Sentences with phrase «like grid paintings»

This show was a real disappointment, possibly because it had more of the late, decorative, pattern - like grid paintings and many prints and works on paper.

Not exact matches

Many years ago, I had for several years a summer job at Silverstone racing circuit - on several occassions I drove around the circuit in a Sherpa Van (not quite like Nigel Mansell at that time) and at several Grand Prix I painted the white lines on the grid.
RT: Take someone like Agnes Martin, who made these grid paintings, and then she stopped.
Curated by Paul Schimmel, the show charts Guston's progress as he played with Color Field painting, moved into grid - like abstractions, and came gradually closer to figuration, combining the visual languages of Abstract Expressionism and Minimalism.
Gridding both a source photograph and a canvas, Close paints brightly - colored concentric rings that up close look like simple color fields, but from afar turn out to be very detailed portraits.
In other works, like Jennifer Bartlett's Swimming Pool (Early 1970s), the grid (silkscreened onto the ground of the steel plate) intrinsically spaces and allocates the site in which she paints her dots as a kind of means to an end.
Like my real early stuff, the first color paintings really came out of trying to paint grids, but I couldn't work out a grid.
In O'Keeffe's paintings of crosses against the New Mexico horizon, the viewer must regularly look past the crosses» grid - like intervention to the landscape, banished from the center of the image to its four corners.
Important paintings on view from this period include Blue Cradle (1956) and Thursday (1960), which feature strong colors and gestures, as well as Crossfield I (1968), which hints at the final phase of Tworkov's career in its grid - like structure and layered lines.
They will be shown together with a series of paintings — sash - cord strung in a lattice - like grid — all inspired by an extended consideration of the wily and industrious arachnid.
Her canvases - some unusually large - are filled with grids and intersecting circles, simplified flower forms, gonad - like shapes, flattened cubes, painted numbers, stray, sometimes invented words, spirals, weird vectors, loop - the - loop lines, pyramids and sunbursts.
The trends seen at this year's opening night were intriguing — tons of fabric and textile - based work, like Verena Dengler's embroidered canvases at Thomas Duncan and Laure Provost's spectacular tapestry at MOT International; a pull towards representative painting, like Marcel van Eeden's cake painting at Clint Roenisch or Louise Bonnet's»60s - style oil paintings of peculiar sad - sacks at Mier Gallery; and any abstract work to be found was very multicolored, like William J. O'Brien's trippy plant - like paintings at Shane Campbell and Stanley Whitney's vibrant grids at Team Gallery.
In the more recent paintings, Force Fields (1997 - 2002), which were included in the exhibition you just mentioned, I've left the construction lines, which for me emphasised this idea that they're somehow part of something bigger, some kind of grid, rather like the galaxies.
The matt varnish on the barbed wire contrasts with the overall gloss surface of the image and draws attention to the surface, making the barbed - wire grid seem like a leaded window, which was an aspect of the original painting on glass that I particularly liked.
This piece should remind viewers of the gridded paintings of pixel - like color that Ellsworth Kelly created in the 1960s (followed by Gerhard Richter in the 1970s), only channeled through Wool's own signature palette of whites, blacks, and grays.
With the images gone something that looked like a high modernist painting would remain, a large multi coloured grid, in which a certain amount of chromatic interplay was happening.
Chung's use of the collage medium is not obvious — the dried acrylic paint and the paper are hard to separate — and the grid - like effect is created by ripping portions of paint off the canvas, then refilling the gaps.
This is no doubt why — probably causing great inconvenience to the publishers — Steinberg insisted on an «extra page» in his book Other Criteria (2007), a foldout that erupts like a tongue, rupturing the division between inside and outside and showing the eventual series of paintings that emerged from these drawings as a diagrammatic grid crisscrossed by multiple points of view.
His works explore modernism through works using grid - like structures, with paintings incorporating maps and focusing on issues of cultural translation.
Black bowls containing hot pink paint occupy an expedit shelving unit like larvae in a honeycomb or circles in Kandinsky's grid.
Influenced by the loose washes of traditional Chinese brush painting, Zhang dilutes his paint until it is almost like a glaze, leaving pencil - drawn grids visible beneath the layers of paint.
However, whereas Monet's paintings were more concerned with the effects of light and the deconstruction of the physical landscape, it has been argued that Mitchell's work is more like that of van Gogh and Cézanne in its adherence to the structural grid of the canvas.
Especially noteworthy and striking are the «Night Landings» paintings, such as «Night Landings: Sambura» (1970), with the city grid glinting below like a dark jewel in a deep, nocturnal blue river valley.
Like a puzzle, Carlos Estrada - Vega's colorful compositions are subdivided into a grid - like series of squares or rectangles, each uniquely colored and textured with hand - mixed oil paLike a puzzle, Carlos Estrada - Vega's colorful compositions are subdivided into a grid - like series of squares or rectangles, each uniquely colored and textured with hand - mixed oil palike series of squares or rectangles, each uniquely colored and textured with hand - mixed oil paint.
They already dissolve before one's eyes, and they have bare or painted borders so that the grid floats, like rectangles for Rothko.
In the summer of 1972, inspired by the work of Ad Reinhardt, he introduced grid - like patterns of black markings onto these works, which he referred to as his «Cancel» paintings.
One of the most critically acclaimed artists of the 1970s, Jennifer Bartlett developed a signature grid - based approach to creating monumental modular paintings — often built out of graph - paper - gridded steel - and - enamel plates that she would then compose on in enamel — that achieved The Clock - like success in the form of Rhapsody, a nearly 1,000 - plate piece that debuted at Paula Cooper in 1976.
Conservators, working on some of his first experiments in painting like this, have found he very consciously used grids and other aids to help him achieve that «all - over,» weightless effect.
Distinguished by colorful, grid - like paintings executed in alluring oil impasto, Jensen's art taunts its viewer with patterns of colors and numbers.
In her grid - like paintings, French - Syrian artist Farah Atassi continues to consider space through an exploration of decorative motifs and architectural models.
Paintings from the mid-1950s, like Arcade Women, featured an ominous perspectival grid, crossing lines articulating a matrix in which figures are caught.
Mack's abstract paintings of 1957 — 58, which combine blurred paint with a grid - like form, prefiguring Gerhard Richter, lead seamlessly into the reflected light of his aluminium constructions.
More than forty years after its first appearance, Hyperrealism continues to fascinate the public, many of the group's pioneers are still painting and new artists often use techniques like slide projection and gridding when working.
Inside, though, I found an early — and slightly gauche — digital video thudding away on the gallery's biggest wall, a huge, dressing screen - like sculpture created from a grid of metal bars, and, best of all, an ingenious series of abstract paintings created from bathroom tiles and coloured grouting.
His first collaged paintings grew out of this process; these abstract grid - like images recall a night sky or aerial view of an urban landscape.
The Ocean Park series is distinguished by large, luminous paintings that build upon a grid - like system, with extensive reworking and scraped layers of translucent paint — processes that are discernible to the viewer.
More than this, though, when you actually consider how it was made — by individually positioning each minute blob, dab and lozenge of grey paint within every minuscule cell of a vast grid — it seems like the sort of repetitive, even absurd, endeavour that would appeal only to someone in a distinctly unsettled frame of mind.
The artist transports the viewer to this holistic in - between - stage by reformulating the constituents of painting as similar quintessential dualities: flat surface versus deep space, precision versus ambiguity, material versus ethereal, the grid - like composition of brightly colored dots versus animated, formative fields of homochromatic hues.
The Black Paintings (1951 — 53) incorporated texture under the painted surface by way of collaged newspaper that sometimes indicates a grid - like structure.
Her paintings, like life itself, are basically the same: square paintings (or long rectangular paintings) of small, ordered grids of squares, triangles, and unexpected shapes.
And, like Ed Ruscha's musings about the nature of texts in his paintings — that words, or at least the use of them as a subject, don't inherently have any real scale — the grid perspective allows an expansion and contraction of otherworldly senses of scale and pacing.
DH I've been doing these paintings where I've been adding lines, putting a lot of lines in on the top, which sort of works like a grid.
Large scale oil paintings dripping in paint and medium encapsulate the whole canvas in grid like nature.
A functioning ceramic fountain sits in the center of the gallery, atop a carpet - like grid of painted tiles.
By taking her daily routines and reimagining them as formal factors in her paintings, Commito transforms physical acts like walking to her studio into the grid, the stripe and the frame.
He allows the paint to dribble and run in response to gravity, creating an uneven grid - like pattern of broad stripes and thin rivulets, highlighting the energy and atmosphere of the rooms they occupy.
In the 1950s he experimented with symbolism and action painting and grid - like paintings consisting of small squares based on Hofmann's teachings.
Indeed, many of the forms and processes that have shaped painting, like the grid, have been re-defined and re-purposed by Barlett through her career.
Some of the pieces are comprised entirely of the strata and become an absence of painting, like a Mondrian grid, stripped of all idealization, with open space instead of blocks of color.
Yau writes: «it seems to me that Plimack - Mangold's early investigations of space should be credited with initiating a dialogue in opposition to Frank Stella's stripe paintings, which squeezed space out of paintings altogether, and the flat, grid - like floor sculptures that Carl Andre began after 1965.»
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