Not exact matches
So instead of
painting the bottoms of their
tubes the same lipstick color
like most brands (lol it's never actually the same color), e.l.f. put a real sampling of the lipstick in a clear case, so you can see exactly what shade's inside.
This was my first time doing this, and I realized pretty quickly that it would be easier to use metallic
paint that comes in tubs that you can pour, rather than
tubes like I used here.
Stella uses cones,
tubes, even something which looks
like a Soviet sickle to make a sculpture, no longer a
painting.
Trosch's new
paintings are
like sheet cakes with heavy icing squeezed straight out of the
tube.
Unexpected Portrait (2016) is a large - scale acrylic - on - canvas
painting where a long
tube - shaped orange line with dark edges glides across the work defining a cartoon -
like head...
As Thierry de Duve has shown, much of Duchamp's work — including his abandonment of
painting — followed from the recognition that the can or
tube of
paint had long been a readymade, industrially produced commodity
like any other.10 As Duchamp remarked in 1961, specifically addressing Rauschenberg among others: «Since the
tubes of
paint used by the artist are manufactured and readymade products, we must conclude that all the
paintings in the world are «Readymades aided» — and also works of assemblage.»
They became thick, turbid all - over abstractions,
painted directly from the
tube or with a palette knife, embedded with sand and detritus, and imbued with existential titles
like «Nihilism» and «Atonement.»
The face -
like objects are cast from refuse (usually cardboard boxes and toilet paper
tubes festooned with rips and flaps) yet become heroic statuary once translated into bronze and
paint.
Gestural or minimal; isolated or grouped, written,
painted, filmed or constructed, the components marking this alien culture's individual extremes now flow together,
like Chen Zhen's (Precipitous Parturition, 1999), a 50 - foot - long inner -
tube dragon that connects the rotunda, into a polymath aesthetic unified by one longing, one need.
Thousands of tiny white LEDs may resemble a starry night as seen in a planetarium, while
tubes of colored LEDs masked by a diffuser are
like a Monet
painting of water lilies set in motion.
Just
like we are able to peel away the many surfaces that make up great artwork and reveal the base colour used by the artist, the Making Colour exhibition journeys below the surface of modern
tube -
paint, with the purpose of finding its origin.
His sculptures — geometric wall objects, façade -
like reliefs, objects and sculptures created from abstract stereometric bodies which take the form of cubes, angles, columns, pedestals, podiums, movable walls and shelving — are made of cheap no - frills materials such as particle board, cardboard, linen, molton, Styrofoam, synthetic resin, emulsion
paint, fluorescent
tubes and other everyday building materials.
In the same vein, Varejão turned the 1976 Brazilian census, which allowed citizens to describe their skin tone in their own words, into 33 colors of oil
paint, packaged in
tubes labeled with names
like «Coffee with Milk» and «Sun Kissed.»
1967: Richter
paints several new subjects
like Corrugated Iron,
Tubes, Doors, Photo
Paintings of pornographic images and his Large Curtain [CR: 163 - 1].
Isa Genzken's «Elefant» makes use of vertical blinds, artificial flowers, plastic
tubing and toy figures in a contemporary art show that avoids popular formats
like painting, installation works, big - screen videos and Dolby - sound films.
Already referencing architecture, the
painting has its corollary in three - dimensional form in a Jackie Winsor -
like sculpture, Cube (2016) fabricated from copper
tubing and screening.
Often he squirted the pigment at his figures without touching a brush - «my
tube is
like a rocket, which describes its own space» - or laid it on thickly with a palette knife: Reclining Nude of 1966 (in a private collection) is less concerned with the female body than with the «tangible sensuous experience» of
painting.
The artist's raucous compositions read more
like butt - dialed emojigrams... Bernhardt's lexicon indulges a pronounced nostalgia for the Day - Glo disposables of the late 1980s and early 90s — curly - corded telephones, Sharpies, Rubiks Cubes, ChapStick
tubes, Pac - Man, Papa Smurf... This rollicking volume supplements more than one hundred pattern
paintings.
As it is, the best
paintings in the show are the least dependent on citation: in a set of gloriously luminous works, depicted light is confronted with the literal light of bent neon
tubes that Mary Weatherford has stretched
like drawn lines across the canvas.
Staring into the
painting let's passages into the unconscious open, neurotransmitters squirting out memories
like colors from
tubes of
paint.
Schulnik's
painted and ceramic figures — all female, long - haired, loosely rendered and wild - looking (some are half - woman, half - horse centaurettes)-- tend to have the most remarkable, pink,
tube -
like nipples at the ends of their breasts.
Comprised almost entirely of aggressive smears of screaming yellow, electric blue, fire - engine red, and pure white
paint squeezed straight from the
tube, these whiplash images make Impressionism's rapidly dabbed surfaces look
like fussy Old Master compositions.
Note:
Like Impressionist painters who came after them, Barbizon plein - air painters benefited significantly from the invention in 1841 of the collapsible tin
paint tube by American painter John Rand.
Go ahead, if you
like, and accuse them of
painting stacked picture
tubes and rural nostalgia, but they remember: Modernism was shaking things up all along.