Sentences with phrase «like cinema scenes»

With games, you have moments like that, particularly in things like cinema scenes, but a lot of what you're doing with game music is trying to create music for the experience that the player is having.

Not exact matches

As I sat there in the cinema, watching this scene, I remember thinking, «Wow, I didn't know James Bond was supposed to look like that!»

There are a wide variety of romantic things to do in the city; like taking advantage of its vibrant cultural arts scene, or enjoying some of the finest classic cinemas in the UK.

The type of character I have long been waiting to see onscreen, he's both familiar and novel, and his presence gives way to moments heretofore unthinkable in mainstream cinema, like the museum scene, which would make Martinican poet Aimé Césaire proud, as it seems like the direct illustration of a paragraph from «Discourse on Colonialism.»

These scenes feel for all the world like the actors were reading their lines directly from the book, without the adjustments being made for the visual language of cinema.

(That wedding night, by the way, is one of cinema's odder sex scenes, with the two of them hissing at each other like cats.)

In close - up Neeson's anguish holds the screen like few other sights in modern cinema, and a comparatively late scene in «Silence» pits Neeson against Garfield in a stimulating, discreetly combative war of words, and beliefs.

Wan's film wasn't just scary, it was terrifying, and his stylistic choices truly made the film feel like it was cut straight from the 1970's horror cinema scene.

The colors (a mixture of the candy colors of golden age fantasy cinema and the muted hues of nostalgia) are lush and the hazy scenes of the stuck - in - fifties small town feel like some misty - eyed time warp with a few weird twists.

Like so many films consumed with the minutiae of daily journalism, «Spotlight» is a magnificently nerdy process movie — a tour de force of filing - cabinet cinema, made with absolute assurance that we'll be held by scene after scene of people talking, taking notes, following tips, hounding sources, poring over records, filling out spreadsheets, and having one door after another slammed in their faces.

Directed with the equal energy by British director John Hough, whose lean, high - powered action scenes are energized by the dynamic, almost child - like performances of his thrill - addicted characters, it's a classic of seventies speed cinema, where car chase and stunt films were really about rubber hitting — and leaving — the road.

In this moment, Campion finds one of her earliest platforms for experimenting with expressionistic conventions of cinema like the chiaroscuro - style lighting of Ingmar Bergman, the inky suburban subconscious of David Lynch and Peter Weir's haunting images of lost girls.3 With this scene, Campion also perfectly encapsulates the isolating, confusing and ultimately frightening mood around adolescent, female sexuality in pre-feminist Australian suburbia of the «60s.

The scene with his prayer: «Let them be weak like children...» is certainly one of my favourite scenes in all of cinema.

Audiences will undoubtedly drone over the obvious comparisons to «Crouching Tiger, Hidden Dragon» with its similar gravity - bending rules and ballet - like fight scenes, but what most Americans don't realize is that this particular genre (Wuxia, which typically incorporates fantastic abilities like flying) has been at the core of Chinese cinema for decades.

The Week in Movies discusses the last seven days in cinema, including the fallout from Suicide Squad's negative reviews — like reports of a troubled production and many of The Joker's scenes being cut — the first trailer for Christopher Nolan's World War II epic Dunkirk and much, much more... The Week in Movies is -LSB-...]

The camerawork and mise en scene move into a kind of cinema verite existence feelung often like do umentary rather than dramadoc.

But while Haigh, thirty - seven when he made Weekend, worked his way up the ranks of British cinema — he was an assistant to Ismail Merchant and worked as an assistant editor with Ridley Scott — his sensibility has more in common with the realist tendencies of the contemporary American independent scene, in particular the naturalistic intimacy and political intent of filmmakers like Kelly Reichardt and Ramin Bahrani.

It is, however, a persuasive treatment of the issue, through the lens of Call of Duty: Black Ops and Yusuf comes across as more exasperated than excoriating: «Though Black Ops blatantly lifts scenes and lines from cinema classics like Full Metal Jacket and The Deer Hunter, it fails to communicate the same anti-war message that Kubrick and Cimino did.»

As the story goes on you embrace who you are and I would have to say you are really missing out on the game if you skip the comic strip like fading cinema scenes.