Sentences with phrase «like films of this type»

I loved it too but then I always seem to like films of this type.

Not exact matches

The algorithm is part of what's known as electronic image stabilization, a type of video processing that can help smooth the jerkiness in videos even when filmed in an unsteady environment, like from a dirt bike cruising down a bumpy trail.

And TriStar Pictures and its imprint AFFIRM films are betting there is a vast, untapped audience of people - just like the ones on the screen - hungry for this type of film.

And yes there should be some type of sanctions, penalties on companies like You Tube for letting this extremist movie out without prior approval or viewing by a non partisan film board, this is murder, they might as well have killed them themselves..

That's definitely what the film was saying... As much as I might like to laugh at alarmist - types, a cover of this very magazine from 1999 suggests that we were equally worried about... well, presumably, Darth Maul's makeup?

Like its cousin the Snap, the Polaroid Z2300 is a hybrid digital and instant film camera that combines the best features of both types of photos.

A thousand sweaty, shirtless men groaning and cursing over a bunch of rusty iron and home - welded equipment looks much more like torture or the opening credits of a certain type of blue film than exercise.

So the thing that I would consider first of all is you may want to actually get one of this film canisters or like a noon type of bottle and actually take digestive enzymes out there with you or use digestive enzymes for a period of time in your life that you jumpstart or up - regulate your body's own natural production of digestive enzymes which can actually happen if you use digestive enzymes for a period of time.

Also, I'm planning to film at least 2 videos a week and would seriously appreciate your suggestions / questions for the type of content you'd like to see me cover.

You must have seen many celebrities walking the red carpet at some fashion GALA or film festival, some of them stunning always, some of them, well, often to dress like a joke... If you observe carefully, you'll find that some types of dress never make mistakes.

hey im darren im very loving caring genuine fun honest kind nice decent down to earth independant trustworthy outgoing friendy respectful adventurous spontaneous with a gsoh also romantic i like making music like most types of films and music like swimming walking camping going out having fun...

I like culture, photography, philosophy, all types of art, music, travel, writing poetry, reading, diversity, computers, webdesign, shopping, documentry film, all types of movies, theatre, and hmm..

Pretty lame film with a sterling cast of legends most of which are sadly no longer with us, you could look at this as another «Monty Python'type film along side others like «Jabberwocky» and «Time Bandits» but alas this film doesn't have much of the laughs and visual flair that those films do.

Kasdan likes to go for a certain type of realism in his films, it's not always the pretty side of life and relationships and he did that again here.

I understand why some people hated it, because they didn't get the picture or simply because they don't like this type of film.

Instead of coming off like a vanity project, however, it has a casual kind of intimacy missing from most mainstream - type films.

However it just plays more like an extended episode and not really the type of story line the fans want to see in an X files film.

This film, like others of its nature and era, gets a little bit carried away with its contrived, simplified portrayal of Ancient Rome, with sophisticated, but near - cheesily overblown dialogue, and character types.

The film constantly plays with expectation like this; for both fans of the comic and the first film there is a lot of cleverness at play here and so many types of jokes stuffed into a single scene that repeat viewing will surely be required.

No, people, this type of film is quite a ways away from being something like «Rock of Ages», but the idea of a period piece about a prominent rock music club is close enough to make the handful of people who know about «CBGB» get the «heebie - jeebies».

I don't usually like these types of films.

I found this film to be very amusing and I'm not one who normally likes these types of films.

The type of film with which Mr. Ratner has claimed to be infatuated is itself like a caper - it requires precise execution.

And, while I'm growing a bit weary of her, I enjoyed Leslie Mann as the mother of some of these girls, and she nails the modern day new - age philosophy of parenting «these type» of girls to a T. All in all this is a glossy and fun film that will satisfy, but doesn't leave a strong legacy like the kind the characters aspie to have, Regardless, I dug it and think you should check it out.

Upon first viewing «Alice Sweet Alice» it comes across like you average Italian Gaillo / Slasher type film but as it slowly unfolds you begin to realize that it's an indictment of how religious fanaticism can effect the minds of those who are not that stable to begin with.

By Scott Mendelson HollywoodNews.com: Yes, this looks pretty entertaining, it's well - cast, and yes there are moments that suggest a pretty large scale, but at the end of the day, it still looks like an Alien - type horror film.

With the success of the National Treasure films, how was it like to work with Nicolas Cage in a different type of film, especially with a film that is very visual effect driven?

Superficial when it means to be elliptical and regressive in its attempts to promote pride and tolerance, Lelio's film is beautiful but vacant, the type of melodrama that reminds us that they shouldn't always make them like they used to.

Writing a recent column predicting the nominees for the crafts categories (cinematography, production design, film editing and the like), I kept typing the name of one movie over and over again: «Mad Max: Fury...

The film, much like Willis» performance, never flatlines, but it never delivers the thrills you expect from this type of genre piece.

If you see a moody pattern emerging on the type of films they've worked on, you'd be on the money; the pair, influenced by folks like Krzysztof Penderecki, Terry Bozzio and even later - day dark and doomy Scott Walker, traffic largely in droney and disquieting soundscapes, specializing in that sweet spot where discordant sounds subtly burn in the back of the frame rather than overpowering the narrative.

So if you're the type of person that likes to ponder the ins and outs of the science behind films like this, you're going to end up frustrated.

Pettyfer is pretty and easygoing but lacks the sort of charisma that comes with a more focused sense of interior purpose, and the film basically feels, at its core, like a mash - up of carefully cross-tabbed teen movie trends, which is probably what happens when you set out in pre-production with the chief intent of manufacturing the next big «Twilight» - type cinematic franchise.

Plenty of people, not just film - society types, could be relied on to look right fond whenever the name Strother Martin was dropped, and say «Oh yeah, I like him, he's always good.»

It's clear that Masters of the Universe is a derivative film, from the very Superman - like opening credits and theme song, to the Star Wars type confrontations, and some even cite Jack Kirby's «New Gods» comic books as a primary source, although my belief is that the film's creators merely ripped - off other sources that were influenced Kirby's creations rather than a direct lifting of characters and themes.

Not a traditional soundtrack — only three of the 14 songs on the record actually appear in the film — but rather an «inspired by» type of situation, the album joins other number - one charting companion albums of film - adjacent music such as, um, somewhat less - inspired collections like Men In Black: The Album and The Hunger Games: Songs From District 12 And Beyond.

Lesley Coffin: Because people go into a film expecting one thing from Michael Shannon and he proves not to be like that here and the film has an undercurrent of suspense and thriller, is that type of casting against type an asset you were looking to exploit?

The Nugget is a mild - mannered Australian film that fits right in with the type of comedies they generally make, full of likeably daft little guys that discover they like the simple lives they lead, almost losing it all when something bigger comes along.

Although much of the humor and tone of the film is on par with it's original source, the sight gags and puns type humor was done to death by better films like Airplane!

But like most films of this type, there is too much talking and not enough action.

The performances looked like they could be very good but like AmericanRequiem said above, this doesn't look like the type of film that one would just sit down to watch for fun (not saying that is a requirement for film - viewing) so the movie would have to really ride a wave of huge critical support for me to give it a go.

The film, which is being dumped in December by The Weinstein Company before being given a VOD death sentence is just the type of film to earn a single Oscar nomination in a category like Costume Design.

Unless of course you read some sort of rave review or end - of - year love letter and expected a different type of film, like perhaps, erm, Slumdog Millionaire?

Working with Sundance Institute on casting also provided some insight to what casting for the actual feature will be like, and made it more clear exactly what types of personality traits each actor should have to really make each of the film's characters complete.

Like the extension of the Nazi regime in Pasolini's infamous Sade adaptation Salo, or the 120 Days of Sodom (1975), this hearkens back to the type of gritty cruelty most films outside of Holocaust reenactments tend to sidestep.

It's not a cinematic event like Oscar nominated films «The Help» or «Hidden Figures», nor is it the type of film that will cross cultures or boundaries making its way into homes across America and that's why I am so disappointed.

There's the sparkle - eyed Sixties hippie in he - man war films, the type of wonderfully anachronistic presence that enlivens movies like The Dirty Dozen («Madison City, Missouri, sir!»

Studios are really cranking out their end - of - the - year Oscar - type films like crazy, so there are lots of good things to choose from.

The Fury filmmaker reiterated that these mid-range films are his bread and butter and seeing as how major studios aren't making them anymore, he sees places like Netflix as a way to bring that type of filmmaking back.

But the time has come to call an end to these complaints for the time being, and spotting gaps is arguably an over-familiar type of jiu - jitsu that film journalists like to pull on award - nomination lists.