Sentences with phrase «like everyone in these films»

Thor probably has the most compelling journey here and Hemsworth, like everyone in these films, is excellent.

Not exact matches

Yoga pants in the pews, pajamas near the altar — will everyone soon start showing up at church dressed like «the Dude» in the film, «The Big Lebowski.»

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

While you will never meet anyone like the people in this or his other films, you will recognize bits and pieces of everyone in each.

It's really good, deserves respect for its treatment of the subject matter, and is a great example of what I love about 70s cinema, but I just didn't get blown away by it, Maybe I just wasn't quite in the right frame of mind, or maybe I've just seen too many films like this already, but I don't think it's quite as good as everyone else does.

But while the sequel benefits from Reynolds» superhuman charisma as the charmingly annoying, katana - wielding protagonist, the film nevertheless feels too much like more of the same: more of the same gross - out gags, more of the same irreverent jokes, more bits where Deadpool has to regrow severed limbs to the disgust of everyone around him, more running commentary on the movie he's in....

Despite the fact that «Ant - Man» is rooted in San Francisco, «Spider - Man: Homecoming» is an ode to the bridge - and - tunnel crowd, and «The Avengers» climaxes with a «Battle of New York» that looks curiously like Cleveland, all of these films still feel like glimpses into a parallel universe made out of plastic — a bizarro alternate timeline (complete with its own 9/11) where everyone has been reverse - engineered from their own action figures.

Two performances in Game Night stood out to me, which is an accomplishment, since everyone in the film gave memorable and entertaining performances from Magnussen's look of child - like wonder when he was right about something everyone else doubted to Horgan's quick wit and ability to quickly and naturally go from moments of honest laughter to moments of unforgettable deadpan.

If you placed a few hundred random people into a movie theatre and asked them to invest their time in this film, I can guarantee that at least 50 percent would either walk out or despise their experience, but that's okay because not everyone likes every single piece of art.

I'm someone who, I think like everyone else when hearing about this, thought that there would never be a good incarnation of Captain America, especially since the colossal failure of a film in the 90s.

It's like they saw Idlewild and thought the idea of a «hip - hop musical» was good, so all of a sudden everyone in the film starts breakdancing for no reason, scratch decks materialise out of thin air and everyone starts rapping.

Everyone must watch this film its my humble request... I liked it so much that i watched it more than 100 times.The song the cameras all are well set... Both actors looks charming and they have really given their maximum effort in making such a marvelous film... Come up with new films like this in future..

Like Only God Forgives before it, this one will polarize and is not for everyone, but if you're up for a vivid and distinct sensory treat unlike most films you find in a given year, this arthouse flick is one beautiful satire of beauty.

I'd like to think that he would appreciate our film's intention to capture forever, in Koni's words, «the sort of everyday life that is accessible to everyone and understood in its cruel internal irony by almost no one.

But just being in a great film that everyone liked isn't enough.

The acting isn't as bad as everyone is making it out to be, for an action film focusing on robots vs robots carnage, it's pretty decent, and the film had it's comedic moments without overdoing it like they did in RoTF.

Sounds like Ivan Reitman, Dan Aykroyd and everyone involved in Ghostbusters are putting the pieces together to do something truly big once the Feig film hits.

But yet again, that's the great thing about film... not everyone has to like... I, for one, HATED lost in translation and will NEVER see what the fuss about that movie was.

Morgan Freeman doesn't return (fans of the first film know why), but everyone else is back on board: Bruce Willis as retired CIA agent Frank Moses, trying to settle into a life of domesticity; Mary - Louise Parker as his girlfriend Sarah, who wants more danger in her life; John Malkovich as Marvin, whose rampant paranoia is proven to be justified as often as not; Helen Mirren as Victoria, the cucumber - cool killer who treats her profession like a hobby; and Brian Cox as Ivan, Victoria's Russian roll in the hay.

A scene early in the film, on a wave - swept beach, was so appalling that I covered my eyes, but when I uncovered them and kept watching I was forced, like everyone else in the audience, into an inhuman stance.

The Internship feels every bit like it's made by the same slackers that the two stars represent themselves as being within the story itself, and like their occupation of guys who hock merchandise for a living, this entire film could be said to be a nearly two - hour commercial venture meant to sell Google and a few other companies (University of Phoenix and Match.com are mentioned prominently by name) on the minds of nearly everyone in the audience.

I was afraid to say something since «Made in Dagenham» seems like a film whose story everyone must love or something, but I'll go ahead and say it.

In a sense, it would seem like having all of these egos is a small - time film might work against the production, but by all appearances, everyone put in their best effort in making this film work, with what must have been a sparse crew and few takes allowed for every scenIn a sense, it would seem like having all of these egos is a small - time film might work against the production, but by all appearances, everyone put in their best effort in making this film work, with what must have been a sparse crew and few takes allowed for every scenin their best effort in making this film work, with what must have been a sparse crew and few takes allowed for every scenin making this film work, with what must have been a sparse crew and few takes allowed for every scene.

Wright had invited producer Steve Golin, which was enough to satisfy the die - hard cinephiles in the audience who knew him as the architect of Anonymous Content and Propaganda Films, but even without that, he charmed everyone with stories of Lynch's good luck rituals before a film like checking license plates in a parking lot for his initials and how he had a lunch meeting with Lynch where moments after he said he wanted Nicolas Cage for the part of bad boy Sailor Ripley, Cage walked into the restaurant they were eating at.

As much as I like Eye in the Sky, there is very little chance Mirren will be nominated for that film, given that (SPOILER ALERT) her character is responsible for a deed that will make most everyone in the audience recoil.

As much as everyone in Hollywood likes to deflect responsibility for putting words into action, the Oscars and the film industry share a symbiotic relationship; one can not make significant progress against history unless the other moves forward, too.

AICN pointed out a press release today from MGM that lists a new RoboCop movie alongside upcoming franchise films already in development like Quantum of Solace, The Thomas Crown Affair 2 (with RoboCop director Paul Verhoeven on board) and everyone's favorite future films, The Pink Panther 2 and 3.

Coming Soon The Marvel Studios tv series «S.H.I.E.L.D.» has begun filming Gothamist wonders if TV's «The Carrie Diaries» (i.e. Sex & The City: the Prequel) is getting 1980s NYC all wrong Bleeding Cool posters for 47 Ronin with Keanu Reeves getting the whitewashed leading Japanese samurai role (fwiw: Keanu has some Asian ancestry so this is kind of like the Johnny Depp as Tonto thing) MNPP Everyone's favorite moment in Skyfall

She exists (like nearly everyone in the film exists) to make Jennifer Lawrence's life a living hell, so bold and forceful in the way she walks into a house that isn't hers and immediately takes it over and treats it like her own.

Almost everyone involved in the film has given Maximum Effort the past two years, maintaining the highest level of super secrets, like how David Blaine catches bullets in his mouth.

And in a year like that, you're looking not for the film you think «everyone loves.»

Although there are several major contenders — from the likes of Quentin Tarantino, David O. Russell and Alejandro González Iñárritu — scheduled for release at the end of the month, the highly anticipated seventh installment in the «Star Wars» film series is what everyone will be talking about during the holidays.

But before I do, I'd like to say a tremendous thank you to everyone associated with the film franchise,» Suzanne wrote in the letter, featured on Scholastic «s website.

And in a film like The Hobbit, where everyone is covered in makeup, it is this skill that helps keep the only recognizable star from being distractingly recognizable.

«A film like this that everyone can get on VOD can get a huge spike in viewership.»

The sequence, fittingly titled «Belle,» features Watson as the titular character, fleshed out by the townspeople, made up of the film's chorus, who — like the townspeople in the animated version — don't understand why Belle is all about the books, and not about acting like everyone else.

We're increasingly in a world of film criticism that often feels like it's built around consensus, in which everyone has to agree that something is fantastic or awful, but Roger never cared about that.

But everyone else in the film is either gently patronized, like Gertrude (Sarah Snook), the girl too humble to land the boy of her dreams until Tilly gives her a head - to - toe makeover, or demonized, like the gossipy women and mean schoolteacher — with the on - the - nose name of Miss Harridiene (Kerry Fox)-- who afflict this ostensibly feminist fable with a queasy - making tinge of misogyny.

Perhaps Gore Verbinski (The Weather Man, The Ring) and the crew at Disney are putting in strong subliminal messages like, «this is a good film,», and «you must watch this again and tell everyone you love it» somewhere embedded in the film itself.

(Like everyone else in the film, she has the feel of a 33 1/3 rpm record being played at 78.)

Heaven is definitely not a film for everyone, in fact, I would venture most viewers will have a hard time coming away liking the film because of the lack of sympathy for the characters or when the film tries to tie in religious undertones in a mystifying final stretch.

Everyone is based on something in Marvel lore, be it iconic comic book storylines or films and TV; Charlie Cox's Daredevil from the Netflix series is a playable character, as are Vulture, Killmonger, Hela, and «Gladiator» Hulk and Thor from movies like Spider - Man: Homecoming, Black Panther, and Thor: Ragnarok.

Not everyone will like it (many in the audience I saw it with were legitimately angered by the film) but definitely one of the most original and unforgettable experiments in recent years.

Forget about the excitement brewing because Matthew McConaughey (Ghosts of Girlfriends Past) is actually starring in a film that doesn't require him to remove his shirt or offer up his rugged good looks for an insulting rom com role opposite Kate Hudson or Sarah Jessica Parker — as much as everyone would like it to be, this is not a sequel to 1996's A Time to Kill.

Like Ade's previous film, Everyone Else (2009), which traces the expanding fault lines in the relationship of a vacationing couple, Toni Erdmann remains constantly absorbing through its precise examination of even the most mundane interactions.

His first film, Sicario, was one of the top ten films of last year, due in large part to his brilliant script (and also to everyone else involved with the movie, like director Dennis Villeneuve and cinematographer Roger Deakins).

Alas, Weitz sympathizes too much with his target, making everyone in his film, from the Bush - like President to the Al Qaeda - like terrorists oddly likeable and endearing.

Its sole bonus feature is a 11 - minute making - of featurette which interweaves footage from the set and film itself with interview chats with Bateman, Kunis, Judge and producer John Altschuler, and Judge mocks his acting cameo in the movie and shares that his inspiration for Kunis» character was «a sociopath whom everyone happens to like.»

But not everyone is a film nerd like us who are deeply invested in the Best Cinematography race (if Roger Deakins hadn't won last night, we'd be rioting right now).

Stop me if you've heard this one before: a gruff CIA agent who suffers from PTSD and sees re-animated corpses at random moments is ordered to travel to the UK and hire Stanley Kubrick to film a fake moon landing that the American government can use in case the Apollo 11 mission turns out to be a tragic failure, only the agent (who is played by Ron Perlman, by the way) ends up giving a suitcase full of cash to a failed band manager and his perpetually stoned friend who looks a little bit like Stanley Kubrick, and those two idiots get robbed by the local mafia thugs right before Agent Ron Perlman realizes his mistake and threatens to kill everyone involved — and THEN the idiotic band manager (who is played by Rupert Grint, by the way) proposes that they all head off to film the fake moon landing with the help of a artistic hippie commune run by an egotistical dolt who can't understand why he can't put giant jellyfish on the moon.