Tino Sehgal is not
like other artists of his generation.
LeWitt,
like no other artist of his generation, has always maintained the importance of the concept or idea and, apart from his original works on paper, the work is executed by others to clear and strict instructions.
Like other artists of his generation, he trained at Tama Art University in Tokyo before becoming one of the key figures of the Mono - ha movement in the 1960s.
She attended the Emily Carr University of Art and Design, where,
like other artists of her generation, she encountered the instructor and abstract painter Elizabeth McIntosh, whose fresh and expansive approach to abstract painting has played a critical role in Mouton's art.
Like other artists of his generation, Zucker used minimalist logic to structure his artistic practice, but he sought to expand this logic to maximal effect.
Like no other artist of his generation he maintained the importance of the concept or idea and, apart from his original works on paper, the work is executed by others to clear and strict instructions.
LeWitt,
like no other artist of his generation, had always maintained the importance of the concept or idea and, apart from his original works on paper, the work is executed by others to clear and strict instructions.
Not exact matches
The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses
of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many
others has inspired thousands
of people to dedicate their lives to filmmaking, and thanks to the wonders
of modern technology, these priceless cultural beams
of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new
generation of artists who might persevere and thrive to one day fill the shoes
of the
likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens
of others whose work continually delight and move us in every way possible.
While a younger
generation of artists, led by Katharina Grosse, Carol Bove, and
others, are finding renewed significance and surprising rewards in extemporaneous abstract painting and sculpture, certain veterans
like Emily Mason never lost faith in its limitless possibilities.
During the early to mid-1960s Color Field painting was the term for the work
of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and
others whose works were formerly related to second
generation abstract expressionism; and also to younger
artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.
Through audio interviews with founders and key staff, a reading room
of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story
of pioneering spaces —
like P.S. 1,
Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new
generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and
others.
Like her husband, Gwendolyn Knight preferred creating figural compositions rather than the Abstract Expressionist paintings that
other artists of her
generation embraced.
Its
other prongs include an
artist residency at her home in Sonoma, California, for living
artists in her collection, as well as scholars and curators whose work extends the canon and relates to the
artists in her collection; sitting on the boards
of museums
like the Art Institute
of Chicago; publishing critical scholarship, beginning with the 2016 book Four
Generations: The Joyner Giuffrida Collection
of Abstract Art; and collecting and gifting major works by black
artists to institutions.
Like many
others of her
generation in the Bay Area, the
artist also worked in a figurative style in the 1950s and later.
Other important
artists of a younger
generation like Lita Albuquerque have recently joined the gallery and their work fits within the context
of West Coast Light and Space and Performance.
Like other African
artists of his
generation, he sought to create a national art and aesthetic, born out
of the effects
of colonialism and steeped in the history and culture
of his country.
I am excited to showcase Andre's work as well as that
of other artists of his
generation like Guy De Cointet, alongside a younger group.
How do you relate to
other mid-career
artists of your
generation,
like Yoshitomo Nara and The Group 1965, or the younger -
generation artists around you,
like ChimạPom?
Others,
like Sarah Lucas, one
of the few great
artists of her notorious Y.B.A. (Young British
Artist)
generation, didn't quite rise to the occasion, scattering the British Pavilion with intermittently pervy sculpture against dazzling marigold yellow walls.
Pop Art offered a clear contrast to abstract expressionism, then the dominant movement in American art and
artists like Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and
others of their
generation challenged a whole range
of assumptions about what fine art should be.
Similar to
other second -
generation Surrealist
artists like Frida Kahlo, she channeled her pain into the creative concepts
of her art.
In the 1940s, Citron was part
of the first
generation of New York Abstract Expressionists, working alongside
other well - known
artists like Jackson Pollock and Mark Rothko.
Joining him were
other»90s -
generation artists,
like Sarah Morris, Matthew Barney, T. J. Wilcox, and Liam Gillick; a smattering
of collectors (Ethan Wagner and Thea Westreich, Beth Swofford, Andy Stillpass, Mary and Rebecca Eisenberg); and a current
generation of artists, represented by Rachel Rose and Ian Cheng.
Though he rose to prominence through a proliferation
of murals and
other uncommissioned public art projects from his native Italy to China and North Africa, since 2007 RUN has made his home London, where,
like many
artists of his
generation and background, he's been steadily working to manifest his vision in a proper studio practice, bringing it, so to speak, in off the street.
The works
of artists like Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol and
others of their
generation challenged a whole range
of assumptions about what fine art should be.
Those pieces were in every sense my homage to the first
generation of women
artists like Louise Bourgeois, Nancy Spero, Hannah Wilke, Carolee Schneemann, and a few
others who paved the way in our constant struggle for visibility and power.
During the following decade,
like most
of the
other American
artists of his
generation, he embraced the avant - garde European movements wholeheartedly while searching for his own unique interpretations.
However, from there came forth photographic and textual - based works, which
of course gave rise to the first
generation of conceptual
artists like Lawrence Weiner, Joseph Kosuth, and a few
other
He was one
of a handful
of artists who, building on the success
of the Baldessari
generation, caught the attention
of Europe
like no
other previous and secured once and for all L.A.'s global ascendency — without ever really seeming to try.
The list
of artists included in the show include those both from here and abroad, across a range
of media and
generations: Nep Sidhu and Rajni Perera, both young Toronto
artists, will occupy a significant portion alongside prominent Canadian
artists like Jeremy Shaw, Tim Whiten and Carl Beam, as well as
artists ranging far across the international field: Meschac Gaba from Benin; Kendell Geers and Dineo Seshee Bopape, both from South Africa; American
artist Maya Stovall; and Ethiopian - American
artist Awol Erizku, among
others.
Fishman's narrow - gauged though prodigious output demonstrates that she,
like many
other artists of her
generation (Brice Marden, Robert Mangold, Bill Jensen, Pat Steir, Robert Ryman), is uninterested in extravagant experimentation with concept, approach, or materiality.