Sentences with phrase «like film editing»

Not exact matches

One more thing Netflix has over traditional studios: It is so good at cloud computing that it has put its «studio in the cloud,» Hunt says, and uses cloud computing to do everything from managing logistics (like union drivers delivering cameras to a location) to film editing (uploading the footage to be edited immediately in another country).

And it's not like these co-productions will release two versions of a film, one standard American version and another edited to fit Communist standards.

Very often, like for today's episode, we happen to be preparing a nice meal, so we thought why not just grab the camera and film this too without the usual planning, set up and editing that goes along with the formal videos.

Here's a 2017 British Grand Prix road trip video from a fan that's so beautifully filmed and edited, it looks like it should be a VT shown on TV

His students will use the MacBook Pro to shoot and edit films like «How to Ace a Job Interview» and to write journalism articles.

I love them like I love hair metal power ballads, Teenagers from Outer Space, 1950s educational films and home - edited skateboard videos (actually, never mind, some of those are really GOOD).

I love the editing technique employed here... the film feels like a silent short from the 1920s but also very contemporary.

She did have some fun with post editing though by adding some special filters, like film leaks.

About me: My name is Justin i like to film and edit movies.

With choppy editing, and odd camera movements, this feels more like a hyperkinetic Music Video rather than a feature film.

Gance uses techniques not much associated with silent film, like a hand - held camera, multiple superimpositions, split split screen, rapid - fire editing and flashbacks to rivet the audience's attention and bring history to vivid life.

Although it could use tighter editing — like most everything in this regrettably paced film — the third act reappearance of Gollum is terrific, and amplified by a go - for - broke motion - capture performance by Andy Serkis.

This film does seem a lot more pointless and the ending gets racked up into a silly hollywood - like chase, and with some gratuitous cinematic and editing

This film does seem a lot more pointless and the ending gets racked up into a silly hollywood - like chase, and with some gratuitous cinematic and editing decisions made that shows this films wants to be something new but can't let go it's predecessor.

In color, style and humor — even in its graphics and editing — it's very much like a Godard film from the mid-1960s.

It was all I could do to watch the whole thing till the end - and I'm sorry for that, because there is so much to like about the film, [aside from the lax editing].

The editing doesn't quite feel as sharp as other Tarantino films - almost certainly due to the unfortunate loss of his former editor Sally Menke in 2010 - but editor Fred Raskin must be doing something right, making this nearly three - hour movie feel like it runs half the length.

Don't get it twisted, I like those films, choppy editing and all, its just that they has strayed SO far from the brilliant source material.

Hallmarks of Altman's aural and visual style are evident everywhere - overlapping dialogue, life - like improvised roles and ensemble acting, multiple means of communication to connect the characters (phone calls, tape recordings, radio and TV, and P.A. announcements), a continuously moving camera, long takes, and imaginative sound and film editing.

Combine the fluidity of the editing with Mica Levi «s score, and the film feels more like an experience to behold more than a story you watch play out.

Nothing about this film works: the camerawork is amateurish, the acting is stilted, the characters underdeveloped, the editing looks like it was done by a blind monkey, and as for the plot — the plot makes no damn sense.

Speaking of the camerawork, director Pablo Larraín shot and edited this movie more like a song than a traditional film.

The film was shot after The Act of Killing was edited but before it was released, and Oppenheimer's canny stewardship (and brinksmanship) is not irrelevant to their achievement; like Lanzmann, Ophuls, and Panh before him, in purely formal terms he's set a high bar for chroniclers of violence when it comes to galvanizing an audience.

The film plays like an awkwardly edited clip show of highlights from his troubled life and career — complete with all the booze, drugs and womanizing that's become commonplace in the subgenre — jumping from scene to scene with little direction or purpose.

Look at the camera angles, the editing choices, the use of music — «The Knick» is our most film - like show on television.

Writing a recent column predicting the nominees for the crafts categories (cinematography, production design, film editing and the like), I kept typing the name of one movie over and over again: «Mad Max: Fury...

But this narrative clarity is just as attributable to the editing of Jeffrey Ford and Matthew Schmidt, as well as the secret weapon directors Anthony and Joe Russo have always brought to their Marvel films: They understand intuitively how to structure a big blockbuster movie like a season of a TV show.

Her appearance, to look down her nose at an investigating Lois Lane, feels like a moment that was debated in the editing room, but other reinserted pieces have the extraneous aura of being planned for a Blu - ray long before the film even hit theaters.

I truly can not think of a movie that I've seen that was so blatantly torn to shreds in post-production in the editing room, to a point where it feels like no single scene belongs in the same movie as any other one, and that no one working on the film even realized they were working on the same one as all of these other people involved.

It's fast paced (and like all of Edgar Wright's films, the editing punches you in the face every chance it gets), witty and filled with glorious comic book inspired action scenes, complete with onscreen sound effects text.

The editing is deliberately tacky — filled with wipes that come with their own sound effects — and the jazzy, funky soundtrack sounds like public domain music rather than written for the film.

We're close to the action in this film, often shot from low to the ground, more like a «Bourne» film than a superhero movie, and the focus is more on fight choreography than editing.

«Having nine nominations is really fantastic for a film like «Carol,» and to see Todd's work and Todd recognized in this way, which hasn't fully happened until this point, is incredibly gratifying because he is one of the great contemporary American filmmakers, and his films and «Carol» will be here long after we are all gone,» she said, although she added that she would have liked to have seen the contribution of Carter Burwell and Affonso Goncalves recognized as well, for music and editing respectively.

Pearce shot the minute - and - a-half-long film with an iPhone 6, and edited with apps like iMovie and Filmic Pro.

On the other hand, the DD 1.0 mono audio is a major disappointment, given the musical nature of the second half of the film (and the acerbic sound - editing of the first, which recalls Walter Murch's early experiments in noise - as - wallpaper)-- it all sounds like a sausage forced through the eye of a needle, and as sharp - eared observers have pointed out elsewhere, the trademark line «Here's to Old England!»

Exclusive to the Blu - ray like all other bonus features, the unrated edit extends the film by 5 minutes and 53 seconds.

I didn't like the idea of flashing back to the rest of the Olympics after that stage was perfectly set in the opening scenes of the film, in fact they could have edited the film to have the entire hostage - drama portion before the credits, the flip over to Avner and company and not keep coming back to it.

Meanwhile, sound editors Christopher S. Aud and Aaron Glascock discuss their unique approach to foley on the film, which involved creating effects in locations that acoustically mimicked the environments depicted on screen — an ethos Kaufman says carried over into leaving in the imperfections of the dialogue recording (like breathing) that animation studios normally edit out.

Some directors have remade their earlier films (Hitchcock did British and American versions of «The Man Who Knew Too Much»), and others have thought out loud about changes they'd like to make (Robert Altman wanted to edit a nine - hour version of «Nashville» for TV).

Aussie filmmaker Nash Edgerton has done pretty much everything in the medium of film, from writing, directing, acting, producing, editing and even stunt work in the likes of THE MATRIX and STAR WARS prequel trilogies.

I did forget about The Green Zone which did have much less nauseating camerawork and editing, so if he handled the Bourne films like that, I would be satisfied.

It just seems like the Sony marketing department doesn't have enough faith to do a JJ Abrams - like slow build, and instead decided to bombard moviegoers with as many cool looking shots from the film edited into a neat little package (something I think works closer toward release).

Mann approaches this film almost like poetry, using fine camerawork and editing to focus on internal emotions and relationships while keeping things low - key and authentic.

I liked the film's grainy cinematography, nervous editing and moody Clint Mansell score, and even though Tillman Jr. indulges in flashy visuals at times (I bet he's a fan of Tony Scott's «Man on Fire), «Faster» feels surprisingly grounded in general.

Luckily, Mitt can breathe a sigh of relief, since the low budget film is marked by such dubious dialogue, shoddy special f / x and sloppy editing that it doesn't even measure up, cinematically, to an episode of your typical, cowboy TV show from the Fifties, like The Lone Ranger.

You can help by signing the petition to help get recognition for film editors by asking these organizations to add the Film Editing category to their annual awards: Sundance Film Festival Shanghai International Film Festival, China San Sebastian Film Festival, Spain Byron Bay International Film Festival, Australia New York Film Critics Circle New York Film Critics On Line National Society of Film Critics We would like to thank the organizations that have recently added the Film Editing category to their Annual Awards: Durban International Film Festival, South Africa New Orleans Film Festival Tribeca Film Festival Washington DC Area Film Critics Association Film Independent - Spirit Awards LA Film Critics Association Chicago Film Critics Association Boston Film Festival The International Animated Film Society — Annie Awards Academy of Science Fiction, Fantasy & Horror - Saturn Awards

Cowperthwaite's film brings up important issues, and features some impressive cinematography and editing at times, but it never hits the power level like something like, say, the similar film The Cove (2009)-- which dealt with the slaying of dolphins, and had more participatory moments to add to the effect.

Starting with 24 films from the company's vaults, the project will include the edited versions as free extras alongside digital downloads from retailers like iTunes, VUDU, and FandangoNow.

Finally allowing frequent travelers to recreate the sanitized, cocoon - like viewing experience of watching a movie on an airplane in their own home, Sony has announced a new initiative that will place the «clean» versions of some of its films, edited for broadcast or airplanes, onto home video releases.

The don't make movies like this anymore and that's a shame, because even though it's a film essentially about «sport killing»; there is a poetry to it that I think is lacking in modern films; mainly because of current editing techniques.