Sentences with phrase «like slasher»

But a buyer wants to make sure that the underside of the tomato they're about to splurge on doesn't look like a slasher movie.

Does Animal Gods, this Zelda - like slasher, match up with the game it is trying to emulate?

It's set in the Los Angeles fashion world, and it's the kind of movie in which models look like mannequins that look like slasher - film corpses, and corpses look like love objects.

The first few minutes of a Rainbow Six: Siege match feel more like a slasher film than an all - guns - blazing FPS.

Few movies genres thrill like slasher movies.

Why it's great: Dead & Buried starts out like a slasher flick and quickly transforms into a zombie / mad scientist / crazy town combination platter.

The next tape, cheekily titled «Tuesday The 17th,» plays out like a slasher film in fast - forward.

Though testosterone - charged, action movie fans will enjoy this the most, this cross-genre excursion should also please the science fiction crowd, as well as aficionados of horror, as its plot feels very much like a slasher film, though with much better technical specs and a more developed premise.

Just like slasher movies have taken over October, and Blockbusters have taken over the summer, we will always get a movie that embodies all that is Christmas — or the Christmas experience — during the Christmas holidays.

Saw, aka John Kramer, does not just kill people, like some slasher maniac, but teaches them a life lesson.

Not exact matches

While classification freed directors to use explicit language in marvelous films like Platoon and Something Wild and has allowed films like Out of Africa and Children of a Lesser God to explore the complex nature of human sexuality, it has also given us a series of slasher films — Friday the 13th, with its many parts; The Texas Chainsaw Massacre, parts one and two — and films like Brian DePalma's artistically significant but deplorably explicit Body Double.

Don't like RomComs for the most part, but love SciFi if it's really top - notch, and Horror, but only if it's not just the dull slasher crap.

If he was comfortable enough to play very limited minutes and provide instant offense off the bench (similar to what Nickens did at times last year), then I could see a case for it, but inserting him as a defender or slasher seems like a very tough thing to do at that point in the season.

However, I didn't realize that when I walked to the bathroom for the first time after giving birth, it would look like scenes from a slasher movie.

It was like the final scene in a slasher film where the kids think they've fought off the antagonist, only for them to suddenly turn up for one more round.

My own message to Left - wingers who think Conservatives are slashers - and - burners (as well as hangers - and - floggers) starts like this:

Some are being called «impossible,» while others sound like they belong in the storyline of the next low budget slasher flick.

Sure, tension and chase scenes are awesome, but at times this puppy read a bit more like an old fashioned tragedy than slasher flick.

This is why we like watching Tarantino movies or slasher films with brutal murders and lots of blood; it breaks away from reality and entertains us.

Your album, Trapped on Tape, is out now and sounds like it could have been pulled directly from an 80's slasher flick.

A return to the cinema of adorable mental illness - something that, like the killer in a slasher movie, always seems to lurch back to life just when you think it's safely dead...

The first hour or so the movie more or less plays out like EVERY slasher movie that came before it.

If you think that the Cabin in the Woods is just like any other typical slasher / horror film, then you are completely wrong.

Why go to a hideously obvious slasher movie, with no tricks up its sleeve beyond its use of songs like Bonnie Tyler's «Total Eclipse of the Heart,» Kim Wilde's «Kids in America,» and Air Supply's «Making Love Out of Nothing at All» to accompany images of operatic slaughter?

Cutting Class like a few horror films of the 80's relies heavily on an overused idea, and by the films release in 1989, The slasher flicks were getting weaker.

This is what a PG - 13 slasher would look like if there was no actual on - screen violence.

Antal's main strength is his versatility, from an astonishingly durable slasher like Vacancy to Armored, an urban western / neo-noir revolving around a stolen armored car, to Predators, a sci - fi actioner about a group of human killers and soldiers that are hunted for sport by the titular aliens on a distant planet.

Upon first viewing «Alice Sweet Alice» it comes across like you average Italian Gaillo / Slasher type film but as it slowly unfolds you begin to realize that it's an indictment of how religious fanaticism can effect the minds of those who are not that stable to begin with.

However, despite sounding like a set - up for a stereotypical Sasquatch creature feature, Primal Rage takes more of its influences from modern slasher films.

I played this at the MCM Expo & I thought it was quite good actually — However, I should probably note that I do quite like my hack «n» slashers & I was only playing in short bursts (due to playing at the expo), so I would say that the review is pretty spot on tbh.

This Halloween, the seasonal offerings include some big - ticket gift sets, like «Chucky: The Complete Collection,» an anthology of all six films in the «Child's Play» series (Universal; Blu - ray, $ 84.98; DVD, $ 59.88; not rated), and «Friday the 13th: The Complete Collection,» which offers Blu - ray editions of 12 films in that slasher franchise, from the original 1980 «Friday the 13th» directed by Sean S. Cunningham to its 2009 remake - reboot directed by Marcus Nispel — in effect, closing the circle (Warner Home Video; $ 129.95; R).

last ps2 one I bought was great, last PS3 one I bought had been attacked by the slasher cutting out things everywhere that I don't really feel like buying another version.

Synopsis: «Nice, normal - looking Leslie Vernon (Nathan Baesel) has an obsession with movie - style slashers like Michael Myers, Jason Voorhees and Freddy Krueger.

On paper, Vincent D'onofrio's 83 - minute slasher musical sounds rather like the perfect movie.

Like Sam's photo, I appreciate Govaerts willingness to avoid constant exposition, but without any explanation, the slasher's presence feels somewhat random.

This is a common theme in slashers, but I like how it's done here.

Like I said, it's a common theme in slashers, but I liked how it's dealt with here.

Dead of Summer starts out feeling like an homage to»80s slasher films with a dash of «Beverly Hills 90210» here and a sprinkling of «Heathers» there.

Writer / director da Silveira parts ways with the slasher film motif (and all its promise) to handle things like character development and plot, of which there is very little.

What I did sense is that, much like preceding installments in Capcom's zombie - slasher, this Xbox One exclusive would supply me thousands upon thousands of zombies to massacre in entertaining ways, giving me enjoyment via quantity, with less emphasis on quality.

In the video Klebe posted on Facebook, which you can watch below, it is explained that «Jenny Myers» is «the girl next door,» described much like the typical «final girl» of a slasher film.

Though a PG - 13 slasher film is like the equivalent of sex with clothes on, «Happy Death Day» gets around that hurdle by being less of a straight - up slasher and more of a darkly comedic murder - mystery that just so happens to involve a temporal loop and a knife - wielding masked killer.

While the cast thins as in a slasher film, a couple of video security men (Tim Bagley, Michael Hitchcock) function like a Greek chorus, somehow catching every moment of action, keeping score of the casualties, and providing commentary.

The roar of applause as the closing credits rolled suggests I am not alone in feeling that Schneider and company have created a must - see for those who like their comedy spiked with a few inverted slasher tropes.

Though it has a lot of fun playing with slasher tropes and cinema in general (showing the way Max and her friends are affected by elements like musical cues, monochromatic flashback sequences and slow motion within the fictional movie), the film isn't funny or scary enough, ultimately becoming a victim of its own satire due to its insistence on preserving the genre's traditionally bad acting and writing.

Sue Short comments that «like the Final Girl of the slasher film, it is Jill rather than Mo who displays the courage and resourcefulness of a true survivor, realising the need to fight to stay alive.»

European films have a long tradition of full frontal male nudity even in movies you least expected it; like in the classic 1980's slasher «Pieces»

What happened to the good old days of having a psycho slasher appear out of the woods without cynical teenagers treating Mr. Axe Murderer like a foddy teacher?

At first blush, Until Dawn looks like a generic horror game, full of tropes stolen from years of slasher films and...

This epic of outsider filmmaking is a dream - like wasteland that's punctuated with severed heads, evil beasties, and hooded slashers.