Sentences with phrase «like texture artist»

For instance, if you read the description of a 3D Animator, you may find links to positions that are related, like Texture Artist or Concept Artist.

Not exact matches

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.

«The new technique uses hand - drawn textures, scanned in and colored in Photoshop, combined with software that draws graphic novel - style outlines around characters and objects, sharpens shadows to look more like something an artist might create, and even draws lines on hills and inclines.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

Complementary in their solid, vault - like presence, the surface texture of both works belies the object qualities of the artists» materials.

Along with some other artists, like Jimmie Durham or David Medalla, Hammons still makes my perception of the world a beautiful critical collapse: The sound of a metal bucket or a basket - ball hitting a wall, the flavor of fried chicken, the texture of my own hair, the smell of dung, can be something appealing, seductive, but also prime matter for a political statement.

Chuck Close's monumental mosaic - like portrait of fellow artist Cindy Sherman and two nearby self - portraits are composed of countless smaller elements that cohere into recognizable faces at a distance but dissolve into randomly colored and textured elements the closer you get to them, similar to the way photographs are printed in newspapers.

Pioneering fiber artist Sheila Hicks blurs the boundary between painting and sculpture with her vibrant woven and textile works, which she creates in many shapes and sizes, from wall mountings that mimic the format of painting to suspended pieces that hang from ceiling to floor like textured columns.

At the same time, the calm - spirited curiosity with which Chamberlain explored metals of varying colors, textures, and malleabilities echoed the priorities of Minimal artists like Carl Andre and Donald Judd.

In a series of works started in 2012 Thomas Ruff essentially takes an idea that was first introduced my artists like Man Ray, Laszlo Moholy - Nagy who simply placed objects of various shapes, textures and opacities onto photographic paper and captured their physical qualities through the optical traces they left on the light sensitive surface of the paper.

As for the artist's use of colour, Parlour extracts the oil binder from her paint so that the texture of the colour is parched like chalk pastel.

The self - taught Atlanta - based artist uses thousands of found puzzle pieces to create textured, wave - like surfaces on canvas.

Many of the groups in «Initial Conditions,» however, do not have a fixed location or are using locations that, to quote exhibiting artist Park McArthur, «are already textured with other concomitant activities like people's homes and ceramic studios.»

«To me,» Power explained, «one of the most fascinating aspects of a painting which I like is that it is a unique expression or statement of the artist's ideas and emotions communicated through colour, shape, and texture, by him to me, in a form which I can hold, keep, and own, and live with, and enjoy, and perhaps with time get to know and understand.

This idea, or something like it, lies behind «Flow,» a fine - textured survey of 20 artists who, with a few exceptions, were born in Africa after 1970 but who now live in Europe or the United States.

The artist employs rich colors and highly textured surfaces, which layer brick - like patterns and active marks over and under the drawings of human and animal figures.

The South African — born artist «excavates in reverse,» layering everyday materials imbued with memory like burlap or denim into densely textured visual feasts for the 14 paintings plus collages on display here.

Famous for his brutal brushwork, impasto textures and clashing colours, he exemplified the «gestural painting» style of the New York School, along with other abstract artists like Franz Kline (1910 - 62), Jackson Pollock (1912 - 56) and Lee Krasner (1908 - 84), the founders of «action painting».

Fluid textures, rich colors, and a dream - like quality unite the work of these four Alexandria based artists.

Based on the assumption that space is defined by the relation between its surfaces and articulated through their adding and layering, by the use of elements like outlines, texture and haptic, the artists create completely new spaces.

On view from the collection is an array of well - known black artists — Sam Gilliam, Rashid Johnson, Lorna Simpson, and Alma Thomas — alongside relatively unknown works like Pauline Powell Burns's Violets (ca. 1890), a textured painting of the heart - shaped flowers.

Rather than rejecting recognizable visual references and objective reality, Minimalist artists like Judd, Sol LeWitt, Anne Truitt and Frank Stella focused on form, the use of vibrant and pure color, hard - edged line, minimal texture and modern materiality.

Dominique Levy gallery exhibited works by Japanese artist Tsuyoshi Maekawa, whose roughly textured, creased oil - on - burlap canvases looked like a cross between painting and sculpture.

Polish mixed media artist Finnabair (also known as Anna Dabrowska) puts together these richly - textured collages of salvaged tech parts along with other finds like dead moths, fabric, buttons and paints them to make dreamlike landscapes with a deeper significance.

Of course, you can always create a woven texture like artist Cynthia Davis did here for the wall base with a pink - red fuschia mix as the surface prior to stenciling with our Gold Rush Metallic Paint.