Sentences with phrase «like new cinematic»

Not exact matches

Like pre-Great War Europe, NCAA rankings, or the Marvel Cinematic Universe, the New York state Senate is absurdly complicated.
(For those who appreciate science fiction, the SSI looks like a cross between»80s cinematic robot icon Johnny 5 and the new Star Wars prequels» nemesis General Grievous.)
Directed by Mark Waters (Freaky Friday; Ghosts of Girlfriends Past; Mean Girls), who paints his story upon the tableau of New York City with featured tourist stops including the Guggenheim Museum, the Flat Iron Building, and (naturally) Central Park, the cinematic Popper is no longer a poor house painter like his literary counterpart.
This film does seem a lot more pointless and the ending gets racked up into a silly hollywood - like chase, and with some gratuitous cinematic and editing decisions made that shows this films wants to be something new but can't let go it's predecessor.
Like the nation of Wakanda itself, Black Panther is working on a whole new level and marks a new standard when it comes to Marvel Cinematic Universe.
Catching Sean Baker's The Florida Project at the Cannes Film Festival — an arena dominated by big beast auteurs and their sombre epics — felt like discovering a new cinematic language defined by colour, humour, energy and emotion.
Sharing its alien DNA with the likes of Shane Carruth's Upstream Color and Jonathan Glazer's Under the Skin while also laying bold claim to being an entirely new cinematic specifies in and of itself, Lucile Hadžihalilović's triumphant return to cinema following a near 12 - year absence is a film which wantonly drives of direct readings.
Sadly, what felt briefly like a radical new way to unleash a major new movie soon revealed itself to be more of a cinematic fire sale designed to stoke interest in something that has «damaged goods» written all over it.
Admire the girls of DOA like never before... The gorgeous women of the award winning DOA franchise come to life in a fun, beautiful, island environment complete with all new cinematics.
The irony here is that television's new burst of prestige is partially due to the format speaking in an increasingly cinematic language: there's the attraction to auteur output (David Fincher's Mindhunter, Steven Soderbergh's The Knick, and Paul Sorrentino's The Young Pope come to mind), the inflating budgets, the flirtation with feature - length episodes, as seen with the likes of Westworld and Game of Thrones.
The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.
This is the final new Marvel movie of Phase Three and according to head honcho Kevin Feige it will be «a finale» like we've never seen before in the Marvel Cinematic Universe.
However, aside from just creating better cinematics Kojima wants to create new gameplay mechanics as well, that will make players feel like they are playing a movie.
Right on schedule, the trailer for the new game went up today, giving players a cinematic glimpse at what the game will not look like when it's released... In all seriousness, certain shots from the teaser trailer look like they were recorded in the game engine, but much of the footage is pre-rendered.
As the 19th film in the Marvel Cinematic Universe, the roster for the Avengers has grown considerably from the first film, with the team of six growing to include new characters like Scarlet Witch, Winter Soldier, the Guardians of the Galaxy, and Doctor Strange, as well as villains Loki and Nebula.
I usually relish his cinematic appearances, but here it feels like he's underplaying the self - styled mystic and new age guru, Graham Purvis.
New director Jonathan (U-751, Breakdown) Mostow does a workman - like job, serving up the bland cinematic equivalent of a McDonald's burger.
You've got your Volcano and Dante's Peak, you've got Deep Impact and Armageddon, and for those of you who don't see Disaster Movies as the be-all end - all of the cinematic form you've got Capote and Infamous... in which that southern writer was tossed at New York Society like a killer meteorite from outer space.
For the feature's first forty - five minutes or so, the new film plays out like an introduction to a new cinematic series rather than a third chapter in one.
I've heard Dr. Strange described as an «LSD nightmare», and it, like Guardians of the Galaxy, represents the entry point to a new corner of the Marvel Cinematic Universe.
It was the best of times, it was the worst of times, it was the age of transcendent filmmaking in the The Lost City of Z and A Ghost Story, it was the age of foolish Spider - Man remakes / reboots / regurgitations, it was the epoch of a magnificent enquiry into belief by the evergreen Martin Scorsese, it was the epoch of the incredulous return of Mel Gibson in a box office hit, it was the season of Michael Haneke shining a light on our uncaring societal malaise, it was the season of manifold more people watching Baywatch, it was the spring of Aki Kaurismäki's warm - hearted but politically pressing The Other Side of Hope, it was the winter of despair at the box office results of masterpieces like Certain Women, Aquarius and The Death of Louis XIV, we had Yorgos Lanthimos» Kubrickian masterpiece before us, we had a new Kingsman film before us, we were all going direct to cinematic Heaven, we were all going direct the other way.
At the film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of working with each other, why the scares in this film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for keeping the audience guessing, his directing style, what he was looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A dramas, and more.
In other words, you might like this, or you might not, but you can't make a new friend - even if that friend is a friendly cinematic diversion - until you're willing to meet a stranger.
Featuring what is arguably the bravest female performance ever put on film - namely, Isabelle Adjani's Cannes - winning turn of shamanistic intensity - the film dares its viewer to enter a trance - like state, in which genres blur and mate to yield a new level of cinematic expression.
Much like the cinematic trailer that released last year around the time of The Elder Scrolls Online's Morrowind expansion, this trailer shows new characters and enemies from the latest locale — the Isle of Summerset.
In addition to New York City looking nothing like itself, Christopher Lambert's old man performance may be the worst in cinematic history.
It seems like everyday there is something to be said about the Marvel Cinematic Universe, or at the very least some new art for Avengers: Age of Ultron.
One per - centers are taking it on the chin at the movies these days with recent releases like «The Founder» and «Get Out,» and now the latest cinematic smack out of Sundance, Beatriz at Dinner, a sly and telling exposé of class in America as seen through the eyes of a Mexican immigrant woman named Beatriz (Salma Hayek, «Savages»), a new - age holistic healer who works at a cancer rehabilitation center, does private massage therapy on the side, lives with her pet goats and drives a broken - down Volkswagen.
The itinerary for the event was shrouded in secrecy — Marvel's usual M.O. when it comes to anything connected to their Cinematic Universe — so each room on the tour contained some new surprise, unfolding like a game of Clue where the players are mostly actors named Chris.
««I needed to find a new angle,» Nemes confessed, and while Son of Saul has both a visual and thematic angle that makes it stand out from the long cinematic history to which it is indebted, it's clear such an angle was not taken lightly and what may look like a visual gimmick, is in fact, proof positive of the ethical orientation of the film itself.»
Phase Three of the Marvel Cinematic Universe has been entirely absent of Samuel L. Jackson's Nick Fury thus far, but it looks like the latter of half of Marvel's upcoming slate of films will feature the eye - patch - wearing former S.H.I.E.L.D. director more prominently, especially if a new report is to be trusted.
Like that franchise, this new G.I. Joe - led cinematic universe will be planned with a writer's room to develop a «creative roadmap.»
The red in the new art is darker than what we usually see Carol wear in the comics; it looks like the palette may have been deepened to match the cinematic Captain America's.
Cinematic adaptations of young adult novels focusing on a dystopian future are nothing new but there are thoughtful films that truly stand out in the crowd (like The Hunger Games series and The Giver) and then there are movies like Insurgent.
The new «Cursed» trailer begins with a cinematic segment, which is probably a small portion of the movie that will open the game (it certainly sounds like it, having read a brief description of the video in the most recent edition of Edge magazine.).
The Wii U's sales show that even great games like DK Tropical Freeze (which harken back to the glory days of games on the SNES) aren't enough to interest dedicated PS4 or XB1 owners, when there's a new realistic looking cinematic game like GoW 4 just around the corner.
There are times when the LBP community section gets a little stale, when it seems like every new level is a concept demo, or costume pack, or crappy cinematic, and all the «Cool Levels» or «Mm Picks» are things I played months ago.
All of the game's cinematic portions have been redone by Blur Studio, which makes «Halo 2» look like a game made for the new generation of consoles.
While this time around Kiryu doesn't have four combat styles at his disposal like in Yakuza 0 and Kiwami, players get to customize their fighting style with experience points gained from combat, eating, and side quests, opening up tons of options — like new attacks, parries, and the always awesome Heat moves — to demolish enemies in cinematic style.
Blur's cinematics make Halo 2 feel like a brand - new game, and are reason alone to fire up Halo 2: Anniversary.
The opening cinematic feels like a movie unto itself, and each successive segue from combat into the story is like opening up a new Christmas gift.
Like the first game, there is a cinematic story that can be played solo or with others online, competitive player versus player online multiplayer, albeit with new maps and modes, and character customisation with more options than ever before.
From those three, KH3 certainly seems like the one closest to completion so I don't think it's unrealistic to hope for a new cinematic trailer at the very least.
Even if they threw in a new cinematic or perhaps Kingdom Hearts Unchained x in a playable format, the bundle would feel like less of a cash - in on yester - year's remake.
It should be noted that Captain America's appearance is modeled after Chris Evans's portrayal in «Captain America: The First Avenger»: The original licensing partnership between Capcom and Marvel Comics has since expired, which may have led to a new agreement with Marvel Studios; with the rumored absence of X-Men heroes and the presence of the Infinity Stones, this suggests that Capcom's icons will square off against the Marvel Cinematic Universe; this opens the Marvel roster to include a plethora of new heroes and villains including the likes of Black Panther, Hawkeye, Black Widow, StarLord, Ultron, Red Skull, Doctor Strange, Ant - Man as a stand - alone character, and more.
If you missed it, check out the new cinematic trailer below for a taste of what it's like to be Goth — real Goth:
However, there is no other information, like whether it's a new character or merely a gameplay demonstration of a character from cinematic trailers.
In his introduction John Ashbery calls the book «the finest work of Surrealist fiction,» noting that de Chirico «invented for the occasion a new style and a new kind of novel... his long run - on sentences, stitched together with semi-colons, allow a cinematic freedom of narration... his language, like his painting, is invisible: a transparent but dense medium containing objects that are more real than reality.»
In films such as Swinging the Lambeth Walk (1940), where drawn and scratched lines undulate in striated verticals and sine - wave - like horizontals to a jaunty jazz sound track, and Free Radicals (1958), in which chalklike inscriptions streak and sway across a pitch - black screen accompanied by African music, New Zealand animator Len Lye used the cinematic apparatus to make static frames (cels) appear to move.
The new trailer was 100 % in - engine footage with no pre-rendered cinematics, and was captured directly on a PS4, so this is actually what the game looks like.
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