This show was a real disappointment, possibly because it had more of the late, decorative, pattern -
like grid paintings and many prints and works on paper.
Not exact matches
Many years ago, I had for several years a summer job at Silverstone racing circuit - on several occassions I drove around the circuit in a Sherpa Van (not quite
like Nigel Mansell at that time) and at several Grand Prix I
painted the white lines on the
grid.
RT: Take someone
like Agnes Martin, who made these
grid paintings, and then she stopped.
Curated by Paul Schimmel, the show charts Guston's progress as he played with Color Field
painting, moved into
grid -
like abstractions, and came gradually closer to figuration, combining the visual languages of Abstract Expressionism and Minimalism.
Gridding both a source photograph and a canvas, Close
paints brightly - colored concentric rings that up close look
like simple color fields, but from afar turn out to be very detailed portraits.
In other works,
like Jennifer Bartlett's Swimming Pool (Early 1970s), the
grid (silkscreened onto the ground of the steel plate) intrinsically spaces and allocates the site in which she
paints her dots as a kind of means to an end.
Like my real early stuff, the first color
paintings really came out of trying to
paint grids, but I couldn't work out a
grid.
In O'Keeffe's
paintings of crosses against the New Mexico horizon, the viewer must regularly look past the crosses»
grid -
like intervention to the landscape, banished from the center of the image to its four corners.
Important
paintings on view from this period include Blue Cradle (1956) and Thursday (1960), which feature strong colors and gestures, as well as Crossfield I (1968), which hints at the final phase of Tworkov's career in its
grid -
like structure and layered lines.
They will be shown together with a series of
paintings — sash - cord strung in a lattice -
like grid — all inspired by an extended consideration of the wily and industrious arachnid.
Her canvases - some unusually large - are filled with
grids and intersecting circles, simplified flower forms, gonad -
like shapes, flattened cubes,
painted numbers, stray, sometimes invented words, spirals, weird vectors, loop - the - loop lines, pyramids and sunbursts.
The trends seen at this year's opening night were intriguing — tons of fabric and textile - based work,
like Verena Dengler's embroidered canvases at Thomas Duncan and Laure Provost's spectacular tapestry at MOT International; a pull towards representative
painting,
like Marcel van Eeden's cake
painting at Clint Roenisch or Louise Bonnet's»60s - style oil
paintings of peculiar sad - sacks at Mier Gallery; and any abstract work to be found was very multicolored,
like William J. O'Brien's trippy plant -
like paintings at Shane Campbell and Stanley Whitney's vibrant
grids at Team Gallery.
In the more recent
paintings, Force Fields (1997 - 2002), which were included in the exhibition you just mentioned, I've left the construction lines, which for me emphasised this idea that they're somehow part of something bigger, some kind of
grid, rather
like the galaxies.
The matt varnish on the barbed wire contrasts with the overall gloss surface of the image and draws attention to the surface, making the barbed - wire
grid seem
like a leaded window, which was an aspect of the original
painting on glass that I particularly
liked.
This piece should remind viewers of the
gridded paintings of pixel -
like color that Ellsworth Kelly created in the 1960s (followed by Gerhard Richter in the 1970s), only channeled through Wool's own signature palette of whites, blacks, and grays.
With the images gone something that looked
like a high modernist
painting would remain, a large multi coloured
grid, in which a certain amount of chromatic interplay was happening.
Chung's use of the collage medium is not obvious — the dried acrylic
paint and the paper are hard to separate — and the
grid -
like effect is created by ripping portions of
paint off the canvas, then refilling the gaps.
This is no doubt why — probably causing great inconvenience to the publishers — Steinberg insisted on an «extra page» in his book Other Criteria (2007), a foldout that erupts
like a tongue, rupturing the division between inside and outside and showing the eventual series of
paintings that emerged from these drawings as a diagrammatic
grid crisscrossed by multiple points of view.
His works explore modernism through works using
grid -
like structures, with
paintings incorporating maps and focusing on issues of cultural translation.
Black bowls containing hot pink
paint occupy an expedit shelving unit
like larvae in a honeycomb or circles in Kandinsky's
grid.
Influenced by the loose washes of traditional Chinese brush
painting, Zhang dilutes his
paint until it is almost
like a glaze, leaving pencil - drawn
grids visible beneath the layers of
paint.
However, whereas Monet's
paintings were more concerned with the effects of light and the deconstruction of the physical landscape, it has been argued that Mitchell's work is more
like that of van Gogh and Cézanne in its adherence to the structural
grid of the canvas.
Especially noteworthy and striking are the «Night Landings»
paintings, such as «Night Landings: Sambura» (1970), with the city
grid glinting below
like a dark jewel in a deep, nocturnal blue river valley.
Like a puzzle, Carlos Estrada - Vega's colorful compositions are subdivided into a grid - like series of squares or rectangles, each uniquely colored and textured with hand - mixed oil pa
Like a puzzle, Carlos Estrada - Vega's colorful compositions are subdivided into a
grid -
like series of squares or rectangles, each uniquely colored and textured with hand - mixed oil pa
like series of squares or rectangles, each uniquely colored and textured with hand - mixed oil
paint.
They already dissolve before one's eyes, and they have bare or
painted borders so that the
grid floats,
like rectangles for Rothko.
In the summer of 1972, inspired by the work of Ad Reinhardt, he introduced
grid -
like patterns of black markings onto these works, which he referred to as his «Cancel»
paintings.
One of the most critically acclaimed artists of the 1970s, Jennifer Bartlett developed a signature
grid - based approach to creating monumental modular
paintings — often built out of graph - paper -
gridded steel - and - enamel plates that she would then compose on in enamel — that achieved The Clock -
like success in the form of Rhapsody, a nearly 1,000 - plate piece that debuted at Paula Cooper in 1976.
Conservators, working on some of his first experiments in
painting like this, have found he very consciously used
grids and other aids to help him achieve that «all - over,» weightless effect.
Distinguished by colorful,
grid -
like paintings executed in alluring oil impasto, Jensen's art taunts its viewer with patterns of colors and numbers.
In her
grid -
like paintings, French - Syrian artist Farah Atassi continues to consider space through an exploration of decorative motifs and architectural models.
Paintings from the mid-1950s,
like Arcade Women, featured an ominous perspectival
grid, crossing lines articulating a matrix in which figures are caught.
Mack's abstract
paintings of 1957 — 58, which combine blurred
paint with a
grid -
like form, prefiguring Gerhard Richter, lead seamlessly into the reflected light of his aluminium constructions.
More than forty years after its first appearance, Hyperrealism continues to fascinate the public, many of the group's pioneers are still
painting and new artists often use techniques
like slide projection and
gridding when working.
Inside, though, I found an early — and slightly gauche — digital video thudding away on the gallery's biggest wall, a huge, dressing screen -
like sculpture created from a
grid of metal bars, and, best of all, an ingenious series of abstract
paintings created from bathroom tiles and coloured grouting.
His first collaged
paintings grew out of this process; these abstract
grid -
like images recall a night sky or aerial view of an urban landscape.
The Ocean Park series is distinguished by large, luminous
paintings that build upon a
grid -
like system, with extensive reworking and scraped layers of translucent
paint — processes that are discernible to the viewer.
More than this, though, when you actually consider how it was made — by individually positioning each minute blob, dab and lozenge of grey
paint within every minuscule cell of a vast
grid — it seems
like the sort of repetitive, even absurd, endeavour that would appeal only to someone in a distinctly unsettled frame of mind.
The artist transports the viewer to this holistic in - between - stage by reformulating the constituents of
painting as similar quintessential dualities: flat surface versus deep space, precision versus ambiguity, material versus ethereal, the
grid -
like composition of brightly colored dots versus animated, formative fields of homochromatic hues.
The Black
Paintings (1951 — 53) incorporated texture under the
painted surface by way of collaged newspaper that sometimes indicates a
grid -
like structure.
Her
paintings,
like life itself, are basically the same: square
paintings (or long rectangular
paintings) of small, ordered
grids of squares, triangles, and unexpected shapes.
And,
like Ed Ruscha's musings about the nature of texts in his
paintings — that words, or at least the use of them as a subject, don't inherently have any real scale — the
grid perspective allows an expansion and contraction of otherworldly senses of scale and pacing.
DH I've been doing these
paintings where I've been adding lines, putting a lot of lines in on the top, which sort of works
like a
grid.
Large scale oil
paintings dripping in
paint and medium encapsulate the whole canvas in
grid like nature.
A functioning ceramic fountain sits in the center of the gallery, atop a carpet -
like grid of
painted tiles.
By taking her daily routines and reimagining them as formal factors in her
paintings, Commito transforms physical acts
like walking to her studio into the
grid, the stripe and the frame.
He allows the
paint to dribble and run in response to gravity, creating an uneven
grid -
like pattern of broad stripes and thin rivulets, highlighting the energy and atmosphere of the rooms they occupy.
In the 1950s he experimented with symbolism and action
painting and
grid -
like paintings consisting of small squares based on Hofmann's teachings.
Indeed, many of the forms and processes that have shaped
painting,
like the
grid, have been re-defined and re-purposed by Barlett through her career.
Some of the pieces are comprised entirely of the strata and become an absence of
painting,
like a Mondrian
grid, stripped of all idealization, with open space instead of blocks of color.
Yau writes: «it seems to me that Plimack - Mangold's early investigations of space should be credited with initiating a dialogue in opposition to Frank Stella's stripe
paintings, which squeezed space out of
paintings altogether, and the flat,
grid -
like floor sculptures that Carl Andre began after 1965.»