Sentences with phrase «like artworks made»

Celebrated for his collage - like artworks made from sweet wrappers, magazines and bus tickets, which he called Merz, Schwitters fell foul of the Nazi's in the 1930s when his work was black listed as degenerate.

Not exact matches

Stereotypical motivational posters aren't going to instantly motivate your team every day, but including pictures, quotes, and artwork on the walls of the office can inspire creativity and make the office feel like a much more human, organic place to work.
Of course, you could immediately object that selecting artwork is not the same thing as making more substantive choices, like whether to open another branch of your business, relocate your family, or quit your job.
The application of a trustworthy system of verification like the blockchain to artworks makes perfect sense.A number of companies are actually already authenticating artwork with blockchain technology, including Verisart in Los Angeles, Tagsmart in London and Ascribe in Berlin.
Pattern is often an important part in my artwork, and I sometimes use my own handcut stencils and stamps, so making original artist prints seemed like a natural progression.
They look like artwork in your ears and make any simple, pulled - back hairstyle look chic.
These scarves which feature exclusive artwork by Elizabeth believes a scarf is the ultimate accessory, an outfit - changer that brightens the face like a great shade of lipstick, makes traveling fun and chic, screens us from the cold and helps us edit what's shown and what's covered in an easy, one - size, timelessly style - able item.
when i made artwork like this, it looked like a child did it.
Artwork by Sam Toft C is for Contact Online dating is much the same as dating in the real world: in both situations, when you notice someone you like the look of, you make contact and strike up a conversation.
For higher or worse, Rampage the movie neither aspires to be prime cinematic pop artwork like fellow recreation adaptation Assassin's Creed nor makes an attempt to wreck the online game film mould, a l. a.Warcraft and this 12 months's Tomb Raider.
What Fire Emblem Warriors lacks in story originality, it greatly makes up for it with superb artwork that makes characters from previous Fire Emblem games look exactly like we always pictured them and as for the cut - scenes, they're like miniature movies.
The disc itself has artwork that niftily makes it look like a golf ball.
I only occasionally dabble in artwork these days, but contests like this really make me want to use the ol' Wacom for something other than logos and photo restorations.
Stephanie Hans's artwork makes every panel seem like its own detailed little painting that could be isolated and appreciated on its own.
From an initial look Sonic Time Twisted looks to be like many other Sonic fan games, but don't be mistaken — the reason why I said it was «ambitious» was because all the artwork in the game is said to be custom - made (i.e. brand new to the game)-- though very in keeping with traditional Sonic titles.
- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing
Call Of Duty World War 2 has quite possible became my favourite call of duty to date, I was always a fan of the Black Ops campaigns / multiplayer and a massive fan of the World At War zombies, WW2 may have just taken my favourites for all of that, it's beautiful artwork and dramatic campaign is not something to overlook mixed with it's almost perfectly put together multiplayer options has made it a winner in my books, I would have liked to see a few tweaks here and there but thats just down to personal opinion, any first person shooter fan needs to check Call Of Duty World War 2 out.
One of the things that was mentioned by the NISA team was that the Stranger of Sword City took a more western approach to the artwork to make it look less like an anime.
The distinctive artwork feels like a stylish children's book brought to life and is so good that it feels near criminal to use the retro mode that makes the game look like it came out in 1992.
I've got my eyes on 3d printing), it is important to take high quality photographs with enticing perspectives and lighting to make the viewer feel like they are right in front of the artwork.
Especially for artists like myself that do not fit into any particular box that may have been defined by the fine art world, the Internet has become a necessity in order to survive and make a living from my artwork due to the fan base I've managed to have gained.»
So much of our identity is placed on how much money we make as artists, and I feel like the sooner you can open that pipeline to being comfortable with making money from your artwork, the better it is.
I wanted to be like my heroes and make beautiful artwork just like all the art that I love so much.
Just like when we make artwork, sometimes we are so involved in the process of writing a statement that it can be hard to be objective.
The current crop of sculptors delight in such transformations and materials, like Mr. Hirst (sans his Baroque proclivities) or Dieter Roth (who made a number of artworks out of chocolate) or even Sigmar Polke (who once exhibited paintings in Venice that changed based on the city's notorious humidity).
McMillian's artworksmade from «postconsumer objects» like junked chairs, sofas, and wall - to - wall carpeting — reflect the myriad lived experiences of class and capital.
If American art museums banned artwork made or donated by U.S. immigrants, this is what they'd be like.
Hammons made off - the - cuff pieces in the East Third Street house, like a series of so - called invisible paintings by tracing the frames of artworks that were already hanging on Cannon's walls, then removing those works from the walls altogether, leaving behind only thin outlines, or, more recently, having Cannon read a poem into an empty beer bottle and then sealing it up and placing it in the freezer.
This major exhibition at the Hayward Gallery will present a wide range of Höller's works from newly - made pieces that have been especially commissioned, to key early artworks like The Pinocchio Effect (1994) and Upside Down Goggles (1994 - ongoing).
She would like to expose at what point an artwork becomes an actual piece of art and the mechanisms an artist employs to make this process possible.
Highly prolific artists, like Damien Hirst and Pablo Picasso, says Simchowitz, will make 5,000 to 10,000 artworks over their lifetime.
Instead the colorful warps and wefts in this artwork are actually constructed of discarded bottle tops, strung together to make a map - like pattern.
Tim Marlow, Artistic Director, Royal Academy of Arts, said, «The calibre of artworks, galleries and visitors makes Frieze Masters a fair like no other.
It is comprised of artworks (artificiala)-- things like wooden masks, necklaces made from crocodile teeth; scientific instruments (scientifica)-- items used in hospitals and clinics at the time; and objects from foreign cultures (exotica).
The United States pavillion at the 2007 Venice Biennale consisted of an untitled sculpture by the artist Félix González - Torres, who had died 11 years earlier and had only made rough sketches of what he wanted the final artwork to look like.
Several of Noguchi's public artwork proposals were rejected; voluntarily (and then less so), he was interred in a Japanese work camp in Arizona; the FBI investigated him for espionage; he had romantic affairs with the likes of Frida Kahlo; and on and off, Noguchi turned to bust portraits of high society New Yorkers and Hollywood celebrities to make ends meet.
I first saw his work in a Whitney Biennial in the mid 1970s, only I didn't know who had made the objects I noticed — in fact I wasn't totally sure the strange objects were artworks in the exhibition — strange steel wool like oblong discrete objects placed in unusual locations, inside the building, but not exactly where an art work might be located — near a fire alarm, above an exit door, and, as I recall, outside the building as well.
Many artworks were made in such a fashion, like The Lighthouse at Two Lights (1929), New York City Automat (1927) and House by the Railroad (1925).
Discoveries like these have the ability to bring joy to a monotonous daily commute, to inspire people to look at their surroundings in a new way, or show them that artwork can exist anywhere and be made from any material.
- Jonathan Goodman Virva Hinnemo lives far out on eastern Long Island, and her artwork looks very much like the art of the ab - ex painters who made that...
I feel like there's a reciprocal arrangement, with my curatorial side effecting my own artwork, often reflecting on and observing my work as a curator as well as making work from a curator's point of view.
Serra and his colleagues like Robert Smithson, Eva Hesse and Bruce Nauman, put down their paintbrushes and started making radical artworks using materials like dirt, rubber and wax.
She nixed the idea of painting the kids to look like famous artwork (a Morandi still life, Picasso's «Weeping Woman,» Ellsworth Kelly's «Falcon,» etc.) and suggested I practice making... read more... «Performance project: Face painting»
Just like we are able to peel away the many surfaces that make up great artwork and reveal the base colour used by the artist, the Making Colour exhibition journeys below the surface of modern tube - paint, with the purpose of finding its origin.
Art Riot: Post Soviet Actionism @ Saatchi gallery Protest art from modern Russia makes for some compelling artworks relating to Pussy Riot's punk prayers, a man who nailed his scrotum to Red Square and a performance artists who lunged at others as he acted like a dog.
Keith has also exhibited local artists like Kenyatta A.C. Hinkle, who, in line with the #SayHerName social media movement, makes performances and artworks that raise awareness about black female victims of police brutality and racism in the U.S..
The carefully curated book features 170 artworks made by the world's most important artists including the likes of Titian, Botticelli, Joan Miró, Georgia O'Keeffe, Man Ray, Jackson Pollock, Max Ernst, Francis Picabia, Henri Toulouse Lautrec, Francis Bacon and Lucian Freud.
Some of the most notable artworks include 1960s pop art paintings of consumer products, including Campbell's Soup Cans and Coke, and celebrities portraits of stars like Elizabeth Taylor, Jackie Kennedy, Marilyn Monroe, and Elvis Presley; 1970s series, such as Death and Disaster, Mao, and abstract Oxidations; and works from the 1980s, including The Last Supper and collaborative paintings made with younger artists, such as Jean - Michel Basquiat and Francesco Clemente.
This means, she only makes one artwork at a time and doesn't make multiples, like many artists working in cast bronze.
[1] Claiming that this privileged space had become nothing more than an «ossified custom» — a «commercial depot» for curators and dealers to ship works out into the world (and thus detach the artwork from the conditions of production and site of creation)-- Buren stated that artists could only resist the domestication of their work by preserving it within their studios forever (like Constantin Brancusi) or abandoning the four walls of the studio altogether for a life of art making away from institutional repression and commodification.
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