Sentences with phrase «like synth»

If you like synth music, or groups like Daft Punk, you'll definitely want to listen to «Mind Games,» which is a track

Like synth - rock pioneer New Order's early EP, «1981 - 1982,» it contains as many engaging moments as lesser artists» full - lengths.

The typically strong but spotty album is easily their darkest or at least most despondent, sounding more like a synth - soaked suicide note than a fond farewell.

We liked his synth that stops to pray.

Not exact matches

At times, I'm known to switch over to lush orchestral synth music from an artist like Banners.

They're a little bit like a less - dirty Strokes — all the swagger, carefully chimed guitars, crisp synths, staccato percussion and soaring choruses, while lead singer Thomas Mars» easy voice soars in and around every beat and instrumental wash.

I just realized that the keyboard part that sounds like «bells» is basically just the synth part in double time.

playing synth / keyboard, and like being outdoors.i'm easy going, honest and genuine.

Like the Streets or Dizzee Rascal, Arulpragasam's beats are minimal, but tracks such as «Pull Up the People» make use of every ounce of groove as tight, crisp synth lines backing her catchy raga delivery.

It's a delicate, naked offering that flits between mournful vocals, processed backward synths and serrated edges of what sounds like guitar distortion.

More powerful than the «inner speaker» album delivering Pink Floyd ambience with at times Lennon - like vocals and a sprinkling of T - Rex, all wrapped up in a modern synth rock blanket of luscious sound.

There are feints toward a bona fide mystery plot, but that genre element is just a pretext for a stealth marital drama, held together through strong improv, tight editing (by Swanberg himself), moody cinematography and a synth score (from Dan Romer) that parties like it's 1991.

The reedy synths, which intertwine like electronic bullfrogs in call and response, provide a recurring theme, while airy scrims of layered voices drift in and out.

He gives us Lynch - like red rooms, soaring synth music, ominous corridors and an untouchable angel who is really a whore, though here these are presented without Lynch's accompanying sorrow and compassion and the film lacks Drive's beating heart.

The story is much like any sleazy cop thriller full of synth music that could have come from any straight - to - video production company in the 80s or 90s.

synth pop of songs like «Feelings» and «He'll Never Love You (HNLY),» mass - market cousins of then - current releases from acts like Chairlift and Poliça.

«Pynk» opens with a synth riff indebted to Yazoo's «Only You» and abruptly morphs into a chorus that sounds like TLC playing «Teenage Dirtbag.»

More laidback than its Dirty Computer predecessors, «I Like That» finds Monae singing atop a restrained trap beat, whirring synths and harmonizing voices.

The synth - pop score by Anna Meredith elevates Kayla's world just slightly, and the camerawork keeps its comedy visual, like when showing her interactions on Instagram or trailing behind her while going to the pool party, a la Mickey Rourke in «The Wrestler.»

Their all - encompassing mechanical melancholia is matched by ethereal ambience and frosty synth lines that occasional open up to child - like 8 - note xylophone runs that themselves build into volcanic cacophonies.

The unmemorable orchestral score is supplemented by contributions from Alan Parsons, whose synth - driven music has an electronic dance beat and sounds like discarded tracks from «I, Robot.»

Atomic Blonde isn't a camp extravaganza, but it does indulge in a heavy dose of unignorable gay pasttimes like diva worship and electronic synth dance tracks.

Cliff Martinez's pounding synth - rock score meanwhile makes it feel like Refn is remaking some lost 1980s classic of existential action cool — John Carpenter at his most ruthless, or maybe something produced by Drive's Bernie, played by Albert Brooks, once a sort of LA Woody Allen, here a late - middle - aged urbane mobster who guts arteries with his razor if you let him get close.

Steve Moore is half of one of my favorite bands, Zombi, known for their heavy bass and trippy synth sounds that pays respects to artists like Goblin or Fabio Frizzi.

From the bleak settings and synth - heavy soundtrack to the hyper - stylized violence and hints of body horror, this film would feel right at home next to Carpenter's early output like «Assault on Precinct 13» and «Halloween.»

In a year where 80's retro electronics are all the rage when it comes to the sci - fi throwback realms of «Stranger Things,» leave it to Matthew Margeson to salute to the era's days of sports - ready synth glory with this run down the slope of power - pop electro artists like Harold Faltermeyer, Bill Conti and Vince Di Cola Margeson also layers on inspirational strings for his tribute to The Day's most unlikely Olympic ski champion of them all.

The synth line that lurks around the track plunges into the eardrums like a dagger of ice in its opening moments, while Sia injects the whole enterprise with true diva - power; managing to blend seamlessly with the many other disparate elements that populate this fertile soundscape.

during a Goldsmith film was when he experimented and made a bad creative call, like his all - synth scores or when he decided to use Tommy Walker's Charge in Mr. Baseball.

Always jamming with wild, feral abandon, Soronprfbs consists of: Frank (Michael Fassbender), the damaged, Syd Barrett - like musical genius of the group who suffers from an «above board» medical condition that maintains he must wear a papier - mâché visage over his head at all times; Clara (a scene - stealing Maggie Gyllenhaal), the belligerent and humorless synth / theremin / noisemaker; Baraque (Francoise Civil), the French - only speaking bassist / guitarist; and the aloof Nana (multi-instrumentalist Carla Azar of Autolux, collaborator with PJ Harvey, Jack White), the Moe Tucker - like thumping drummer.

Many of the tunes begin with a simple melody plucked out on a down - home instrument like a banjo or piano, then shift midway through to a more synth - dominated, dreamlike sound.

Bronson was an unbridled beast, as evident from director Nicolas Winding Refn's blistering opening salvo, a character - defining blood - red depiction of Peterson pacing side to side, naked and covered in filth, inside a cage, his fury rising as he psyches himself up for forthcoming fisticuffs, which in Bronson typically arrive in slow - motion and staged to crashing classical music and opera or»80s synth - pop like the Pet Shop Boys» devilishly appropriate «It's a Sin.»

The change in tone isn't radical, but it's still pervasive; while Hans Zimmer scored Howard's previous Brown adaptations with generic strings, here he goes for faux - vintage synths that occasionally sound like James Horner's score for Commando, minus the steel drums.

It's still raining in Los Angeles — actually, now it looks like thick sheets of sludgy sleet are pounding down — and those dark synths swirl in Blade Runner 2049, a colossal piece of retro - futuristic gorgeousness.

Dirty oil - Ran sea foam in the oil for ~ 100 mi, changed previous full synth out @ 3k mi (came out like midnight), replaced with full synthetic, Valvoline Maxlife 10w - 30 subbing 1 qt with Marvel Mystery Oil (though I always used Castrol GTX high - mileage before this and the last change).

When I listened to Kanye West's «No Church in the Wild,» bass was almost nonexistent, highs were tinny and the delicate synths sounded like they came from straight from the 1980s: blown out and fried.

Developed by Blue Wizard Digital, this 5X game is packed full of good gameplay, a fun and easygoing 80's - inspired sci - fi synth soundtrack, and tyrant - like humor to last for days!

A game that replaces the typical orchestral JRPG music with something like a mix of the Soul Reaver and MGS2 soundtracks with industrial percussion and synth layers featuring modern tonalities.

After 10 years of touring in Europe with his metal bands Can of Worms (nuclear thrash metal) and Silent Opera (progressive death metal), he started to write and produce his first synthwave album named «Synth City» in 2015, inspired by cyberpunk culture and mangas like Ghost in the Shell, Akira and old 80s / 90s video games like Batman, Saboteur, Beam Rider or FF7.

The music, which I initially liked, has become a gruel of synths clogging up my ear canals.

I think I've been preparing myself for a soundtrack like Cosmic Star Heroine for a long time, building up a collection of hardware synths (Roland D550, Roland JV2080, KORG Triton, KORG M3M and a few others), so it feels great to finally scratch that itch so to speak, in regards to getting to write a soundtrack with all these influences — and in this fantastic future - world Robert and Bill are building.

Each song has several tracks, like a bassdrum, the hihat, a bassline or some synth playing a melody.

Composed by Norwegian musician Joar Renolen and sound design by Martin Kvale, GoNNER «s soundtrack features pop - like electronica and synth ambiance which pairs with the oddness of the game's visuals and platforming gameplay in a interesting way.

The 80's have definitely made a comeback with shows like Stranger Things and all the synth music in recent movies and trailers.

Once while listening to a particularly synth - heavy album in the car, Missus Raroo noted, «This sounds like «magic music.

You can spend the season chilling with fun friends like Takahashi the broken noodle bot, the mayor who hates you for some reason, and your sexy synth partner in crime, Nick Valentine.

Especially the early, somewhat cheap sounding little FM synth chips that Yamaha liked to develop.

To see it in motion with extra of its revealed premise, synth - like tracks, and animated cutscenes, you may try the newest trailer under.

Music had potential, I love electronic stuff and there were a few highlight moments like crossing the pyramid with deep vibrating synth lines ala Blade Runner in the background, but in most worlds the music got very repetitive and annoying quickly, disturbing your thinking tranquility when you're deep in the puzzle solving process, so I found it's better to just mute it all and listen to your own ambient stuff.

Brittle percussive drops, a few guttural bars, and ethereal synths disorient the listener in what feels like a tour of an unfocused and distressed psyche.

«Despite a number of high - profile performances with the likes of Pusha T and Dev Hynes, electro - RnB act JIL have kept a relatively low profile up until now... The band's sound is a head - bopping mix of distorted synths and guitars, booming percussion and the soulful, pristine vocals of their anonymous singer.»