Let your facts «show, not tell:» Guberman says that the facts in a brief should read
like narrative nonfiction, like something you'd read in The Atlantic or The New Yorker.
Not exact matches
Partial Bibliography Tickets for a Prayer Wheel (1974, poems) Pilgrim at Tinker Creek (1974,
nonfiction narrative) Holy the Firm (1977,
nonfiction narrative) Living by Fiction (1982, non-fiction
narrative) Teaching a Stone to Talk (1982,
narrative essays) Encounters with Chinese Writers (1984,
nonfiction narrative) An American Childhood (1987, memoir) The Writing Life (1989, non-fiction
narrative) The Living (1992, novel) Mornings
Like This (1995, poems) For the Time Being (1999, non-fiction
narrative) The Maytrees (2007, fiction) The Abundance (2016)
And nothing destroys a piece of creative
nonfiction like a disorganized
narrative.
What's it
like to be the subject of a book by Tracy Kidder, master of
narrative nonfiction and Pulitzer Prize winner?
These thought - provoking works of
narrative nonfiction, memoir, and a graphic novel in essays portray places in decline or busy reinventing themselves; ask where we are and where we might be heading in terms of jobs and the economy; and reveal what it's
like to immigrate to twenty - first - century America.
As the above Sourcebooks post pointed out, readers using eReaders seem to prefer books that tell stories; i.e., fiction and
narrative nonfiction (history, memoir, biography, and the
like).
In a previous blog post I explained how creative
nonfiction uses thorough research, facts, and real people and events as well as fictional techniques
like scenes and
narrative arcs.
This is Ms. Macy's first book, but it's in a class with other runaway debuts
like Laura Hillenbrand's «Seabiscuit» and Katherine Boo's «Behind the Beautiful Forevers»: These
nonfiction narratives are more stirring and dramatic than most novels.