Robert Rauschenberg, Jasper Johns, Mary Cassatt, Eugène Delacroix, Roy Lichtenstein, Pablo Picasso, and El Greco.

Sculpture has not merely kept pace with this growth but has led the way — at least since the 1960s, which brought us such macro-minded Minimalists as Donald Judd and Tony Smith; massive Earthworks like Robert Smithson's Spiral Jetty in Utah (1970) and Michael Heizer's Double Negative (1969) in the Nevada desert; and Christo's 1976 California project, Running Fence.

Between 1994 and 2008, the year before Freedman quietly resigned, Rosales, with the alleged help of her boyfriend, Jose Carlos Bergantiños Diaz, his brother Jesus, and Pei - Shen Qian, a Chinese immigrant living in Queens, conducted an $ 80 million forgery ring through Knoedler, selling or consigning 40 expertly crafted counterfeits — the De Soles» painting among them — that Rosales claimed were by Abstract Expressionists, including giants like Robert Motherwell, Jackson Pollock, and Rothko.

Like Robert Frank's classic The Americans, Sleeping by the Mississippi merges a documentary style with poetic sensibility.

A pioneer of the 1960s Los Angeles art scene as part of the famed Ferus Gallery — alongside artists like Robert Irwin and Billy Al Bengston — Ruscha's embrace of Hollywood vernacular and the open Western road have tied him as closely to the identity of L.A. art as Jackson Pollock is with that of New York.

Some, like Robert Rauschenberg, do all three.

Artists like Robert Smithson or Christo who use the earth as a medium have nothing on the mining More...

Besides, when Minimalists like Robert Smithson wrote about chaos, they enjoyed letting things happen.

Stubbs» earlier paintings look like cakes but also, in their deadpan way, seem to allude to the painterly abstraction of artists like Robert Ryman or Jasper Johns.

The work has a distinct urban feel, with a style rooted in the comic book genre, but also has strong influences from artist like Robert Rauschenberg, Jasper Johns and Daisy Youngblood.

How was I to reconcile it with the cloudy, chaotic texts that motivated artists, from declarations like Robert Smithson's to post-structuralism or post-analytic philosophy?

For an artist like Robert Henri, who was considered in the vanguard of American painting before 1910 but seemed increasingly conservative and out - of - fashion in subsequent years, a trip to the Southwest offered the possibility of reinvigorating his career.

If we think of American avant - garde artists working in 1970 (the same year Brianchon's painting was made), people like Robert Smithson and Gordon Matta - Clark, inevitably Brianchon's work will seem old - fashioned, transparently retrograde.

The use of existing images, which might be altered in scale, cropped, rephotographed, angled or simply presented in copied form — «appropriation,» as practiced by Richard Prince and Sherrie Levine, among others — inspired indignant critical sniping from writers like Robert Hughes.

Like Robert Rauschenberg, Polke refused to edit anything out of his paintings or to put limits on the materials or techniques he used.

Artists like Robert Smithson and Sol LeWitt, both now offhandedly described as Minimalist but whose practices are decidedly more complex and less minimal than the moniker lets on, both showed at invitational exhibitions at the Park Place Gallery early in their careers.

There, you will find many contemporary masters, like Robert Rauschenberg, Jasper Johns, Jim Dine or Roy Lichtenstein, and as of recently, they also started adding new emerging artists to their base.

When it comes to large - scale artistic interventions into the natural world, the movement that usually leaps to mind is Land Art — huge, muscular sculptures carved or pulled from the earth by heavy machinery at the command of men like Robert Smithson and Walter De Maria, self - styled «gruff individualists» who claimed the studio and gallery were simply too small to contain their big ideas.

Others combine the formal and conceptual, as in crosses by Anne Doran at Invisible - Exports, like Robert Mangold refashioned from advertising.

Championed by artists like Robert Smithson and Nancy Holt in the United States, and Richard Long and Andy Goldsworthy in the United Kingdom, Land Art used the naturally occurring elements of a landscape as its medium.

Before turning to painting, Saito was a resident at New York's La MaMa Experimental Theater Club, and collaborated on set design with directors and choreographers like Robert Wilson, Peter Brook, and Jerome Robins.

It leaves visible the staples that hold it up, much like the that Robert Ryman made a part of his white rectangles.

Like Robert Morris, on the other hand, Richard Serra made his work by experimenting with materials; for example, he threw molten lead into the corners of a room, or he cut, propped or stacked lead sheets, rough timber, etc. in order to create large, strangely balanced structures.

Corinna: I like Robert Motherwell.

His efforts paralleled and sometimes preceded innovations of Americans like Robert Smithson, Carl Andre, Eva Hesse and Richard Tuttle.

Like Robert Rauschenberg in his combine paintings, she also incorporates ordinary objects.

He nurtures chaos without surrendering to it like Robert Smithson or bursting it apart like Gordon Matta - Clark.

Even just before October magazine, artists turned avidly to writers like Robert Smithson, Clement Greenberg and Harold Rosenberg, Meyer Schapiro, Michael Fried, Arthur C. Danto, Tom Hess, Lucy Lippard, Joe Mascheck, and a dozen others as distinguished and committed to the artists they loved.

Serra and his colleagues like Robert Smithson, Eva Hesse and Bruce Nauman, put down their paintbrushes and started making radical artworks using materials like dirt, rubber and wax.

Museums have looked at those who pushed large static structures past their limits, like Robert Smithson, Jennifer Bartlett, Eva Hesse, Louise Nevelson, and now Richard Serra.

Kessler's work since the»80s has been aligned with the tradition of kinetic sculpture and assemblage that emerged in the early twentieth century — such works as Marcel Duchamp's Rotoreliefs, Moholy Nagy's time / space modulators and Yves Tinguely's self - destructive machines are obvious sources — but filtered through the erratic, jury - rigged aesthetic of artists like Robert Rauschenberg and the improvised, makeshift special effects of B - filmmaker Ed Wood.

Like Robert Delaunay before him, he built skyscrapers, but they never reach to the skies because they never risk crumbling to the earth.

Some of the works, in their attention to materials, were clearly inspired by Minimalist artists like Robert Morris.

This series approaches the patriotic art tradition that for centuries artists like Robert Rauschenberg, Jasper Johns and David Hammons, among others, have followed with the intent of canonize events, aesthetics and American Culture.

Again Ace started it all, by bringing an LA gallery and big names like Robert Rauschenberg to the far west side.

The works of these German artists were exhibited along with the latest contemporary art from the US by artists like Robert Gober, Jeff Koons, Richard Prince, Cindy Sherman, and Christopher Wool.

In his Studies in Iconology and Early Netherlandish Painting, he used new vocabularies to find hidden meaning in Jan van Eyck or a Netherlandish diptych, more like Robert Smithson than Hilton Kramer, and his essay on the movies approaches structuralism.

Arguably the strongest grouping in the whole museum brings New York art stars like Robert Rauschenberg, Claes Oldenburg, John Chamberlain, and Ray Johnson into dialogue with West Coast artists such as Noah Purifoy, Jay DeFeo, Bruce Conner, Wallace Berman, (Marjorie) Cameron, and Jess (Collins).

Several of the featured works from the collection will be exhibited for the first time, including pieces by major artists like Robert Barry, Mel Bochner, Lutz Mommartz, Bruce Nauman, and John Wesley.

The result, when turned from horizontal to vertical, reads like Robert Ryman or Yves Klein, but is in fact more akin to portraiture.

Besides Mr. Johns, Cunningham's circle included other great American artists of the 20th century, like Robert Rauschenberg, who in the 1950s was also an adviser to Cunningham's company, and Philip Guston.Continue Reading

Besides Mr. Johns, Cunningham's circle included other great American artists of the 20th century, like Robert Rauschenberg, who in the 1950s was also an adviser to Cunningham's company, and Philip Guston.

With just once glance through this deep selection of works, it's easy to see how Outerbridge's trailblazing stylistic influence has percolated through the medium, from encouraging artists like Robert Mapplethorpe and Helmut Newton to sparking more recent explorers of the borderlands between commercial and fine art imagery like Roe Ethridge and Elad Lassry.

Except the Pictures Generation — or, at least, notables like Robert Longo, David Salle, Cindy Sherman, Barbara Kruger, and Levine — got rich.

But though Judd's deep influence and that of other minimalists like Robert Irwin have undoubtedly informed Falls's work, he ultimately does have an issue with»60s minimalism, which he broaches in his own sculpture.

Meanwhile, still other artists looked back on Malevich's monochrome with paintings that conveyed form only through the shape of the canvas, like Robert Rauschenberg's early 1951 white paintings (which he considered stages for the interplay of ambient light and shadow) and Brice Marden's imposing examples from the 1960s.