Sentences with phrase «like talking to the press»

Not exact matches

Host Chuck Todd pressed Trump a second time on the issue, but the businessman dodged again, insisting he wanted to talk about things like the economy.
Promoting a fight is an important part of the gig, just like talking to reporters is part of the gig for professional athletes, doing press for a movie is part of the gig for actors... and chatting with employees is part of the gig for CEOs and business owners.
We often talk about inventions like the printing press and the television -; by simply making communication more efficient, they led to a complete transformation of many important parts of society.
Before wrapping up, I would like to take a moment to talk about the press release we issued last week regarding the stock buyback authorization, credit facility and board composition.
In FIVE STARS: The Communication Secrets to Get from Good to Great (St. Martin's Press; June 5, 2018) bestselling author of Talk Like TED, Carmine Gallo argues that mastering Aristotle's «ancient art of persuasion» — combining words and ideas to move people to action — is the key to standing out and getting ahead in the age of AI
Some players need rest next Sunday but he will never give them a break because he like to talk on plenty issues at press conference.
They have a shelf life of 8/10 years at the very top if they are lucky so who can begrudge them the opportunity to make hay whilst the sun is shining... am not saying Sanchez is not money driven but the way the guy plays i can mortgage my life he actually enjoys the game, enjoys wining first and foremost then money comes 2nd... like the author of the article rightly pointed out, he was in Messi's shadow at Barca and could not express himself fully, now he is at a club where he is the main man and given a free role and license to express himself and i very much doubt if he will want to go to a club like Madrid (as been rumoured in the dailies today) to relieve the bad experience he suffered at Barca because let us face facts, he is never going to displace CR7 as the main man, so even if Madrid sells Benzema or Bale to make room for him he will be back to the same position he was at Barca, this time he will be playing 2nd fiddle to CR7 so my guess is all the Madrid talks is been fed the press by his agents to drive a hard bargain when contract extension talks resumes.....
There some reports about Arsenal in the football press this week talking about Alexis Sanchez and how Arsene Wenger was keen to give the Chile international star a winter break like he used to have at his former clubs Udinese and Barcelona, because with his recent international commitments it has been over three years since the striker had a proper summer break.
Eveytime he is talking to the press (not like he does it too much) it is the same line: I fsckin hate to sit!
This is clear since Alexis doesn't like to talk much on media bearing in mind his card was arledy pressed down to the board.
Unless there's a real talking point I'd like to see those press conferences changed.
Talks of him leaving based solely on his reaction to been subbed is laughable at best... like he can just choose when to leave or stay as the club has no say whatsoever... he is under contract need I remind the gullible folks who are so easily misled by press looking to create news out of nothing....
on whether he is tired of talking about it... It's not the fatigue factor, it's just I can not tell you what I don't know and so I don't want to give information that I can not back up after because it will come to me and you will say why did you say that and rightly so, so I like to be a bit vague and use my whole experience of press conferences not to talk things that I can not back up after.
However when the striker was pressed whether he would like to stay at the club next season he was adamant that he would try and fight for a starting place — however he would need to talk to Jurgen Klopp first.
«Before pressing ahead with these cuts TfL should talk to the one in seven disabled Londoners to check if they will still be able to use the Tube like anyone else.»
You still see the press talking about «stalking horse» candidates sometimes, or talk about such - and - such mounting a challenge against the leader, echoing back to the old rules when people like Thatcher in 1975 and Heseltine in 1990 could directly stand against the incumbent leader.
But it makes it sound like it's a 50 — 50 shot and some of the press attention to the collider is dwelling on the possibility of the creation of these mini black holes that could become, that could grow and, you know, destroy the entire planet, solar system, but so why don't we talk just from all around why that's really press sensationalism.
Some institutions, like the University of Minnesota, who had such an excellent rationale for why they were raising salaries in the first place, appeared to reverse that decision, but have now talked in the press about how they are raising postdoc salaries, but have apparently not informed postdocs of this, and so we, like their postdocs, have no clear idea of what is happening (a request for confirmation of their plans had not been answered at time of writing).
«Although we're talking about timescales that seem incredibly long to you or me, in geological terms, the Earth's surface bobs up and down like a yo - yo,» said Mark Hoggard of Cambridge's Department of Earth Sciences, the paper's lead author, in a press release.
We're talking one kilogram of pure unrefined cocoa powder, or, if you prefer the taste of candy bars (say, Twix or Butterfinger) like I do, about 44 pounds of chocolate candy every single day, according to Oxford University Press.
He was like family and to see him suffering really started to get to us, so I started researching countless hours and watching others YouTube videos that had this breed and the skin conditions until I found a video of a vet talking about coconut oil and I was shocked to learn of all the benefits for dogs it offered so I went to my kitchen and got the Unrefined cold pressed coconut oil I use for cooking and started him on it immediately and I am so serious when j say this in 24 hrs most his hives were dried up and healing and within 5days were completely gone I give him a tablespoon a day now and he has no more severe breakouts nor had to go back to the vet for lime and sulfur dips.
Vodafone Offers Free Talk Time To Help Flood Victims In North East Press Trust of India Thursday July 6, The one - time service is being offered in affected regions like Kamrup.
At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.
We talked about what it was like to walk on the yellow brick road for the first time, her reaction to the finished film, 3D, doing so much press, and does she get to visit Disneyland for free after being in a huge Disney movie.
Screen Rant got a chance to talk with both Zazie and Julian on press day, where we discussed how hard it was to keep their roles a secret from their friends and family, how much research went into their respective roles, and what it was like being mutants.
At the recent press day, Tarantino and his actors talked about the advantages of shooting in 70 mm, how a Tarantino set differs from other movie sets, how Leigh and Russell played off each other while chained at the hip for 4-1/2 months, why Russell remained in character after his character met his demise, the decision to stay close to the script, Tarantino and Jackson's take on race relations in America, why a period film affords a filmmaker the opportunity to comment on the present in ways a present day film does not, what their filmmaking adventure was like for the veteran actors who have been with Tarantino from the beginning, and why Tarantino doesn't mind dancing on the edge of political correctness.
At the film's recent press day in Los Angeles, Waugh and stunt coordinator Lance Gilbert talked about their longtime friendship and professional relationship, what it was like growing up together on the sets of «Smokey and the Bandit,» «Vanishing Point,» «The Blues Brothers» and «Bullitt,» why Waugh considers Gilbert one of the best stunt coordinators in the world, the challenges they faced pulling off practical stunts and capturing amazing action sequences realistically in - camera without CGI enhancement, and the entertaining Easter eggs they included as a homage to the classic car - culture movies of another era.
At the film's recent press day, MacLaine talked about coming to terms with her own legacy, why she's not afraid to take risks, the advice Joan Crawford gave her that will remain a secret, her surprise at meeting Alan Ladd at Romanoff's, how aging people are underserved in our culture and what she'd like to do about it, her impressions of her talented co-star Ann» Jewel Lee, her favorite scene, presenting the Best Foreign Language Film Award at this year's Oscars, why she wants to do an improvisation with Marlon Brando, and the unusual role she'd like to play next.
At the film's recent press day, Pettyfer talked about his favorite romantic movies that inspired him, what it was like working with Wilde, getting to know one another, filming their romantic scenes together and striking the right romantic tone, what he learned from veteran actors Greenwood and Patrick, why he enjoyed bonding with the multicultural cast, his favorite songs from the movie's soundtrack, what he remembers about his first love, his advice for guys dealing with parents, and his special plans with his mom for Valentine's Day.
At the film's Los Angeles press day, Woodley talked about how Jennifer Lawrence encouraged her to take the role, what she shares in common with her character and how they differ, what inspired her to take a course in urban survival skills, what the experience was like doing many of her own stunts, her most memorable sweaty palm moments, zip - lining over the streets of Chicago and climbing the Navy Pier Ferris Wheel, her challenging fight sequence finale with Theo James, working again with Miles Teller, and what she learned about herself in the process of making her first large scale studio movie.
Of the many thrills that come from interviewing creative people — variously, unknown, ascendant and at the top of their game — there's also the under - discussed flipside: talking with, 1) vapid young «actors» (line - reciters is more like it) who have neither a sense of film history nor an appreciation for their occupational good fortune and, 2) perfectly genial writers and directors who are nonetheless so relentlessly on script — occasionally reciting entire career - checking passages verbatim from press notes no doubt spit - polished into significance by some friendly faction in the dark wings — that you realize they actually have less summary insight or thoughts about several months or years of their own work than you do after 90 to 120 minutes with it.
To go on a press tour for a movie like this, I don't mind talking about this movie every day, because it really was such an incredible experience.
We like to talk a big game, but most press trips are cushy, low - impact affairs where the worst you can expect is lost baggage or the airline lounge running out of your preferred tea.
I like (and will continue to use) the term «indie publisher» or «indie writer» to talk about writers striking out on their own into the publishing world and starting their own presses.
We talked very early on about how we could make a program like his available to the small press publisher at a reasonable price.
Equipped with your own ISBN, talking to a vanity press is much like being equipped with a cross when talking to a vampire.
Just like everything else, shop around, talk to authors at that press, and know what the press does and doesn't do.
Speaker phone could have been approved, for those listening on the other end it seems fine but when it comes time for them to talk — you may find yourself hard pressed to hear them as it seems like there isn't enough sound pumping to the speakers — though, I know the power is there cause music sounds fine when played.
It sounds like it does require an internet connection to verify the code, but what I was referring to was the part in the press release that talks about the possibility of adding specific customer owner and purchase information to the watermark.
Telephones also work for those who like to press 1 — 3 — 4 — 1 — 3 etc. to wait on hold to talk to a real person.
He was like family and to see him suffering really started to get to us, so I started researching countless hours and watching others YouTube videos that had this breed and the skin conditions until I found a video of a vet talking about coconut oil and I was shocked to learn of all the benefits for dogs it offered so I went to my kitchen and got the Unrefined cold pressed coconut oil I use for cooking and started him on it immediately and I am so serious when j say this in 24 hrs most his hives were dried up and healing and within 5days were completely gone I give him a tablespoon a day now and he has no more severe breakouts nor had to go back to the vet for lime and sulfur dips.
- starts you off in a small town - in town you can visit shops, talk to people and accept a quest - the quest puts you in the middle of a volcano - your end goal is defeating the gigantic fire beast Ifrit - team up with a Goblin and Chocobo - fight multiple enemies, including some unfriendly Chocobo - enemies leave behind loot like recovery items and materials for crafting - by pressing L or R, you get access to four attacks - attack names include Plunder Slash, Mercurial Thrust and Trinity - charge a power meter and then hit L+R at the same time for special movies - one special lets you change into Cloud with very powerful attacks - run with the B - button - camera switching is handled by the D - Pad - info on the upper screen that gives you constant battle updates - bottom screen shows the status of all the characters, plus a map
The game got a couple of nice mentions in the press, but it doesn't look like it's going to be one of the more talked - about titles on the OUYA.
I remember talking with my wife about what I expected to see at the Bethesda press event and treating DOOM like an afterthought.
Many award - winning indie games that press like to talk about and always participate in showcases end up having a rather small player base.
The developers still have to be super involved and passionate when it comes to non-development stuff like marketing the game, talking to press, etc..
«I got an email or call from John at half 11 at night about three days before I was going to San Francisco to do a small press talk and John said, «you're not going to like this but I've got the game running at 60 fps.
This year at its E3 2014 press conference, Sony talked about almost everything related to the PlayStation 4 console, and just like E3 2013, the PS Vita console got very less attention during the conference.
in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
Secondly, when talking to the Press you need to talk like Bill Nye the Science Guy not Albert Einstein.
a b c d e f g h i j k l m n o p q r s t u v w x y z