Sentences with phrase «like out of that genre»

The editors in Japan can push him to turn it into a fighting manga since that's what key readers like out of that genre and the magazine it runs in (Weekly Shōnen Jump), but it feels like Shimabukuro is still keeping his eye on his original concept and not letting it stray too far.

Not exact matches

To start, Hulu has an onboarding procedure where you pick out clusters of shows, networks, and genres you like, so the service can get a sense of your taste.

«I'd like to get my name out there, but it is part of the genre.

Part of that likely has to do with the absence of many truly great movies this year, and the fact key contenders — like «The Shape of Water» (the pick by the directors and producers guilds) and «Get Out» (the WGA's original screenplay winner)-- come from genres that seldom receive top awards recognition.

To distinguish these worlds I shall first use the four narrative genres identified by Northrop Frye.6 Frye has laid out all of Western literature in a great imaginary circle that has four cardinal points much like those of a compass.

I still like the idea of some of those elements (bright colors, prints), but it's hard to find new items that work for me, so as old items from that genre get worn out, there's nothing to replace them.

Like that hoodie we kept stashed somewhere in a hallway closet that we just couldn't throw out, alternative - rock has been waiting patiently to come back into our lives and show us that feelings can be drawn out of an age old genre.

There's so much out there and I like to listen to it all, regardless of genre.

fav movie would be based on what genre lol i work as a auto tech full time besides that im either working out or playing some kind of sport and during my free time i like to hang out with family and...

I love most genres of music and like to sing along while I dance, but anyone who hears me will break out in a laughing fit...

At first glance Plaris Sectors looks like many other 4X strategy videogames, but the chance to assemble your own ships and the interesting system for the scientific research are interesting twists that any fan of the genre should try out.

If you like quirky takes on genre movies, a la Shaun of the Dead, then you'll probably get some enjoyment out of this.

But here again, another fun idea inevitably joins what feels like a game thrown together out of genre spare parts.

If you're not, or if you're like me and are all out of the superhero genre all together, then don't waste your time & money (For the record, I only wasted my time).

Glau since has made a career out of guest - starring and recurring gigs on genre shows like The Big Bang Theory, Whedon's Dollhouse, Chuck, Alphas and Arrow.

If you're curious about one iteration of the genre that produced filmmakers like Takashi Miike, Kiyoshi Kurosawa and Shinji Aoyama, Amazon Prime Video has several titles in its catalog to check out.

S. Craig Zahler's Bone Tomahawk is an unassuming genre hybrid, and the impact of its finale is magnified by the fact that, for most of its 132 - minute runtime, it plays out like a lackadaisical The Searchers - inspired Western throwback about a group of noble frontiersmen (Kurt Russell, Patrick Wilson, Matthew Fox, Richard Jenkins) on a mission to rescue a maiden kidnapped by unholy savages.

I can't deny the sheer enjoyment of the film and quality performances within and so those who like McDonagh, this genre, or any of the cast should check it out, even if I wish there was a bit more reasoning behind these particular psychopaths.

We've had a boat load of rogue - lites, and rogue - likes, and in such a heavily saturated genre doing something to stand out from the crowd can be pretty tricky.

The zombie genre will (un) live on beyond Life After Beth, a film that feels like a Halloween entry of a Saturday Night Live routine that may have been funny in a short sketch, but can't survive being stretched out over 90 minutes.

As a female, I naturally like romantic comedies, and I have been sorely disappointed in the films from this genre that have been coming out for a couple of years now.

If it weren't for some unexpected choices of questionable genre fare like Now You See Me and 30 Minutes or Less, it'd be quite hard to figure out what would lead the actor who has starred in such impressive, intelligent projects as The Social Network, Night Moves, and The Squid and the Whale to sign up for something as juvenile and misguided as this.

And even here the movie looks like a genre fight picture from the 1940s, right down to the plucky little gymnasium manager (Burgess Meredith) who puts Rocky through training, and right down to the lonely morning ritual of rising at four, drinking six raw eggs, and going out to do roadwork.

: I realize I'm going to take some heat for putting this widely loathed film on my best list, especially since I was less than enthused by the overrated critic faves «Three Billboards Outside Ebbing, Missouri» and «Call Me by Your Name,» but Darren Aronofsky's fantasia about a self - infatuated poet (Javier Bardem) and his suffering muse of a wife (Jennifer Lawrence) is, like «Get Out,» both horrific and satiric in ways that move beyond the easy confines of genre.

The grumpy room - mate character and the stern father figure are constants of this genre, but whereas other films would have shoved them into the ending somewhere, the writers simply let them gracefully bow out when it feels like their time.

Before I begin my review, I would like to point out that even though I am not a fan of most modern horror films, I do love the horror comedy genre and horror films from the 70s and 80s.

The genius (yes, I'll break out the «G» word) behind films like Kill List, Sightseers, and High - Rise has been a favorite of mine for years, leaping between genres while maintaining his signature dark comedy and unflinching ability to sell genuine pain and terror.

In eliminating the traditional foundations of the western genre, and replacing them with an intimate portrait of this band of defeated settlers, Reichardt has crafted what feels like one of the more original and authentic westerns to come out of the industry in quite some time.

Unfortunately, this looks like pretty standard sword - and - sorcery fare, with Bridges basically playing a variation of the Rooster Cogburn character from «True Grit» and «R.I.P.D.» Fans of the genre will probably get a kick out of it, but it's unlikely that «Seventh Son» will have much life beyond that.

How the film's compelling star Jennifer Lawrence may feel about this sentiment is another matter, but this is a tale that, like any number of fanciful genre outings, both pulls you in with its intriguing central dramatic situation and pushes you out with some mightily far - fetched plot contrivances.

Ben Wheatley, a man that needs no introduction around these parts, is one of the most interesting and bold filmmakers working today — with a filmography that stretches across the genre with witty dark comedies to the hyper - violent masterpiece Kill List and the out - of - this - world mind fuck that is A Field in England, nobody quite does it like -LSB-...]

It's everything I want in the genre — fast action, tactile shooting, edge - of - your - teeth escapes — plus things I didn't know I wanted, like a team of adorable androids to help clean up a facility overrun with out - of - control robots.

This is insanely brilliant filmaking which stands out like an oasis in the desert of dry, sterile and mundane action flicks that constitute the genre these days.

By comparison, Diana's efforts to stop the Great War provide a sense of hope not present in films like Man of Steel or Batman v Superman, while also taking the superhero genre out of an urban environment and contrasting Diana's supernatural powers against early 20th century firepower and chemical weapons.

To an extent the story loses momentum toward the conclusion and slightly contrives an endpoint to Samantha's arc in a manner that feels like it was done out of a sense of requirement to the genre more than anything else.

And The Neon Demon, a propulsive vehicle for lavish Eurotrash - y images, like the prismatic one of Elle Fanning feigning a make - out session with two of her diamond - refracted reflections, at first plays like a slicker version of Darren Aranofsky's frenetic Black Swan — a formidable piece of cool, giallo - inspired genre work.

In addition to The Shape of Water, genre titles like Blade Runner 2049, The Last Jedi, Get Out, and Logan are all up for an impressive spread of categories that include more than the traditional collection of technical awards that more FX - heavy films that tend to be nominated for those awards.

Hoffman delivers a deadpan monologue in that deep, rich voice of his in which he lays out his strategy for the president; it's simultaneously hilarious and frightening, and a great example of how excellent supporting casting helps elevate a film like this beyond the young - adult genre.

Think of «Sweet Sweetback's Baadasssss Song» and «Shaft,» though because of pressure by black groups like the NAACP and the Urban League believed that black stereotypes were given too much play, the genre died out.

If the premise makes it sound like Glazer's sold out and made a commercial horror / sci - fi genre picture, you couldn't be more wrong — this is the filmmaker at his most experimental and unfiltered, with stunning images that of all three of his films to date, is most reminiscent of his unforgettable commercials work (more on this below).

Weird genre soups like Scott Pilgrim or Brotherhood of the Wolf are the reason I like to review movies (and get the word out that not every movie is formulaic Hollywood drivel).

With studios like Blumhouse (Get Out, Split, and the Insidious franchise) and A24 (The Witch, It Comes at Night) establishing distinct identities in the minds of moviegoers and television shows like American Horror Story, Bates Motel, and even Stranger Things spreading the genre elements across the airwaves — or, more likely, your laptop — it's difficult to deny that we're in the midst of an era of horror filmmaking that prizes subtext, mood, and tone over gore effects, elaborate kills, and jump - scares.

Walking simulators have come a long way since the likes of Dear Esther and Gone Home popularized the genre, but I never imagined that they would set out to reach... Read More

Often when it seems like there's nowhere for zombie movies to go, a little out - of - left - field film comes along to prove you wrong, squeezing a smidgen more life out of the genre's exhausted conventions.

If you like this genre, this game is undoubtedly something you should check out, even if it does have a couple of flaws which hinder the overall experience.

If it wasn't for my first Excision experience I probably wouldn't have dug deeper into the genre and checked out films like Frankenhooker or The Re-Animator, or taken a risk on more modern favourites like American Mary or The House of the Devil.

They had money and they were ready to make some original features, and I went through some of the projects that I thought were interesting that we had lined up and they said, «Well, those sound good but we also have this,» and they pulled out this script and I read it and I said, «Well I want to do this one, because I love the fish genre, I love how contained the story is, and if you guys are willing, I'd like to try my hand at it.»

They came out of the gate strong with Enemy in 2014 and have had some cool genre offerings like The Blackcoat's Daughter and and Slow West, while films like Life After Beth and Dark Places haven't quite matched the quality of that A24 shine.

I feel like the genre is at a turning point where it's about to be reinvigorated, I've already seen a few of the films coming out next year (ones that simultaneously fit the definitions of the genre while taking it to new places) and I think 2013 will represent a turning point.

In the end, if you're a fan of the genre then there are much better choices out there (like Stranger of Sword City).