Sentences with phrase «like cinematography»

The kid then discovers the same woman from the centrefold is lying naked in his backyard in a softcore pose — The Nice Guys looks like the cinematography was done by Hugh Hefner but that credit goes to Philippe Rousselot helping to enhance Black's male gaze.

The score and cinematography are all solid, but one does not watch a film like this for Nino Rota - like music nor Gordon Willis - like cinematography.

Todd McCarthy has posted his review of Birdman from Venice and it looks to be a solid Oscar contender in the major categories, picture, acting, directing, writing, as well as the techs, like cinematography.

The other three featurettes cover less popular topics like cinematography («The Color and the Shape»), musical score («The Lullaby») and mythology («The Power of Myth»), but they're all worthy additions.

Interestingly enough, the film likely stands a chance in some of the below - the - line categories like Cinematography, Sound Mixing, and probably Visual Effects.

The technical aspects also have to be mentioned, like the cinematography or the special effects that make the unique style dazzle.

Not exact matches

With epic cinematography, «Amazing China» — produced by China Central Television and the state - owned China Film Group Co. Ltd. — articulates a message of how China would like to be seen as it pursues President Xi Jinping's vision of a globally resurgent nation, against a reality that doesn't always measure up.

Like the previous executions in the campaign, the first - class cinematography lends an epic feel to the spot.»

Instead of rendering a static picture like other such maps, LSST will capture the sky in motion, a kind of time - lapse cinematography of the cosmos.

Last week my best friend and I went to see Age of Adaline, which, although wasn't mind blowingly amazing, was still a film worth seeing if you love Blake Lively, and like movies with a good message and beautiful cinematography.

But once you are in the zone the characters cease to feel like stereotypes of British culture, and for all its painterly cinematography the film has enough pace to sustain itself beyond its beautiful landscapes.

The excellent production values and lavish cinematography dress up the film like Bond's impeccable white tuxedo, but offer it nowhere to go.

Didn't like the characters (the lead boy and girl), the flat 2D cinematography was nauseating (every shot is either side on, front on, top down, no angles, no depth), and the story was just a little too quirky for me, although I appreciate

it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are directors who don't care about cinematography or shots of using the camera all they care is comedy!!!!!!! see Tyler Perry yeah their just like this big joke.

Like the best movies, it begins with an excellent script, and everything that comes after — the casting, the cinematography, the editing — all service the words in just the right way.

Felt like I was watching a bad late night cable movie.Terrible acting, cinematography, story, etc..

For as far as the scenery, cinematography and music score goes, this was like delving into a really lush and beautiful painting.

But Cartel Land, which tellingly won both the director and cinematography prizes at Sundance earlier this year, combines both qualities to devastating effect, like real life framed as a breathlessly paced thriller.

Similar to Inception and Pulp Fiction (okay, maybe not so much the latter), this movie is horribly misunderstood by the common person, but to anyone who has a sense of meta - humour, good cinematography, writing, and great plot line this movie shines like lamp in a dark basement (See what I did there, I was implying that horror movies in general aren't that great... I was also referencing the movie).

And since neither the cinematography (by Wyatt Garfield, «Ping Pong Summer») nor the editing (by Jay Deuby, «The Heat») turn the screws on these characters or on the narrative, we never feel that frog - in - a-boiling-pot tension that a movie like this should build.

At least there were pleasant surprises like Bennett Miller, Song of the Sea + The Tale of the Princess Kaguya, Marion Cotillard, Alexandre Desplat for TGBH, cinematography for Ida, and a couple others.

The effects like the rest of the cinematography are incredible.

Much like «Heat» and «The Insider», with similiar wonderful cinematography (complete with intense close - ups and methodical pace), giving the impression that we're involved in the action.

There are quite a few missing nominations here, for work debatably more vital than Janney's, including the virtuoso cinematography by Belgium's Nicolas Karakatsanis (Bullhead, The Drop), which gets out on the ice in ridiculously dynamic long takes, dovetailing like an immaculate Torvill and Dean routine with the movie's livid, addictive, disreputable rock soundtrack.

«Black Butterflies» has all the elements of a good movie like history, literature, excellent cinematography, lots of period detail and Liam Cunningham who can simply do no wrong.

The cinematography and location shooting are excellent and things look great, the music is decent, and this is one of those films that was made at a time when you could still make them like this and not have to worry about too much tinkering and interference.

Despite solid performances and beautiful cinematography, this film, like much of Jacques Audiard's work, never quite seems to find its footing, which is unfortunate, considering the potential with which it began.

At times, Blood, feels like a slightly - filled - out television police procedural with better cinematography, but the performances have an almost Shakespearean grandeur.

I like my movies with beautiful cinematography, well composed sets.....real - like engaging stories... and an all together a seamless work of art... but all of Almodovar films are too complicated and never ending... too much... I wonder if

But there's not enough of the good stuff, like writing, directing, mood, cinematography — you get the point.

The music in this film has a masterpiece atmosphere that controls characters» feelings scene - by - scene but the cinematography and jump - cuts is also a masterpiece that nobody would ever find a British film with a masterpiece cinematography like

Despite solid performances and beautiful cinematography, this film, like much of Jacques

It transports the viewer like no other show can into another world - with engaging characters and beautiful cinematography.

With soaring cinematography by Eric Gautier (Christmas Tale), an anthem - like soundtrack for ascetic rebellion by Pearl Jam's Eddie Vedder, strong acting, lyrical narration written by poet Sharon Olds, beautiful landscapes, and non-linear structure, Penn masterfully fills the 148 - minute runtime.

The awkwardly titled Every Thing Will Be Fine seems more like a showcase for expressive camerawork pushing the limits of cinematography than anything else.

If I describe the superior craftsmanship of «Unbroken» — the stunning cinematography is by the great Roger Deakins, Alexandre Desplat composed the soaring score — in a way that makes the end results seem more like a convertible than a movie, it's because the film boasts both sheen and efficiency without always delivering an equivalent emotional impact.

Sweeping cinematography of California's harsh, dry landscape asks us to visualize a fight for water in what feels like a modern day Chinatown.

Like its title suggests, the film is literally cloaked in darkness, aptly depicted through some fine cinematography work which is additionally impressive and harsh, in a good way, when it ventures out into the light above.

There are feints toward a bona fide mystery plot, but that genre element is just a pretext for a stealth marital drama, held together through strong improv, tight editing (by Swanberg himself), moody cinematography and a synth score (from Dan Romer) that parties like it's 1991.

It's really the direction, along with breathtaking cinematography from Erik Wilson, that takes what might be a fan video and makes it feel like a real feature film.

Meanwhile, the cinematography of real people also captures them in the same boxes, photographing the characters through windows, just like the windows of the computer applications, or through fences, exemplifying the borders that persist to exist between us all, allowing us to peek through, but we remain disconnected from each other physically.

The design work is far above par, thanks to «Mudbound» Oscar nominee Rachel Morrison's glowing cinematography; to production designer Hannah Beachler's depiction of urban Wakanda, which looks a little like Seoul and a little like «The Jetsons» in Middle - earth; and to Ruth E. Carter's knockout costumes for both sexes.

Sometimes movies feel like fever dreams, fueled by sexy bodies in motion, a pounding electro soundtrack or cinematography that swirls in a revel.

And if you like marching bands, this film's cinematography puts you in the middle of the action.

But like Abrams did on «Star Trek,» Whedon has stepped up his game in a major way: the action is clear and coherent, the pacing is tight (it's 140 minutes long, but flies by) and the technical contributions are top - notch across the board, from the Bond - movie production design of James Chinlund («The Fountain «-RRB- and the razor - sharp cutting of Jeffrey Ford («Public Enemies «-RRB- and Lisa Lassek («Cabin In The Woods») to Seamus McGarvey «s bright cinematography and Alan Silvestri's firmly listenable score (although the latter could, it should be said, use a more distinctive theme).

Soderbergh's cinematography is, as ever, superb — a shot of Carano and Tatum in the LED light of an airport departure lounge has the world - weary blearily - lit hum of a John Le Carre film updated for our digital age, while a climactic fight under the morning sun on the beachside shore feels like someone dropped a Donnie Yen battle into a Michelangelo Antonioni art film.

There were elements of this film I really liked, such as the score, casting, costumes and the cinematography, but there were also elements I did not.

â $ ˜Never have seen anything like this.â $ ™ Excellent cinematography by Janusz Kaminski; mastery of light and shadow, chiaroscuro, of the composition of cinematographic space, interiors and exteriors, of angles, particularly, the diagonals that give movement, depth and the impression of a larger space.

Another note is that the Oscar ballot does not list the names of the craftspeople nominated for categories like best cinematography.

It's no secret we really like Moonlight — and, thankfully, the Academy did too, giving it eight nominations: Best Picture, Best Supporting Actor and Actress, Best Director, Best Adapted Screenplay, Best Cinematography, Best Editing and Best Score.