Sentences with phrase «like drawings and sculptures»

Minecraft creations, especially in the games creative mode, are personal expressions like drawings and sculptures.

Not exact matches

Michael Lash, the city's director of public art and the man credited with drawing Chihuly to the Garfield Park Conservatory, said the blown glass sculpture looked like an orange, pear - shaped vase with a sunflower and a leaf planted inside.
Especially liked for his figures of cats that he had great fondness for, as seen in many of his paintings, drawings and sculptures.
Interactive experiences have yet to adopt these on as formal of a level as literature, visual art (like paintings, drawings and sculptures) and film.
Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This exhibition is a rare peek into the design process behind the creation of Pixar favorites like Toy Story, Wall - E, Up, Brave, The Incredibles, and Cars, including relics such as rarely seen paintings, sculptures, hand - drawn sketches, and other original artwork.
His methods and materials range from deceptively simple drawings on paper of squares, lines, and dots, sometimes in light pastel colors; to collage and assemblage work with folds and cuts; to artist's books that are like works of sculpture.
greg is especially inspired by the idea of having multiple windows open on a computer at once: through his process, he cuts out pieces and uses the computer to draw new forms, then assembles them into paintings that act like sculpture.
Other big likes: Louise Bourgeois's cast bronzes and carved marbles; Franz West's lumpy, painted organic form - on - a stick; Antony Gormley's hanging metal sculpture, whose linear materials — and certainly its shadows — functioned as drawings in space.
Bourgeois's diverse practice included drawings, paintings, textiles, embroidered works, sculpture, and installations ranging in scale from a few inches to monumental, fully immersive environments like Untitled (1991 - 2000), the 15 - ton marble sculpture that is the centerpiece of her exhibition at MASS MoCA.
Working across sculpture, painting, photography, drawing, artist's books, and film, Andro Wekua creates intricate environments in which the various elements form unexpected and often dream - like relationships.
Process and Materials, 1960 - 1990,» Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA «Artificial Nature,» curated by Jeffrey Deitch, Deste Foundation for Art, The House of Cyprus, Athens, Greece «Stendahl Syndrome: The Cure,» Andrea Rosen Gallery, New York, NY «Mind Over Matter: Concept and Object,» Whitney Museum of American Art, New York, NY, October 3 — January 6, 1991 Galerie Sophia Ungers, Cologne, Germany, with L.C. Armstrong, Gretchen Faust, Eva Hesse, Rebecca Horn, Robin Kahn, Jutta Koether, Patty Martori, and Rosemarie Trockel «Liz Larner, Rosemarie Trockel, Meg Webster,» Stuart Regen Gallery, Los Angeles, CA 1989 «Whitney Biennial 1989,» Whitney Museum of American Art, New York, NY «The Desire of the Museum,» Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY Galerie Ryszard Varisella, Frankfurt, Germany «David Cabrera, Larry Johnson, Liz Larner,» 303 Gallery, New York, NY «Archaeology II,» Roy Boyd Gallery, Los Angeles, CA «Specific Metaphysics,» organized by Pat McCoy, Sandra Gering Gallery, New York, NY 1988 «Nayland Blake, Liz Larner, Richard Morrison, Charles Ray,» 303 Gallery, New York, NY «A Drawing Show,» curated by Jerry Saltz, Cable Gallery, New York, NY «Re: Placement,» L.A.C.E., Los Angeles, CA «Life Like,» curated by Marvin Heiferman, Lorence Monk Gallery, New York, NY Stadtmuseum, Graz, Austria, curated by Peter Pakesch; represented the U.S. along with Jennifer Bolande, Jon Kessler, Mike Kelley DAG, Los Angeles, CA 1987 «Room 9,» Tropicana Hotel, Los Angeles, CA «Nothing Sacred,» Margo Leavin Gallery, Los Angeles, CA «1987 Annuale,» L.A.C.E., Los Angeles, CA Jeffrey Linden Gallery, Los Angeles, CA; curated by John Baldessari «Reworks: Recent Sculpture,» New Langton Arts, San Francisco, CA «L.A. Hot and Cool,» M.I.T. Visual Arts Center, Cambridge, MA
Although Paris and New York's Galerie Lelong presented a bevy of 11 artists, including Kiki Smith's avian sculptures and David Nash's rune - like charcoal drawings, each was given an apse in which to thrive.
Like glimpses into various Xanadus, the subjects here include a blackamoor sculpture from the apartment of Coco Chanel; a violent bronze in the drawing room of Yves Saint Laurent and Pierre Bergé «s Paris apartment; two Chinese scholar stones auctioned from the collection of Liz Taylor and a text painting about the Polish Art Deco artist Tamara de Lempicka who died in 1980.
Like its sister fair, Art on Paper Miami's exhibiting galleries will feature sculpture, drawing, painting, and photography, all unified by the medium of paper.
But the lackluster notes are tempered by cool weirdness: A Mai - Thu Perret rattan sculpture of a donkey; a suite of early - 20th - century drawings by Marguerite Burnat - Provins in which cats or swans play with disembodied human heads; and funky, small sculptures by David Hominal which place discrete objects — one of which looks a whole lot like a used crack pipe — atop painted metal cans.
Now his pieces, from comic - book - style drawings to sculptures that incorporate found objects like plush toys, are shown in museums like MoMA and the Whitney in New York.
In the 1950s neo-avant-garde artists like Robert Rauschenberg and Jasper Johns created assemblages that brought collage techniques into three dimensions — laying the groundwork for much contemporary sculpture — as well as works on paper that incorporated found elements drawn from the mass media and everyday life.
He draws his inspiration from existing paintings that he likes, and then reinterprets fragments of them — usually faces — as large - scale paintings and sculptures.
Drawing from the tradition of extreme craft — or the mixing of craft techniques like leather tooling, airbrushing, and stitching with art formats of sculpture, painting or drawing — Odom produces objects that aim to subvert gender roles and question how we stereotype queer cDrawing from the tradition of extreme craft — or the mixing of craft techniques like leather tooling, airbrushing, and stitching with art formats of sculpture, painting or drawing — Odom produces objects that aim to subvert gender roles and question how we stereotype queer cdrawing — Odom produces objects that aim to subvert gender roles and question how we stereotype queer culture.
With over 100 paintings, sculptures, prints and drawings, this definitive survey brings together the work of American artists like Joseph Cornell, Peter Blume, Kay Sage, Isamu Noguchi, Arshile Gorky, and Jackson Pollock — with that of Europeans in exile during World War II, including Salvador Dalí, Yves Tanguy, André Masson and Max Ernst.
I might never have noticed that the plane of one flat sculpture is actually slightly curved, drawing the object into and out of sight, like a real tool thrust into hand.
These drawings and paintings form only a small part of Mammen's oeuvre, however, with her later work expanding to include sculpture — clearly influenced by the likes of Henry Moore, with an interest in the permeation of mass and space — and various styles of abstract painting, incorporating both a Picasso-esque period and a later phase of collage and childlike strokes, calling to mind the likes of Paul Klee and Joan Miró.
Whether you're drawn here by painting, sculpture, ceramics, fiber, glass, or pieces that defy easy description, you know you're seeing — and buying — work that isn't like anything else, perhaps not even other works by the very same artist.
Kelly's affection for black and white is well known, but Mr. Shear spins it afresh across photography, drawing, sculpture and especially Kelly's relief - like paintings.
A major international loan exhibition of approximately 120 works, Like Life will draws on The Metropolitan Museum of Art's rich collection of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.
Curatorially, this kind of reconsideration has already been applied to recent exhibitions like «A Revolutionary Impulse: The Rise of the Russian Avant - Garde,» which covered the period of artistic innovation between 1912 and 1935 and included projects in painting, drawing, sculpture, prints, graphic design and architecture.
His minimalist drawings and kinetic sculptures echo architectural designs, while the artist's assemblages transform city materials like fencing and rails into autonomous works of art.
The mediums of the artworks include traditional art forms like drawing, painting and sculpture, but also time - based mediums like video and artist books as well as participatory pieces.
Packing shredded paper into molds like clay to create totem - like forms, Benglis transforms paper from a surface meant for drawing or painting into a sculptural medium, a gesture that can be seen in continuity with her poured latex installations of the late «60s, that so memorably entangled painting and sculpture.
The artist, whose work is both in dialogue with and enigmatically outside of the Pop tradition, always starts with drawings and then builds them into sculptures, which carries over into the final piece a satisfying 2 - D quality — as if Simpson were drawing in space, like the disembodied cartoonist's hand in a Chuck Jones short.
Woman on the Run — a large tableau of architecture, sculpture, film, video, neon signs, audio and materials drawn from everyday life — provides a film - noir - like setting for a crime story in which a mysterious woman in Arizona is sought for questioning in the murder of her husband.
Escobar's work, characterized by the use of materials charged with historical and symbolic meaning, is articulated in a minimalist language like in Yellow Composition, a linseed oil drawing, and the wall sculpture.
The films are most often nestled into carefully constructed environments filled with a dizzying assortment of found objects, from sculptures, painting and drawings to signs, furniture and architectural assemblages, that are connected to the overarching narrative yet act like relics.
«40 Years: Part 1» features significant Minimal and Conceptual works like Incomplete Open Cube by Sol LeWitt; a Fred Sandback yarn sculpture; Measurement: Wall (1969) by Mel Bochner; a conceptual ruler drawing and a painting by Sylvia Plimack Mangold; Dan Flavin's neon light piece; Wolfgang Laib's Rice House, and two 1960s prints by Donald Judd.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France
The drawing shows a cave - like interior where terrazzo floors, pools of light and diagonal shadows of trees and totemic sculptures provide a space for reflection.
Spanning more than 45 years of her career, the show, titled «Suspension,» exhibits six black ink drawings and 25 sculptures that dangle from the ceiling, including her famous Janus series (1968), a collection of organic, amorphous, bug - like forms made in bronze and plaster, and Arch of Hysteria (2004), a double - headed work made of fabric, in which male and female torsos are fused and hung at the waist.
The installation features a series of interconnected wall drawings and mobile - like sculptures made up of his signature scrap paintings — bits of tape and overspray that have been stripped from his studio walls and carefully arranged on paper and clear mylar.
The David Bowie Tribute Wall is a shrine - like installation of paintings, drawings, photos, needlepoint, sculpture, and other kinds of art created as a tribute for the great musical artist David Bowie.
His large - scale paintings, drawings, prints, and sculpture blended Native Northwest culture with images influenced by art around the world, in the process challenging traditional notions of what Native art could look like, probing how art intersected with colonization, trauma, and identity.
His idiosyncratic practice is about getting inside and exploring this space like a language of his own — somewhere between drawing, painting, and sculpture and between subject, image, and form.
Since there are some laws applied to the form of sculpture, like statics and gravity, drawing is a form in which Cragg can explore ideas and forms, he couldn't otherwise.
Words and names erupt from nowhere like a William Burroughs cut - up, clouds collide and paper seems to mutate into abstract sculpture before your very eyes in this major exhibition of the American artist's drawings
Best known for his larger - than - life sculptures of balloon animals, Jeff Koons is an art world behemoth capable of exciting the media and drawing on celebrity contacts like no other living artist.
Building on the legacy of post-impressionism and process art, the Catalyst works are net - like sculpture drawn directly on the wall.
Some, like «Drawing Restraint 7,» a 1993 video installation by Matthew Barney, or «Whites,» a 1963 sculpture by Ellsworth Kelly, have been languishing in storage; others, including a 2009 untitled painting by Wade Guyton and photographs by Dorothea Lange, Ansel Adams, Walker Evans and Man Ray, only recently entered the collection.
, these include Rasheed Araeen's Chaaryaar (1968/2014), a sizeable sculpture of different - coloured cube - shaped wood frames; Hassan Sharif's series of documentary photographs with the self - explanatory title Drawing Squares on the Floor Using a Cube (1982); Saloua Raouda Choucair's small carved - wood sculpture Poem (1963 — 5); and Dóra Maurer's Seven Rotations 1 — 6 (1979), an infinity - mirror - like set of photographic self - portraits, in which Maurer starts by holding a blank square, which in the second in the series is replaced by the previous photograph, and so on.
Yoshitomo Nara: a bit like you and me features all new work, including paintings, drawings, and large sculptures made of bronze.
The exhibition «Early Man» includes a series of synthetic, CNC routed rock sculptures with ridged surfaces like geologic strata, pencil and gouache drawings reminiscent of Möbius strips, and a snake - like ceramic sculpture.
Best known for their public sculptures of mundane objects magnified to monumental scales, the artists also produced a variety of smaller objects, drawings, and the like over the course of their decades - long marriage and collaboration.
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