Sentences with phrase «like art cinema»

I think this is a film for people that do nt like art cinema Its all very visual and cut skillfully with requisite tied up in a bow ending but it has little of the wit of the much superrior «Read my lips» Which this is very much a companion piece as for the acting Marion does needy again and Matthias doe lovable brute... no stetch then its a decent film and you almost want to visit waterworld ooops own goal for Greenpeace

Not exact matches

Of course, erotic literature, just like risqué art house cinema, is nothing new.

There are a wide variety of romantic things to do in the city; like taking advantage of its vibrant cultural arts scene, or enjoying some of the finest classic cinemas in the UK.

Like many of you I love to read, enjoy cinema, adore music, appreciate art and culture and like spoLike many of you I love to read, enjoy cinema, adore music, appreciate art and culture and like spolike sports.

hi am a happy, modest, sweet, easy going guy with nice sense of humor and open minded.i love musics (rnb,, jazz, new age, souls etc, movies (action and epic) and yeah cinema, arts and museums, writing, reading are part of what i enjoy doing.to laugh shows happiness... hmmmm so i like having a...

I'm a committed Christian, outgoing, funny and like to have fun, travelling, sports, Arts, cinema, anything outdoors... I'm Honest, and looking for a true Christian man!I'm serious when it comes to serious matters.

Whereas those dating in some cities (generally in the North of England) still prefer a traditional «drinks or dinner» affair, many others are choosing to explore local cultural activities, like museums, art galleries, cinemas and theatres.

I like travel, cinema and the performing arts.

HI IM A YOUNG 54 I AM 5ft 7 TALL I HAVE A YOUNG OUT LOOK ON LIFE NOT BAD LOOKING I LIKE MOST THINGS LIKE THE CINEMA GOING TO PUBS / CLUBS LOVE MUSIC MANLY R / B SOUL A BIT OF HIP HOP LOVE DANCING HAVING FUN.I LIKE ART PHOTOGRAPHY WILL TRY MOST THINGS ONCE AND I HAVE AGSOH I AM A NICE GUY AND MONIST BUT...

I like everything (sports, games, videogames XD, cinema, arts, etc...

Wonderstruck feels like a serious misfire, mired in the sort of sentiment we might expect from Disney or a Nicholas Sparks adaptation rather than one of art - house cinema's favourite sons.

This was something like a miracle: Haneke's gracious affability aside, his has always been, openly and decisively (he's quite literally said as much) an oppositional cinema — often abrasive (his one noble failure, 1997's Funny Games, and its shot - for - shot English - language remake from 2008, being the prime specimens), always painstakingly conscientious and morally committed to disturb (all of his films from The Seventh Continent through The White Ribbon) art films that mean to engage and provoke the audience, not please or reassure in a way that could ever be mistaken for award - grubbing.

We always like to end our weekend box office reports with a little reminder to «Support your local indie theater, boys and girls,» and with the roster of films hitting art house and repertory cinemas in 2011, it was an especially great time to stray away from the sticky floors and text friendly megaplexes.

It is a painful experience to endure; not only is it mind - numbingly boring, but watching a modern masterpiece of cinema dissolve into a mediocre work before your very eyes is like seeing an art gallery on fire and knowing there is nothing you can do.

Stylistically, First Reformed is shot and edited like an art movie, its look and tone aligned with the chilly minimalism of the «slow cinema» Schrader has theorized and canonized in his work as a critic.

Even critics of last year's Amores Perros have admitted that an insurgence of Mexican productions into the highly populated art house distribution crowd is increasingly inevitable (the best simile that could be imagined is that the rise of Mexican cinema is like the push for Germany and Japan's permanent inclusion on the UN Security Counsil — hey, as art film distributors are saying, we're still working with the inclusion of Iran and Taiwan).

Morita's work in The Karate Kid is iconographic — the character functions like any number of old Asian man archetypes from martial arts cinema, but, transplanted to American pop (his arrival softened by Yoda in The Empire Strikes Back), Miyagi becomes something like an albatross for Asians in modern Western culture not for its incompetence, but for its tonal perfection.

Right out of the box, Pieta plays like the mean value of certain moronic conceptions of art - house cinema: a shapeless bundle of Provocations and Themes and Ideas verging on po - faced self - parody.

French cinema and filmmakers are famed for innovating styles like avant garde, film noir, art nouveau, and cinéma vérité.

The 85 year old filmmaker is probably more well - known for his examinations of public institutions in films like Welfare (1975), Titicut Follies (1967), At Berkeley (2013) or High School (1968, followed by a sequel in 1994), but he's also one of cinema's great chroniclers of art as work.

Films indispensable for appreciating the art of cinema, may not be the «desert island films,» but a list of my indispensible films, off the top of my head, would be almost any documentary with a conscience, like Food, Inc..

Any cinema that shows Marienbad is an art cinema by definition, and anyone who sincerely likes it has moved beyond being a film lover and earned the accolade of cineaste.

If you're looking for smart laughs and a gloriously depraved premise, but you don't really feel like venturing into that dingy little air conditioner-less art house cinema, this will surely satiate your need for intellectual nourishment while simultaneously tickling your long numb funny bone.

When a film like Prince appears out of nowhere, with its pseudo-incendiary electronic score and sophisticated examination of revenge, it revives hope for a pop - art cinema that's not only capable of balancing enraged critique with playful, irreverent aesthetics, but also treats its characters like actual human beings rather than pawns on a chess board.

The acclaimed director of films like «Hellboy,» «Pan's Labyrinth,» «Pacific Rim,» «Crimson Peak» and the forthcoming «The Shape of Water» is being recognized for his outstanding contributions to the art of cinema.

Birdman doesn't want to destroy anything or anyone; it simply wants to reach some sort of détente between consumer culture and art cinema, like a more accessible, Yank version of Olivier Assayas's Irma Vep.

LMD: You have been a part of every important era in modern Hong Kong action cinema since the 1960's, very notably in the 1970's, in your own starring films throughout the 1980's, and recently in movies like SHA PO LANG, IP MAN and THREE KINGDOMS, you're seeing another new age in martial arts filmmaking.

Like Noah Baumbach, Perry portrays the sorts of people who go to art house cinemas and might even make the films shown in them.

But I think just like what Ip Man did for martial arts, Hong Kong cinema needs a new way of thinking.

Nathalie has lectured on costume design (in which she takes a special interest) and the early history of cinema and conducted feature interviews at literary events like the International Festival of Authors and the Toronto Comics Arts Festival.

And so, in choosing it as the film from the past ten years I would most like to discuss in the context of the future of the medium, I might be asserting, against my better judgment, the primacy of the auteur over and above national cinemas and identity art — the ferocious and aggressively confrontational cinema of Lucrecia Martel serving as evidence that an ethos long - since debunked in serious academic circles still has credence or at least value in the second century of the movies.

While 2018 festival goers have packed the Egyptian, the Ray, the Eccles and the Library to catch buzzy titles like «Search,» «Juliet, Naked,» «Monster,» and «Blindspotting» on the big screen, the visual arts in Park City are going beyond traditional single - screen cinema.

When you ponder the landscape of cinema as it exists today, it can feel as if a movie like «Get Out» or «Dunkirk,» and — indeed — the holy trinity of popularity, acclaim, and relevance, which used to go such a long way toward defining movies as an art form, now lines up about as often as an eclipse.

But Wonderstruck feels like a serious misfire, mired in the sort of sentiment we might expect from Disney or a Nicholas Sparks adaptation rather than one of art - house cinema's favourite sons.

Before art cinema crossed the Atlantic, there must be Almodóvar - like filmmakers in the Old Continent.

Many of the school's majors like fine arts, drama, and creative writing are exceedingly difficult to get into because of the large number of applicants, while other programs like cinema arts, guitar, and stagecraft are a bit less selective.

Delicious Malaysian food is in abundance, it offers modern comforts like shopping malls and state of the art cinemas, dozens of day trips are available, and also, in places, is still incredibly cheap.

The spectacular cathedral - like entrance, cool 19 - metre infinity - edge pool, state - of - the - art home cinema, games room with a pool table and well - equipped gym and spa room will take your breath away too.

With a private cinema, award - winning restaurant, luxury spa and state - of - the - art health club, there is a lot to like about this hotel.

I'm resistant in calling this collection of games a «genre» like survival horror, but more like a movement (purposeful or not) akin to Dogme 95 in cinema or Stuckism in contemporary art.

For a group like the Criterion Collection, the prioritization of this concern happens through signaling their ongoing act of «working closely with filmmakers and scholars to ensure that each film is presented as its maker would want it seen and published in an edition that will deepen the viewer's understanding and appreciation of the art of cinema.»

Like video by Pipilotti Rist, is it immersive cinema or art?

On another level, I also think that much of the genealogy of contemporary video art can be traced directly through early cinema — artists like Bruce Nauman and Joan Jonas.

His brightly colored figurative and landscape paintings are rendered in a flat style that takes cues from everyday visual culture like advertising and cinema, in many ways anticipating both the formal and conceptual concerns ofPop Art.

His brightly colored figurative and landscape paintings are rendered in a flat style that takes cues from everyday visual culture like advertising and cinema, in many ways anticipating both the formal and conceptual concerns of Pop Art.

The tabloids are not likely to puff themselves up like furious bullfrogs over Islam's careful little films or the old - fashioned kitchen sink installations of Cathy Wilkes, Macuga's recherché photomontages or the passionate enthusiasm of Mark Leckey for cinema and the art of Philip Guston.

Roxana Marcoci, Senior Curator in the Department of Photography at MoMA and curator of the exhibition, and Chrissie Iles, Anne and Joel Ehrenkranz Curator at the Whitney Museum of American Art, discuss selected works in the exhibition and how they relate to theoretical topics like painting as information, the active object, expanded cinema, performance as transmission, transitive networks, and collective forms of authorship.

Mining fields like education, cinema, psychology, literature and art history in her practice, she examines cultural models for fostering individuality.

Combining narrative films like «Body Double» and «A Short Film About Love» with experimental films, documentaries, and video art, the series demonstrates how the ideas of voyeurism, surveillance, and identity have been central throughout the history of cinema.

Cut to Swipe, comprised primarily of recent acquisitions by the Department of Media and Performance Art, features works that appropriate and manipulate images and sound drawn from electronic media like television, cinema, the recording industry, and the Internet.