Sentences with phrase «like architectural models»

With Corinne Wasmuht, painting even looks like architectural models.

As for the car, it pretty much looks like an Acura NSX - influenced Tesla Model S with an interior like an architectural model.

Not exact matches

In the first part of the presentation I would like to sketch the main architectural lines of a process sacramental model in which the Whiteheadian understanding of proposition is a central notion.

An evolution in the architectural style, from its supposed beginnings in the 1880s through to the 1940s, ensures that resort feels like a collection of individual boutique hotels, rather than a large resort, and each building is modelled after an academic department.

Due to the greater amount of memory and more powerful CPU of the Xbox One X, Assassin's Creed Origins can maintain higher quality architectural models, vegetation, rocks and display them at longer Draw Distances in dense environments like the grand cities of Alexandria and Memphis.

Karnaca is awash in convincing light and full of architectural detail but its human figure models particularly look like only slightly prettified artifacts of an aging engine.

In her grid - like paintings, French - Syrian artist Farah Atassi continues to consider space through an exploration of decorative motifs and architectural models.

In the museum, O scale model trains (1:48) will move through architectural dioramas created by the likes of Frank Gehry and Zaha Hadid.

Each have a prolific multi-decade artistic career deserving of further scholarship, but a palpable coincidence further connects these three gures: Betty Parsons was the founder of the eponymous gallery which launched the careers of the likes of Pollock, Rothko and Newman; Arakawa and his wife co-founded the Reversible Destiny Foundation, seeking a new model for architectural practices by borrowing from disciplines including experimental biology, quantum physics, and medicine; Lohaus co-founded the Wide White Space gallery (WWS) in Antwerp in 1966, which exhibited artists such as Beuys, Broodthaers, Christo and many others.

James Casebere first came to notice as a member of the famed «Pictures Generation,» standing out from fellow artists like Cindy Sherman and Richard Prince for his uncanny take on appropriation: instead of lifting images from popular culture, Casebere created tabletop models of architectural settings out of modest materials and photographed them in eerily flat, theatrical light.

This looks like a really understated show that's light on the standard architectural documentation / models but captures the Barragán spirit.

First of all is the «subversive design» of Ettore Sottsass for the Studio Memphis followed by the graphic design of Peter Saville and Neville Brody; architectural models and rendering, together with preparatory drawings by Philip Johnson for the AT&T skyscraper (1978); works by Robert Rauschenberg, Cindy Sherman and Ai Weiwei; the 1986 stainless steel bust of Louis XIV by Jeff Koons; the reconstruction of the monumental work by Jenny Holzer «Protect Me From What I Want» (1983 - 85); performances and costumes, including the «Big Suit» worn by David Byrne for the documentary «Stop Making Sense» of 1984; extracts from films such as» The Last of England» by Derek Jarman (1987); music videos of Laurie Anderson, Grace Jones and New Order; and also surprising objects such as the dinner services designed by architects like Zaha Hadid, Frank O. Gehry and Arata Isozaki.

This room, entitled White model for a big still life, consisting of various sculptural and architectural elements, blurs the lines between environment, architecture, painting and installation by creating a monochrome space that functions, in a sense, like the artist's own creative mindscape.

described as Brutalist architectural models, Genzken, like Matta - Clark subverts the notion of the architectural, transforming its language into that of sculpture and redefining its relationship to the viewer.

[The studio is] like a Russian doll, the model slips into the silver shed to offer an architectural experience yet hiding another one.

We saw a virtuoso demonstration of 3D modeling in VR, game engines reapplied to purposes like architectural rendering where entire forests could be pasted into a giant, open field with no lag or loss of visual detail.