Sentences with phrase «like shaped canvas»

Like the shaped canvases of the 1960s that broke the confines of the edges and planes of two - dimensional painting, pumpkin painting offers a chance to explore new ways to be creative.

Not exact matches

It's like a shape - shifter or a canvas, assuming whatever meaning or emotion we project on it.

Your little one's palate is like a blank canvas and is easily shaped by each new taste experience.

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Inside, there's also plenty of space to lounge — the sunken living room features a large, crescent - shaped sofa, as well as white walls that act like a blank canvas for the space's colorful artwork and home accents.

But even with such a small canvas, they still managed to add a little of that retro charm we've come to love and expect in 8bitdo's gamepads; look closely and you'll see that the select button is shaped like NAMCO's Pac - Man.

In between are too few of the swaggering compositions — of target - like concentric stripes, designs based on compasses and protractors, and shaped canvases that echo the shapes painted on them — that made Stella a god of the sixties art world, exalting tastes for reductive form, daunting scale, and florid artificial color.»

One canvas has a deep oxblood stain and a gash shaped like a lightning bolt.

His shaped canvases of the 1960s like Harran II, 1967, revolutionized abstract painting.

The Yellow X in the back gallery repeats the former's fat shape in Lichtenstein - like Pop yellow, exploding across two abutting canvases like a Batman and Robin «ka - pow!»

Winters depicts forms inspired by mathematical concepts like tessellations and knot theory, as well as shapes from the natural and scientific worlds in these new canvases.

If these paintings, like all of Kelly's shaped canvases, seem simple at first sight, that's because Kelly has already done the hardest work.

The basic support for paintings was rethought by artists like Ralph Humphrey (shaped canvases) and James Havard (substituted a molded plastic support for canvas).

This is not, however, to say that there is no visible progression in Poliakoff's work, for the series of four canvases on the main wall, each titled Composition abstraite (1968) and each linked by a recurring claw - like shape, are undoubtedly the most accomplished of the show.

Her canvases - some unusually large - are filled with grids and intersecting circles, simplified flower forms, gonad - like shapes, flattened cubes, painted numbers, stray, sometimes invented words, spirals, weird vectors, loop - the - loop lines, pyramids and sunbursts.

Yet by 1967 a tangle of black brushstrokes had gathered near the center of canvas after canvas, in a shape much like a torn and tortured brain.

A third dimension enters with shaped canvas and molded plastic, like billboards, much as Roy Lichtenstein leans on magazines for his Ben - Day dots.

Murakami Saburō lets a painting take shape by throwing a ball across it, much as John Baldessari photographed a line of balls in the air, and tears six holes in brown paper, much like the slashed canvases of Lucio Fontana or Alberto Burri.

Like the text, one can interpret the Removal Paintings as object or absence, shaped canvas or defiantly plain and conceptual.

Adian's bulked - up, shaped and painted canvases are simple abstract forms that look something like the vinyl upholstery once found in cheap bars — a perverse kind of artistic reverse engineering.

Unexpected Portrait (2016) is a large - scale acrylic - on - canvas painting where a long tube - shaped orange line with dark edges glides across the work defining a cartoon - like head...

Other histories are bubbling up, too, like the drawings of Josef Albers, the shaped canvases of Charles Hinman, and the very idea of painting's «forever now.»

Meanwhile, still other artists looked back on Malevich's monochrome with paintings that conveyed form only through the shape of the canvas, like Robert Rauschenberg's early 1951 white paintings (which he considered stages for the interplay of ambient light and shadow) and Brice Marden's imposing examples from the 1960s.

His famous 1912 oil on canvas, «Lady in Moscow», with its pink sphere and black, coffin - like shape, is reputedly inspired by clairvoyance.

About eight years ago Keltie Ferris burst onto the New York painting scene like a bat out of hell, that is, if you define hell as the Yale M.F.A. painting program; back then, her large Day - Glo - colored canvases were perfect crosses between hazy 1970s Color Field painting, pixilated digital space breaking up and reforming in odd - shaped plates, and painterly abstraction at the same time totally avoiding any derivative overlap with artists like Kelly Walker or Gerhard Richter.

She first gained attention in the mid -»60s with white, shaped - canvas monochromes and light box - like constructions made from Plexiglas and fluorescent lights.

Vicente's palette lightened in the»50s and»60s, with canvases like «N» from 1959, which includes passages of electric green, orange and yellow, or «Princeton No. 5» from 1966, with its vaguely biomorphic collagelike shapes vibrating in a bright field.

He still uses curves, like Stella's Protractors or the ovals of Ed Clark, an African American often credited with the first shaped canvases in the 1950s.

In some canvases in this group, the unpainted negative spaces are shaped like silhouettes of swans.

She projects these images onto walls or paper stretched like canvas, and meticulously draws then paints the shapes.

Like his friends Piero Manzoni and Enrico Castellani, Bonalumi blurred the boundaries of painting and sculpture with shaped and manipulated monochrome canvases.

In a review of her 1963 show at the Feiner Gallery, ArtNews called her canvases «marvelously colored» and «constantly expanding» concluding the review with an encapsulation of the writer's experience as follows: «Shapes sink and rise like drum beats leaving other spots in a dead space long enough to vibrate, and then the relationship moves on catching other lights from other places.

Visits to the Virginia landscape would be the catalyst for his transformation of childhood memories into a metaphorical language of symbols and forms that constitute his inner vision, portrayed in lush, jewel - like tones that bring a new sense of sunlight to the artits's work.The chromatic brilliance of From a High Place, and the manner in which the linear shapes have dissolved into the atmosphere of the canvas is reminiscent of Kandinsky.»

Jones favors lines, circles, squares, and ovals formed by shaped canvases that he carves, cuts, etches, and paints like a craftsman, while Slater layers the paint over the surface resulting in images that are never flat, line - driven, or hard - edge.

These stark canvases featuring ovoid shapes and bar - like rectilinear forms were unlike anything he had made before.

Challenging the confinement of the rectangular plane, Smith expanded the three - dimensional elements of his canvases, warping them outwards, adding various shapes to their edges, and dispensing of stretchers all together, hanging sheets of painted canvas like giant kites.

Like his American counterparts, Law's canvases strip back painting to monochrome stripes, blocky shapes and colour fields.

Inspired by the city's lagoon and canals, Twombly splashed acrylic on to canvases shaped like baroque ceiling paintings, as if Monet was meeting Jackson Pollock and Tiepolo.

In the early 60's, inspired by the work of senior painters like Piet Mondrian and Josef Albers, Jackson moved away from the gestural style that had marked his work of the» 50's, developing his signature style of austere, hard edged geometric compositions on square and diamond shaped canvases.

My whole studio floor was shaped like a giant sail, so it was natural for me to treat each canvas as a sail both in shape and in story.

Pieces in progress abound at her sun - splashed Brooklyn studio, amid canvas shapes painted a deep teal hanging on a line to dry and heaps of paper cutouts numbered like tailor's patterns.

Rather than painting thickly with opaque paint, Frankenthaler used oil and then later, acrylic paint, thinly like watercolor, pouring it onto raw canvas and letting it soak and stain the canvas, flowing into shapes of flat translucent color.

Like silent x-rays and inverted silhouettes, the array of geometric abstractions in Amm's canvas works appear as nearly cubistic imprints of shadow shapes, broken planes and the torn edges of elegantly textured surfaces.

For instance, in his 1983 - 1984 exhibition at the Paula Cooper Gallery in New York, titled Frame Paintings, the artist used canvases without centers — creating, as the name of the collection implies — paintings that were shaped like frames.

Many of the canvases were slanted and bolted together to create diamond shapes that were combined with rounder shapes that Mangold himself has described as looking like heads, or egg shapes.

From the entirely gestural, slashing brushwork of the 1950s, Mitchell in these works introduced a more finely wrought formal manner, creating self - contained, vortex - like shapes centered away from the canvases» edges and working in more complex color schemes than ever before.

Such as as his series, Ellipses and Frames, where he focused on creating works that featured round shapes on canvases that were shaped like frames.

He didn't stay within the academic confines of shaped canvases, like Stella and so many others.

The back of the cotton / bubble mold is flat like a traditional canvas, while the front is undulated and shaped by the impression of the bubbles.

Similar folds become positive, tonguelike shapes in Son of King Kong (1966); in Outspan (1968) the folds appear in what looks like a red curtain with a yellow ruffle being pulled away from the bottom corner of the canvas.