Sentences with phrase «like about the performers»

Not exact matches

She's credited with launching the careers of stars like Amy Poehler, Tina Fey, and Seth Meyers, and each year sends about 15 performers to audition for NBC's Saturday Night Live.

If you can keep your head when all about you are losing theirs, then you are like Denver's Chauncey Billups, the most serene performer at the toughest times

We all like to know about the next big thing — but how about ten of them!?! This is out list of the ten finest defenders in the world under the age of 21, with plenty of future world class performers amongst them:

Time for some brutal honesty... this team, as it stands, is in no better position to compete next season than they were 12 months ago, minus the fact that some fans have been easily snowed by the acquisition of Lacazette, the free transfer LB and the release of Sanogo... if you look at the facts carefully you will see a team that still has far more questions than answers... to better show what I mean by this statement I will briefly discuss the current state of affairs on a position - by - position basis... in goal we have 4 potential candidates, but in reality we have only 1 option with any real future and somehow he's the only one we have actively tried to get rid of for years because he and his father were a little too involved on social media and he got caught smoking (funny how people still defend Wiltshire under the same and far worse circumstances)... you would think we would want to keep any goaltender that Juventus had interest in, as they seem to have a pretty good history when it comes to that position... as far as the defenders on our current roster there are only a few individuals whom have the skill and / or youth worthy of our time and / or investment, as such we should get rid of anyone who doesn't meet those simple requirements, which means we should get rid of DeBouchy, Gibbs, Gabriel, Mertz and loan out Chambers to see if last seasons foray with Middlesborough was an anomaly or a prediction of things to come... some fans have lamented wildly about the return of Mertz to the starting lineup due to his FA Cup performance but these sort of pie in the sky meanderings are indicative of what's wrong with this club and it's wishy - washy fan - base... in addition to these moves the club should aggressively pursue the acquisition of dominant and mobile CB to stabilize an all too fragile defensive group that has self - destructed on numerous occasions over the past 5 seasons... moving forward and building on our need to re-establish our once dominant presence throughout the middle of the park we need to target a CDM then do whatever it takes to get that player into the fold without any of the usual nickel and diming we have become famous for (this kind of ruthless haggling has cost us numerous special players and certainly can't help make the player in question feel good about the way their future potential employer feels about them)... in order for us to become dominant again we need to be strong up the middle again from Goalkeeper to CB to DM to ACM to striker, like we did in our most glorious years before and during Wenger's reign... with this in mind, if we want Ozil to be that dominant attacking midfielder we can't keep leaving him exposed to constant ridicule about his lack of defensive prowess and provide him with the proper players in the final third... he was never a good defensive player in Real or with the German National squad and they certainly didn't suffer as a result of his presence on the pitch... as for the rest of the midfield the blame falls squarely in the hands of Wenger and Gazidis, the fact that Ramsey, Ox, Sanchez and even Ozil were allowed to regularly start when none of the aforementioned had more than a year left under contract is criminal for a club of this size and financial might... the fact that we could find money for Walcott and Xhaka, who weren't even guaranteed starters, means that our whole business model needs a complete overhaul... for me it's time to get rid of some serious deadweight, even if it means selling them below what you believe their market value is just to simply right this ship and change the stagnant culture that currently exists... this means saying goodbye to Wiltshire, Elneny, Carzola, Walcott and Ramsey... everyone, minus Elneny, have spent just as much time on the training table as on the field of play, which would be manageable if they weren't so inconsistent from a performance standpoint (excluding Carzola, who is like the recent version of Rosicky — too bad, both will be deeply missed)... in their places we need to bring in some proven performers with no history of injuries... up front, although I do like the possibilities that a player like Lacazette presents, the fact that we had to wait so many years to acquire some true quality at the striker position falls once again squarely at the feet of Wenger... this issue highlights the ultimate scam being perpetrated by this club since the arrival of Kroenke: pretend your a small market club when it comes to making purchases but milk your fans like a big market club when it comes to ticket prices and merchandising... I believe the reason why Wenger hasn't pursued someone of Henry's quality, minus a fairly inexpensive RVP, was that he knew that they would demand players of a similar ilk to be brought on board and that wasn't possible when the business model was that of a «selling» club... does it really make sense that we could only make a cheeky bid for Suarez, or that we couldn't get Higuain over the line when he was being offered up for half the price he eventually went to Juve for, or that we've only paid any interest to strikers who were clearly not going to press their current teams to let them go to Arsenal like Benzema or Cavani... just part of the facade that finally came crashing down when Sanchez finally called their bluff... the fact remains that no one wants to win more than Sanchez, including Wenger, and although I don't agree with everything that he has done off the field, I would much rather have Alexis front and center than a manager who has clearly bought into the Kroenke model in large part due to the fact that his enormous ego suggests that only he could accomplish great things without breaking the bank... unfortunately that isn't possible anymore as the game has changed quite dramatically in the last 15 years, which has left a largely complacent and complicit Wenger on the outside looking in... so don't blame those players who demanded more and were left wanting... don't blame those fans who have tried desperately to raise awareness for several years when cracks began to appear... place the blame at the feet of those who were well aware all along of the potential pitfalls of just such a plan but continued to follow it even when it was no longer a financial necessity, like it ever really was...

«These data demonstrate how critical factors outside the notes themselves, like the information you have about a performer (explicitly in the form of a prime or implicitly in the form of positioning on stage at Carnegie Hall or on a subway platform) can transform what you are able to hear and how you evaluate a musical performance.»

WHY: Like pretty much anything that Melissa McCarthy does these days, your enjoyment of «Tammy» will depend entirely on how you feel about the actress as a performer, because for those who were already sick of her tedious, one - trick pony act after «Bridesmaids,» sitting through McCarthy's latest movie is about as pleasant as a punch to the face.

Like Adam Sandler in Punch Drunk Love is a great example of that — just a great, interesting, kind of fearless way to use a performer like that, who you wouldn't normally think about in that contLike Adam Sandler in Punch Drunk Love is a great example of that — just a great, interesting, kind of fearless way to use a performer like that, who you wouldn't normally think about in that contlike that, who you wouldn't normally think about in that context.

Despite being in their early 20s, the actors reclaim their glory days nicely, avoiding one major problem most movies about high school students have: Performers who don't look or sound like they're still in it.

AVC: It feels like what you're saying about Edi is probably a truth about Vice Principals in general, that you need performers who are willing to commit to the craziness of the role they're playing.

No one will take this film - about 10 hardened killers brought to a remote island to slaughter one another for an audience on the Internet - for a great work of art, but there's a place for this kind of B movie and for performers like wrestler Steve Austin, a big slab of an American trying to fight his way out of hell.

And, while the Corvette is a stronger performer and obviously a better value, and while its interior and exterior design and execution are on par with anything from Porsche, I do have to say that there's something about the Porsche's chassis that inspires a touch more confidence immediately, it seems like it's going to be easier to drive.

This SSD has read / write speeds of 530 / 510MB / s respectively, and IOPS speeds of 92K / 83K read / write, meaning it's only about 10 % slower than a top performer like the Kingston or the Samsung, while coming in at a much lower price.

From a more objective standpoint, however, the G302 was a damn good choice for a lot of people, and didn't break the bank like so many other gaming mice on the market Cue the G303 Daedalus Apex, a direct sequel from Logitech and yet another strong performer which has managed to solve one of my two major gripes about the G302.

A final work, I Don't Know About the Ear (2016), resembling the ear of a goblin and pinned to the wall, is the relic of the performance work The Adventure of Mr. Kim and Mr. Lee (two of the most common surnames in Korea)(2010 — 12), in which a live performer wearing a prosthetic ear stood motionless like a sculpture and, like the artificial body part itself, straddled the line between states of being object and prop, human and mythical.

Specifically, she talks about the rehearsals for both performance works, the different challenges for her and the performers in each performance, and what she likes about the project.

She tells Judith Hudson about her experience working with subjects / performers in a 2010 BOMB Magazine interview (BOMB 113): «I think these people who work for me empower themselves by renting out their oddities, like the long - haired ladies from Cheese.

There's a lot to like about it, especially its premium design and solid build quality, but it's only an average performer.