Minecraft creations, especially in the games creative mode, are personal expressions
like drawings and sculptures.
Not exact matches
Michael Lash, the city's director of public art
and the man credited with
drawing Chihuly to the Garfield Park Conservatory, said the blown glass
sculpture looked
like an orange, pear - shaped vase with a sunflower
and a leaf planted inside.
Especially
liked for his figures of cats that he had great fondness for, as seen in many of his paintings,
drawings and sculptures.
Interactive experiences have yet to adopt these on as formal of a level as literature, visual art (
like paintings,
drawings and sculptures)
and film.
Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This exhibition is a rare peek into the design process behind the creation of Pixar favorites
like Toy Story, Wall - E, Up, Brave, The Incredibles,
and Cars, including relics such as rarely seen paintings,
sculptures, hand -
drawn sketches,
and other original artwork.
His methods
and materials range from deceptively simple
drawings on paper of squares, lines,
and dots, sometimes in light pastel colors; to collage
and assemblage work with folds
and cuts; to artist's books that are
like works of
sculpture.
greg is especially inspired by the idea of having multiple windows open on a computer at once: through his process, he cuts out pieces
and uses the computer to
draw new forms, then assembles them into paintings that act
like sculpture.
Other big
likes: Louise Bourgeois's cast bronzes
and carved marbles; Franz West's lumpy, painted organic form - on - a stick; Antony Gormley's hanging metal
sculpture, whose linear materials —
and certainly its shadows — functioned as
drawings in space.
Bourgeois's diverse practice included
drawings, paintings, textiles, embroidered works,
sculpture,
and installations ranging in scale from a few inches to monumental, fully immersive environments
like Untitled (1991 - 2000), the 15 - ton marble
sculpture that is the centerpiece of her exhibition at MASS MoCA.
Working across
sculpture, painting, photography,
drawing, artist's books,
and film, Andro Wekua creates intricate environments in which the various elements form unexpected
and often dream -
like relationships.
Process
and Materials, 1960 - 1990,» Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA «Artificial Nature,» curated by Jeffrey Deitch, Deste Foundation for Art, The House of Cyprus, Athens, Greece «Stendahl Syndrome: The Cure,» Andrea Rosen Gallery, New York, NY «Mind Over Matter: Concept
and Object,» Whitney Museum of American Art, New York, NY, October 3 — January 6, 1991 Galerie Sophia Ungers, Cologne, Germany, with L.C. Armstrong, Gretchen Faust, Eva Hesse, Rebecca Horn, Robin Kahn, Jutta Koether, Patty Martori,
and Rosemarie Trockel «Liz Larner, Rosemarie Trockel, Meg Webster,» Stuart Regen Gallery, Los Angeles, CA 1989 «Whitney Biennial 1989,» Whitney Museum of American Art, New York, NY «The Desire of the Museum,» Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY Galerie Ryszard Varisella, Frankfurt, Germany «David Cabrera, Larry Johnson, Liz Larner,» 303 Gallery, New York, NY «Archaeology II,» Roy Boyd Gallery, Los Angeles, CA «Specific Metaphysics,» organized by Pat McCoy, Sandra Gering Gallery, New York, NY 1988 «Nayland Blake, Liz Larner, Richard Morrison, Charles Ray,» 303 Gallery, New York, NY «A
Drawing Show,» curated by Jerry Saltz, Cable Gallery, New York, NY «Re: Placement,» L.A.C.E., Los Angeles, CA «Life
Like,» curated by Marvin Heiferman, Lorence Monk Gallery, New York, NY Stadtmuseum, Graz, Austria, curated by Peter Pakesch; represented the U.S. along with Jennifer Bolande, Jon Kessler, Mike Kelley DAG, Los Angeles, CA 1987 «Room 9,» Tropicana Hotel, Los Angeles, CA «Nothing Sacred,» Margo Leavin Gallery, Los Angeles, CA «1987 Annuale,» L.A.C.E., Los Angeles, CA Jeffrey Linden Gallery, Los Angeles, CA; curated by John Baldessari «Reworks: Recent
Sculpture,» New Langton Arts, San Francisco, CA «L.A. Hot
and Cool,» M.I.T. Visual Arts Center, Cambridge, MA
Although Paris
and New York's Galerie Lelong presented a bevy of 11 artists, including Kiki Smith's avian
sculptures and David Nash's rune -
like charcoal
drawings, each was given an apse in which to thrive.
Like glimpses into various Xanadus, the subjects here include a blackamoor
sculpture from the apartment of Coco Chanel; a violent bronze in the
drawing room of Yves Saint Laurent
and Pierre Bergé «s Paris apartment; two Chinese scholar stones auctioned from the collection of Liz Taylor
and a text painting about the Polish Art Deco artist Tamara de Lempicka who died in 1980.
Like its sister fair, Art on Paper Miami's exhibiting galleries will feature
sculpture,
drawing, painting,
and photography, all unified by the medium of paper.
But the lackluster notes are tempered by cool weirdness: A Mai - Thu Perret rattan
sculpture of a donkey; a suite of early - 20th - century
drawings by Marguerite Burnat - Provins in which cats or swans play with disembodied human heads;
and funky, small
sculptures by David Hominal which place discrete objects — one of which looks a whole lot
like a used crack pipe — atop painted metal cans.
Now his pieces, from comic - book - style
drawings to
sculptures that incorporate found objects
like plush toys, are shown in museums
like MoMA
and the Whitney in New York.
In the 1950s neo-avant-garde artists
like Robert Rauschenberg
and Jasper Johns created assemblages that brought collage techniques into three dimensions — laying the groundwork for much contemporary
sculpture — as well as works on paper that incorporated found elements
drawn from the mass media
and everyday life.
He
draws his inspiration from existing paintings that he
likes,
and then reinterprets fragments of them — usually faces — as large - scale paintings
and sculptures.
Drawing from the tradition of extreme craft — or the mixing of craft techniques like leather tooling, airbrushing, and stitching with art formats of sculpture, painting or drawing — Odom produces objects that aim to subvert gender roles and question how we stereotype queer c
Drawing from the tradition of extreme craft — or the mixing of craft techniques
like leather tooling, airbrushing,
and stitching with art formats of
sculpture, painting or
drawing — Odom produces objects that aim to subvert gender roles and question how we stereotype queer c
drawing — Odom produces objects that aim to subvert gender roles
and question how we stereotype queer culture.
With over 100 paintings,
sculptures, prints
and drawings, this definitive survey brings together the work of American artists
like Joseph Cornell, Peter Blume, Kay Sage, Isamu Noguchi, Arshile Gorky,
and Jackson Pollock — with that of Europeans in exile during World War II, including Salvador Dalí, Yves Tanguy, André Masson
and Max Ernst.
I might never have noticed that the plane of one flat
sculpture is actually slightly curved,
drawing the object into
and out of sight,
like a real tool thrust into hand.
These
drawings and paintings form only a small part of Mammen's oeuvre, however, with her later work expanding to include
sculpture — clearly influenced by the
likes of Henry Moore, with an interest in the permeation of mass
and space —
and various styles of abstract painting, incorporating both a Picasso-esque period
and a later phase of collage
and childlike strokes, calling to mind the
likes of Paul Klee
and Joan Miró.
Whether you're
drawn here by painting,
sculpture, ceramics, fiber, glass, or pieces that defy easy description, you know you're seeing —
and buying — work that isn't
like anything else, perhaps not even other works by the very same artist.
Kelly's affection for black
and white is well known, but Mr. Shear spins it afresh across photography,
drawing,
sculpture and especially Kelly's relief -
like paintings.
A major international loan exhibition of approximately 120 works,
Like Life will
draws on The Metropolitan Museum of Art's rich collection of European
sculpture and modern
and contemporary art, while also featuring a selection of important works from national
and international museums
and private collections.
Curatorially, this kind of reconsideration has already been applied to recent exhibitions
like «A Revolutionary Impulse: The Rise of the Russian Avant - Garde,» which covered the period of artistic innovation between 1912
and 1935
and included projects in painting,
drawing,
sculpture, prints, graphic design
and architecture.
His minimalist
drawings and kinetic
sculptures echo architectural designs, while the artist's assemblages transform city materials
like fencing
and rails into autonomous works of art.
The mediums of the artworks include traditional art forms
like drawing, painting
and sculpture, but also time - based mediums
like video
and artist books as well as participatory pieces.
Packing shredded paper into molds
like clay to create totem -
like forms, Benglis transforms paper from a surface meant for
drawing or painting into a sculptural medium, a gesture that can be seen in continuity with her poured latex installations of the late «60s, that so memorably entangled painting
and sculpture.
The artist, whose work is both in dialogue with
and enigmatically outside of the Pop tradition, always starts with
drawings and then builds them into
sculptures, which carries over into the final piece a satisfying 2 - D quality — as if Simpson were
drawing in space,
like the disembodied cartoonist's hand in a Chuck Jones short.
Woman on the Run — a large tableau of architecture,
sculpture, film, video, neon signs, audio
and materials
drawn from everyday life — provides a film - noir -
like setting for a crime story in which a mysterious woman in Arizona is sought for questioning in the murder of her husband.
Escobar's work, characterized by the use of materials charged with historical
and symbolic meaning, is articulated in a minimalist language
like in Yellow Composition, a linseed oil
drawing,
and the wall
sculpture.
The films are most often nestled into carefully constructed environments filled with a dizzying assortment of found objects, from
sculptures, painting
and drawings to signs, furniture
and architectural assemblages, that are connected to the overarching narrative yet act
like relics.
«40 Years: Part 1» features significant Minimal
and Conceptual works
like Incomplete Open Cube by Sol LeWitt; a Fred Sandback yarn
sculpture; Measurement: Wall (1969) by Mel Bochner; a conceptual ruler
drawing and a painting by Sylvia Plimack Mangold; Dan Flavin's neon light piece; Wolfgang Laib's Rice House,
and two 1960s prints by Donald Judd.
2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy
Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols,
and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists
like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown
and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a
drawing compilation, Fundació 30 km / s, Paris, France
The
drawing shows a cave -
like interior where terrazzo floors, pools of light
and diagonal shadows of trees
and totemic
sculptures provide a space for reflection.
Spanning more than 45 years of her career, the show, titled «Suspension,» exhibits six black ink
drawings and 25
sculptures that dangle from the ceiling, including her famous Janus series (1968), a collection of organic, amorphous, bug -
like forms made in bronze
and plaster,
and Arch of Hysteria (2004), a double - headed work made of fabric, in which male
and female torsos are fused
and hung at the waist.
The installation features a series of interconnected wall
drawings and mobile -
like sculptures made up of his signature scrap paintings — bits of tape
and overspray that have been stripped from his studio walls
and carefully arranged on paper
and clear mylar.
The David Bowie Tribute Wall is a shrine -
like installation of paintings,
drawings, photos, needlepoint,
sculpture,
and other kinds of art created as a tribute for the great musical artist David Bowie.
His large - scale paintings,
drawings, prints,
and sculpture blended Native Northwest culture with images influenced by art around the world, in the process challenging traditional notions of what Native art could look
like, probing how art intersected with colonization, trauma,
and identity.
His idiosyncratic practice is about getting inside
and exploring this space
like a language of his own — somewhere between
drawing, painting,
and sculpture and between subject, image,
and form.
Since there are some laws applied to the form of
sculpture,
like statics
and gravity,
drawing is a form in which Cragg can explore ideas
and forms, he couldn't otherwise.
Words
and names erupt from nowhere
like a William Burroughs cut - up, clouds collide
and paper seems to mutate into abstract
sculpture before your very eyes in this major exhibition of the American artist's
drawings
Best known for his larger - than - life
sculptures of balloon animals, Jeff Koons is an art world behemoth capable of exciting the media
and drawing on celebrity contacts
like no other living artist.
Building on the legacy of post-impressionism
and process art, the Catalyst works are net -
like sculpture drawn directly on the wall.
Some,
like «
Drawing Restraint 7,» a 1993 video installation by Matthew Barney, or «Whites,» a 1963
sculpture by Ellsworth Kelly, have been languishing in storage; others, including a 2009 untitled painting by Wade Guyton
and photographs by Dorothea Lange, Ansel Adams, Walker Evans
and Man Ray, only recently entered the collection.
, these include Rasheed Araeen's Chaaryaar (1968/2014), a sizeable
sculpture of different - coloured cube - shaped wood frames; Hassan Sharif's series of documentary photographs with the self - explanatory title
Drawing Squares on the Floor Using a Cube (1982); Saloua Raouda Choucair's small carved - wood
sculpture Poem (1963 — 5);
and Dóra Maurer's Seven Rotations 1 — 6 (1979), an infinity - mirror -
like set of photographic self - portraits, in which Maurer starts by holding a blank square, which in the second in the series is replaced by the previous photograph,
and so on.
Yoshitomo Nara: a bit
like you
and me features all new work, including paintings,
drawings,
and large
sculptures made of bronze.
The exhibition «Early Man» includes a series of synthetic, CNC routed rock
sculptures with ridged surfaces
like geologic strata, pencil
and gouache
drawings reminiscent of Möbius strips,
and a snake -
like ceramic
sculpture.
Best known for their public
sculptures of mundane objects magnified to monumental scales, the artists also produced a variety of smaller objects,
drawings,
and the
like over the course of their decades - long marriage
and collaboration.