Sentences with phrase «like paintings within a painting»

Similarly in Cloud II, (2017), although there is more of a depicted space, a kind of stage within which objects are situated, the objects are like paintings within a painting.

Not exact matches

Studies that demonstrate embodied cognition seem to defy conventional wisdom, which paints thought as a set of computer - like algorithms that unfold entirely within the skull.

«We are beginning to paint a picture of what our local interstellar environment is really like and we can tie that to what's happening in a much broader environment within the galaxy.

This paint must have a very high ammonia content because within a few hours after completing the stools I smelled a very strong and distinct «cat pee» smell that was driving me crazy... I used vintage grain / feed sacks to upholster the seats and at first I thought maybe that was the problem... but upon further investigation I realized that every square inch of wood that has the Amy Howard chalk paint on it smells like ammonia... every.single.inch.

Since my entire name wouldn't fit into that badge, he wrote half of my name «Bhusha» in the painting, within a flag like design in the lower half.

Within minutes, sharks start falling, the likes of Lou Ferrigno, Rick Fox, and more get devoured, Ann Coulter and Mark McGrath surf on presidential paintings, and Fin finds himself in a hurry to get to Florida so he can save daughter Claudia (now played by Ryan Newman) and Tara Reid's now - pregnant April from a «Merica - long Sharknado storm front.

Paintings and prints frequently carry particular meaning within Petzold's films, as examples of the ancient tradition of ekphrasis, probably none more so than in Phoenix's immediate predecessor Barbara (2012) with its conspicuous Rembrandt print, but likewise in much earlier works like Die Beischlafdiebin (The Sex Thief, 1998) with a Gerard Richter on the wall — another artist conspicuously engaged with multiple forms of peculiarly German afterness.4

I brought the car back to the shop in California, they said they'll polish it, and it seems like it might have helped; however, I'm concerned that the owner of the shop seems to be claiming that the difference in paint is a result of me talking the car to the snowy regions that potentially tree their streets with harsh chemicals, even though I only had it there for a couple of days, and washed the car within about a week after getting out of Colorado's snow.

Another issue is the paint, when I bought it there were no rust spots at all but within the two years I have owned it, rust that started as a little nick on the wheel well has spread like cancer and is now about three inches wide.

While adapting to both of these truths about himself, Anderson paints certain scenes in this disconnected, third - person way that almost reads like a movie happening within the book.

Merida is a perfect city to base yourself while exploring the many things to do inside and outside of the city — like museums, bustling and vibrant markets, pretty and relaxing parks, off the beaten path / lesser - known and popular Mayan Ruins, beautiful cenotes deep within the jungle, the yellow - painted town of Izamal and more.

Party mode offers even more challenges, like rotating and dropping puzzle pieces to form a cat and working together to keep a paint blob contained within a rectangle.

The auto repair isn't the only drive - thru within the game though, others include a paint shop (if you would like your car to have an instant spray job) and a gas station (for a quick boost refill), the gas station especially can come in very handy during a race.

At least in Mario 64, you were accessing magical worlds through the paintings in a castle, and each of the worlds within FELT very much like something you'd expect out of a Mario game.

Part of the fun of pen & wash is not keeping within the pen lines so it's OK to be as cavalier as you like and let the paint run amok, with the pen work pulling it all together.

A small painting like that of Thomas Doughty showed grandeur of mountain peaks, the fear in the blasted tree, the smallness of the human floating within this space and light.»

And there was certainly a time, not so long ago, when I was also a fully paid - up McKeever Believer: his seriousness, his commitment to the act of painting, and the complete absence from his work of what the American painter Gary Stephan has dubbed «visual sarcasm» — that is, the use of paint only in order to flaunt its supposed inadequacy and redundancy — made him seem like a bulwark against the insufferable smart - alec nihilism of Richard Prince, Wade Guyton, or Christopher Wool; and against the prevailing attitudes within the Higher Education establishment at which I both teach, and study on the MA programme, where the buzz - phrase on the Fine Art Critical Studies syllabus is «post-Making»; in other words, goodbye and good riddance to all that messy business with brushes and squeegees and welding torches, once and for all.

Reynolds also pays homage to Andy Warhol's Do It Yourself, paint by numbers series from the 1960s — leaving areas for the viewer to visually fill in the blanks, while also creating a metaphoric ghost - like effect within the snowy mountains.

Joffe's celebrated figure paintings feature young women whose lithe outlines pulsate within lush, Munch - like interiors and cityscapes.

Within the twelve small paintings there is a range of approaches and manipulations; some feel like graffiti or found objects, some feature built - structures — solid or tentative — while others illuminate invented places — poetic, curious and remote.

Christian Vincent's dream - like paintings explore the dynamics of conformity and desire in social situations within the framework of a post-industrial world.

Like ballroom dancing, painting continues alongside more contemporary practices, and within the (in) discipline of painting representation and abstraction co-exist.

I made about 18 paintings like that because there are a lot of different things you can do within those parameters.

Someday, for instance, I'd like to see Janet Sobel's 1944 drip paintings — admired by Pollock and which Greenberg would later cite as the first instance of» all - over» painting — placed within an Abstract Expressionist context.

Her paintings, like Franz Kline's work best within the drama of black and white paint, leaving color like a blind date who brought their best friend along.

Multimedia artist Sara Magenheimer's Open Mic Solo blends the photographic frame within the structure of a painting, creating a collage - like circuit of images within an image.

He strives to imbue his paintings with two directives: Create compositions with meaningful intersections of objects within space and capture the essence of what it's like to be in the moment when no one is watching.

I feel like the mandala painting [Mandala # 4 (Open Night), 2016] is the most coloured in within the lines.

After learning about how abstract artists like Wren Ross make decisions as they create, we will discover the hidden meaning within our own paintings.

But whereas the work of those artists achieves a meaningful dissonance through a sundry aggregation of disjunctive motifs, Picabia's layered images serve to reinforce one another within each painting, coalescing in their signification into a unified expression or theme: in one case it is the seductive menace of his Portrait of Kiki (ca. 1938 - 40), a demimonde figure painted in lurid yellows and greens with a spider form imposed over her face; in another it is the cheesy eroticism of Reve (ca. 1935), an image of a sleeping woman about to be kissed imposed over a nude standing (like Botticelli's Venus, but with arms upraised) on the surface of the waves.

Artwork Introduction In Makiko Kudo's paintings, a mental image - landscape unfolds within which both things she encounters in daily life and the dream - like world of her imagination that have formed a single - harmonized entity.

Painting wildly imaginitive compostitions in a style within the same vein as artists like Niki Malouf, Nicolas Party, or even Nicole Eisenmen, Park primarily paints... you guessed it, butts on faces.

There was a time within living memory when a survey of Klee's painting like the one at Tate Modern — 17 rooms, 130 works — would have been the event of the season (it's on until 9 March).

While abstract expressionists such as Jackson Pollock, Franz Kline and Willem de Kooning had long been outspoken in their view of a painting as an arena within which to come to terms with the act of creation, earlier critics sympathetic to their cause, like Clement Greenberg, focused on their works» «objectness.»

Like stunning x-rays from an alien world, Bruce Riley «s resin paintings seem to be lit from within.

The exhibition title Procession refers to how the artist's paintings reference a dual meaning for how groups of people move through space: either in the spirit of play and feasting like in Carnival, or within a darker place occupied by the Ku Klux Klan and their nighttime rallies that punctuate the darkness with hoods and fire.

PD I like to think of Polke first and foremost as a great painter because I believe his most powerful works are ones that were made within the language of painting.

PAM LINS: She was like, «Well, maybe if you used like somebody who was just involved with painting, you know, it would just sort of happen within the work,» and so she gave me one of her paintings, and you know, shoved one in the back of my car, and I drove off to my studio and I started a sculpture.

Other highlights in the booth included a diptych from Elmgreen & Dragset «Lowered Goals» that comprises a basketball backboard paired with an identical rectangle - within - a-rectangle sans hoop, which looks just like a hard - edged abstract painting.

He is not alone either in assuming multiple guises — like Richard Prince with his stale jokes and the Marlboro man, Robert Gober with industrial sinks and pretend newspaper bundles, Jeff Koons with a ceramic poodle and an ad for rum, Josephine Pryde with a cute kid and otherwise identical auto bodies disfigured by splashes of paint, or Liz Deschenes with green screens lit from within and an unsteady pattern of white dots.

Nevertheless, there is an unmistakable and driving sense of kinetic movement and energy within all her works, especially the pointillism of her «arrow» paintings that depict schools of tiny arrows massing and converging like small fish or unseen air currents.

«For people like me, struggle has been part of our culture, and within that I've been looking at the ways black people keep moving and thriving,» says the Brooklyn artist, whose ongoing series of «Floater» paintings features black figures reclining blissfully in pools.

Approaching the grand scale historically reserved for landscape paintings, photographs like Andreas Gurksy's F1 Pit Stop III, Thomas Demand's Grotto, and Jeff Wall's In Front of a Nightclub, immerse the viewer in an expansive environment - physically placing the viewer within the space of the photograph.

In this endeavor, Hughes aligns himself squarely within the tradition of painters like Paul Klee and Wassily Kandinsky, whose groundbreaking ideas gave rise to a main branch of contemporary American abstraction which espouses the possibility of conveying the full range of human experience through the raw materials of paint and renders moot the distinction between abstraction and figuration.

No one captured the isolation of the individual within the modern city like Edward did with his paintings [10] and these artworks were, in many ways, responsible for paving the conceptual road towards Abstract Expressionism, bridging its ideas with the concepts of the contemporary Ashcan School.

The new definitive shape assumes the form of equilateral crosses, within the confines of more traditional square and rectangular formats witnessed in a painting like Wanderer (1987).

The pieces contained include new works from Jason's series of painted hardwood planks begun in 2008 and will debut an awe - inspiring, hanging mobile that functions like a fountain within the gallery.

From afar or at a quick glance, Lisa Alvarado's pieces seem like an accomplished innovation that remains within the genre of maybe color field paintings.

Like so many painters, Hodgkin felt liberated by the 1959 Tate show The New American Painting and by the impact of the scale and confidence of the abstract expressionists Barnett Newman and Jackson Pollock, though until the 1990s he continued to paint within a pre-abstract expressionist intimacy of format, and gained power from that containment.

Produced within three days — the time it takes for the paint to dry — both the color and any discernable representational aspect are erased from the surface, resulting in a void - like space haunted by its expunged referents.