Accordingly, it's a show that will leave us itching with hidden threats as videos, photographs, sculptures and performances by the likes of Yoshua Okón, James Richards, Jala Wahid and Camilla Wills delve into prosthetic mutations, gastric monstrosities and wallpaper prints that give the impression of spreading
like pictorial infections.
The stage -
like pictorial space, the cage - like constructions in the side panels and the tendency towards deformation and disintegration in the anthropomorphic figures are all characteristic elements in Bacon's paintings.
On first glance, many of his paintings look
like pictorial space populated by shapes resembling Sol LeWitt sculptures.
This looks
like a pictorial for Urban Outfitters, lovelovelove it.
A simile is
like a pictorial model, as when we say that a seasick person is «as green as a leaf.»
Not exact matches
The story of creation and the story of the fall, for example,
like the account of the last things in the Book of Revelation, may properly be called myths, since they are concerned with absolute beginnings and endings or with universally predicable truths, about which no precise conceptual statements can be made and which are best expressed in
pictorial language.
This is
pictorial imagery
like the pearly gates and streets of gold with which heaven is often pictured.
In fact, some research says it's WORSE for you than HFCS or even table sugar: http://www.theatlantic.com/health/archive/2014/06/sugar-wars/372220/ I
like the cute little
pictorial in there:.
You will see a
pictorial expression of fertilization processes; how the sperm cell swims to an ovary and clings to it, then within some weeks a fetus looking
like a tadpole is formed.
There's even a
pictorial demonstration of how to get baby from your front onto your back (it's sort of similar to a «Walk
Like An Egyptian» maneuver that you might do with a SSC).
An exasperated and stoical queen, with
pictorial symbolism slathered upon her
like lard on Henry VIII's toast.
President Mahama noted that pictures speak a thousand words adding that the
pictorial coverage of his work by «a reputable magazine
like Ovation, will speak many more words than many of us can speak even on the campaign trail.»
«I believe also that this particular special edition is going to go down as a historic edition and I don't want to miss that point because it's something that we must be able to put in all our institutions so
like I said we are going to get many copies to be able to give to embassies, our hotels, our schools, our libraries, all our institutions, in the secondary schools and also to be able to keep for those yet unborn to be able to see in
pictorial form of the things we have tried to do in the last 50 years and maybe inspire some other people to do greater things than what has been recorded here,» the Governor said.
A recent study found that gruesome
pictorial warnings on tobacco packaging increased smokers» likelihood of quitting more than textual warnings (
like «smoking kills») did.
here we are sharing the
pictorial demonstration of the variety, which has the great combination of finest digital natural colours
like green, yellow and combined with different tones of the colors of blue, red, black, white, orange purple, brown and many more that you will see in sample photo shoot of models we are providing.
There's also a chance that Russian women would know how to play the piano
like a pro or be quite good at
pictorial art.
«Mudbound» begins in the
pictorial elegance of Terrence Malick's transcendental American wonder and progresses through,
like the bulk of our nation's history, the grim realities of hate, ignorance, and violence.
It's an approach remarkably free of nuance, and one that requires the filmmakers to ignore giant swaths of information — from the hardcore «loops» (including her notorious adventures in bestiality) that she made before Deep Throat to her later charge that «all the feminists and Women Against Pornography — I kind of feel
like they used me, too,» to her 2001
pictorial in Leg Show magazine.
But the movie plays more
like a series of
pictorial representations of old sci - fi situations than
like a story.
So lets wait till the 25th to know what the
pictorial equivalent of Notion Ink will be
like as it prepares itself to launch the Adam.
very quickly, i'm finding the joy, and slight over-whelming, of so many good titles of fiction, non-fiction,
pictorial books, and poetry — but the titles, as you say, living on forever — are there a week or month later, if i want to layoff & do stuff
like see the grandkids, elderly mom, write, sleep, visit w / wife; --RRB-
Photos on this page are a
pictorial representation of how our dogs enjoy «just being a dog», the way we
like to see them!
It is through Courbet, the specific artist, the Harmonian demiurge, that all the figures partake of the life of this
pictorial world, and all are related to his direct experience; they are not traditional, juiceless abstractions
like Truth or Immortality, nor are they generalized platitudes
like the Spirit of Electricity or the Nike of the Telegraph; it is, on the contrary, their concreteness which gives them credibility and conviction as tropes in a «real allegory,» as Courbet subtitled the work, and which, in addition, ties them indissolubly to a particular moment in history.
But one would
like to find out more about similar precocious qualifiers for art academies who then went on to achieve nothing but mediocrity or failure — in whom, of course, art historians are uninterested — or to study in greater detail the role played by Picasso's art - professor father in the
pictorial precocity of his son.
Riley's interest in color is inspired mainly from her studies of Italian Futurism and French masters
like Henri Matisse and Georges Seurat, whose
pictorial outcomes perfectly suit her activity and interests.
Early pieces
like Hyacinth (1925), Pig's Feet and Vinegar (1927), and Vegetable Dinner (1927) assume a dry
pictorial clarity that underplays the uncanny to hypnotic effect.
Maybe the exhibition title suggests that the works are only just at the point of gesture,
like the Andrea Madjesi - Jones painting, where gesture seems to be included in a wider
pictorial strategy, or perhaps that they have arrived at the point of gesture having set out from some other place, Clem Crosby's work, for example, coming out of the monochrome tradition to a reconsideration of the role of drawing.
And
like O'Keeffe, Lawlor uses the
pictorial scale of a photographic close - up to generate both intimacy and a brooding sense that something lurks beyond the work's edge.
While his unfussy, casual compositions share the
pictorial flatness of AbEx, they are resolutely figurative; and while the cartoonish style foreshadowed Pop, Katz eschewed cultural icons for everyday folks,
like his wife, Ada.
Many of the artists represented in the collection have explored drawn formats extensively, questioning its status and conceiving new forms of the dessin: e.g. Trisha Donnelly, who fuses drawing and video; Urs Fischer, who creates drawings in three - dimensional space; or artists
like Raymond Pettibon, Larry Johnson and Mike Kelley, who work with the
pictorial idiom of comics.
Through an over-investment in
pictorial signature (which in another time would have ultimately expunged the figure and led to abstraction), in these works the «sitter,» or «figure» is still stuck in there anyway, lingering
like a squatting tenant after the eviction notice has long been served.
Like in Medieval tapestries, where there is tension between the
pictorial depth and the flatness of the woven surfaces, my paintings hover in a similar duality.
Other works,
like a 1987 swirling, untitled charcoal, oil, and graphite drawing are far more emotive and abstract, while works
like her 2011 Ring Necks, Covering, are more explicitly
pictorial.
Like Judd's Minimalist objects, Rauschenberg's Combines would undertake the passage from
pictorial to real (three - dimensional) space, but they would do so only while foregrounding the mediated and commodified state of the «real» in postwarsociety.
In paintings
like Girl with a White Dog (1951 - 52), [119] Freud put the
pictorial language of traditional European painting in the service of an anti-romantic, confrontational style of portraiture that stripped bare the sitter's social facade.
Like the ledge, that cloak allows him to extend the Renaissance conception of
pictorial space.
in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the
Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds
like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
Challenging the eye of the beholder, Reed's dynamic constellations never cease to open up new
pictorial spaces: the energetic and singular gesture brushstroke of former works progressively condenses into structures of lines, waves or loops that often seem
like edits from some other context, called into offer counterpoint in new visual arrangement.
Much
like her paintings in the past two iterations of NDA, the artist's new series of geometric abstraction becomes even more architectural as she continues her study of visually defining «place», giving the viewer a sense of being able to walk into and inhabit the
pictorial «space».
In the process he would create frames within frames,
like the stage flats of a proscenium - arch theatres, as if to dramatise his sense that the feelings he wished to preserve were so fragile they needed this weighty
pictorial buffering to shield them from the world.
Likewise, the enigmatic chimeras in the works of a 16th century artist
like Hieronymus Bosch, for whom very little biographical information exists, remind me that
pictorial evocations of the past can ripple out in ever expanding circles of human civilization.
In the beginning, Crocker's paintings are made un-stretched on the floor and painted on both sides, treated more
like a cloth than a painting with a predetermined
pictorial plane.
They resist the
pictorial like a dancer who denies the narrative of dance.
The result was sometimes odd but always elegant: arching forms appear
like wedged shoehorns within the
pictorial space, gently exposing painting's material infrastructure.
Filtered through his photographs, Mesoamerican architecture showed Albers the accordion -
like nature of
pictorial space: it could be rendered as volumetric, flat and something in between at the same time.
Previously, Parrott played with
pictorial depth by building up veil -
like layers of pigmentation through a complex process of dying and screen - printing.
His
pictorial vocabulary includes easily readable figures, such as animals with a human character
like we know from the world of Walt Disney.
Now, there are a lot of stretched canvases on the wall, taking up vertical
pictorial space,
like paintings.
And in the hey day of Modernism, critics
like Clement Greenberg pursued a narrative which saw Modernist painting as a «peculiar form of tunnel vision leading away from
pictorial depth and compositional complexity towards flatness, all - overness and the absence of association.»
The jazzy acrylic Inclement Weather (1970) included markedly more straightforward
pictorial forms, while continuing to offer a view which she described as «
like being on a very fast train and getting glimpses of things in strange scales as you pass by».