Sentences with phrase «like wall sculptures»

Given the fact that he hasn't shown any substantial amount of work in the States for about two decades — aside from a few group shows, art fairs, and his inclusion in the famously identity - politics - focused 1993 Whitney Biennial, where he showed a series of weapon - like wall sculptures (dealing with notions of surveillance, the police state, militarization) that were pieced together with vintage gun parts, carved branches, and coyote bone among other sundry items — «At the Center of the World» was a rare treat for countless artists, curators, and critics who could only follow Durham from afar while his work continually appeared abroad at august venues like the Venice Biennale, Documenta, and galleries and museums across Europe and Latin America.

Not exact matches

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You can even use your bedroom walls to display three - dimensional decor like sculptures, vases and pictures.

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Paintings, photographs, and sculptures by local artists adorn the walls and halls of the hotel, creating a gallery - like experience for guests to browse and purchase if desired.

Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This exhibition is a rare peek into the design process behind the creation of Pixar favorites like Toy Story, Wall - E, Up, Brave, The Incredibles, and Cars, including relics such as rarely seen paintings, sculptures, hand - drawn sketches, and other original artwork.

For his new show at the Brooklyn gallery, which recently relocated from Greenpoint to Prospect Heights, Tcherepnin will once again show work that quite literally goes over everyone's heads: five new chandelier - like sculptures hanging from on high, with videos projected on the walls around them.

For the past quarter century, primarily with his paintings but also, as a recent exhibition title put it, «other stuff,» like photographs, videos, sculptures, and installations, he has been getting black figures onto museum walls.

And yet it is a sculpture, hanging from a wall like some kind of terrible, nervy, indomitable excrescence.

He uses both bright and grayscale colors in his wall sculptures; his intricate designs are often made with unconventional media, like nylon yarns, printed fabrics, and even the tights he designs.

His most recent installations comprise rods, chunks, blocks and chips of treated wood, which he arranges into undulating curtain - like forms and explosive wall - mounted sculptures that oscillate between the seemingly organic and manmade.

Entering painting and sculpture on the third floor, one now sees not the intimacy of the late nineteenth century, but the likes of Julie Mehretu, Matthew Barney, and Jeff Wall.

Most of the sculptures in Willard Boepple: The Sense of Things at The New York Studio School were box - like containers placed, for the most part, on the wall at eye level.

A final work, I Don't Know About the Ear (2016), resembling the ear of a goblin and pinned to the wall, is the relic of the performance work The Adventure of Mr. Kim and Mr. Lee (two of the most common surnames in Korea)(2010 — 12), in which a live performer wearing a prosthetic ear stood motionless like a sculpture and, like the artificial body part itself, straddled the line between states of being object and prop, human and mythical.

Despite some baffling curatorial decisions — sculptures installed so close to the wall they can't be seen in full, stanchions so distracting they seem like sculptural interventions — it promises to be hugely influential among Chicago's young artists.

An Avant - garde wall sculpture with blue neon tubes in a maze - like sacred geometric formation mounted to wooden back and placed under blue Plexiglas designed and produced by Christopher...

Put Ruth Asawa's porous, basket - like wire sculptures up against Richard Serra's fortresslike walls.

To, thankfully, some of the very interesting explorations in collage, 3 - D printed art, like Ashley Zelinskie's reverse abstractions (see the photograph of her table - top sculpture below) and paintings that extended from the vertical walls into the horizontal planes of the floor.

A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the late 1960s.

Nathan Carter's wall reliefs, sculptures, collages, and hanging objects are inspired by myriad aspects of contemporary society: modes of transportation, mass communication devices, sports insignias, and architecture for mass gatherings like stadiums and parade grounds.

Major works made by Mason around this time, like his «Blue Wall» (recently featured in Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture at the Getty Center) and free - standing «spear» and «X» forms, would define a new expressive potential and monumentality for ceramic - based art.

Fred Sandback: Renowned for his Minimalist, conceptual sculptures, Fred Sandback's best - known works were made using colored acrylic yarn, like his «leaning» series, which used lengths of yarn, extended between walls and floors, to alter the perception of a space.

Escobar's work, characterized by the use of materials charged with historical and symbolic meaning, is articulated in a minimalist language like in Yellow Composition, a linseed oil drawing, and the wall sculpture.

Wall - mounted sculptures that draw you in like a 1,000 piece puzzle of the Taj Mahal.

«40 Years: Part 1» features significant Minimal and Conceptual works like Incomplete Open Cube by Sol LeWitt; a Fred Sandback yarn sculpture; Measurement: Wall (1969) by Mel Bochner; a conceptual ruler drawing and a painting by Sylvia Plimack Mangold; Dan Flavin's neon light piece; Wolfgang Laib's Rice House, and two 1960s prints by Donald Judd.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

In the main gallery, four ominous sculptures loom, dotting the large space like standing alien sarcophagi undergoing a ritualistic software update, encased using the salvaged modular steel walls from Bell Labs.

With the interconnected fabric mats shaped to evoke biological cells or chemical flasks, each of these sculptures assumes a vital role in some form of organic circuit that flows through a portal - like shape mounted against the wall and framed with head - like ovoids, elongated staffs and open circles.

Eric Mack's «Partition» — a wall of messily painted pegboards — divides the gallery space in two, while his sculpture with moving blankets and other media, «Finding Comfort in Easy Distinction,» slumps against the far wall like a dejected drunk.

The installation features a series of interconnected wall drawings and mobile - like sculptures made up of his signature scrap paintings — bits of tape and overspray that have been stripped from his studio walls and carefully arranged on paper and clear mylar.

Large - scale sculptures of compressed vinyl covers are then finished in resin to create a glossy shrine - like piece off the wall.

On display are several new bodies of greatly varied work: a series of paintings based on Amish quilts; a series of silk - screened paintings of t - shirts; sculptures made out of stacks of flattened cardboard with enormous eyes; large - scale pattern paintings featuring panda bears; a wall with photos of cats that look like Hitler.

Best known for his photographs of the desolate, debris strewn, and decaying environs in and around Vancouver, which have been associated with Vancouver school artists like Jeff Wall and Stan Douglas, Roy Arden has also worked in collage, sculpture, and video.

In a group of sculptures, the same filigreed chrysalises hang delicately off the upturned barrel of a pistol, or underneath the blades of kitchen knifes planted into the wall, the possibility of death lying dormant, just like the unborn insect cocooned underneath the objects.

The David Bowie Tribute Wall is a shrine - like installation of paintings, drawings, photos, needlepoint, sculpture, and other kinds of art created as a tribute for the great musical artist David Bowie.

His playful approach to abstraction can be seen in the humble sculpture «Mask» (2014), with bits of rug rolled around white rope and mounted on the wall like a Richard Tuttle work.

A wall of his small steel sculptures features pieces reminiscent of those by Brazilian artists like Lygia Clark or Lygia Pape, whose fantastic retrospective is now on view at the Met Breuer.

Inside, though, I found an early — and slightly gauche — digital video thudding away on the gallery's biggest wall, a huge, dressing screen - like sculpture created from a grid of metal bars, and, best of all, an ingenious series of abstract paintings created from bathroom tiles and coloured grouting.

The walls surrounding the aluminum cans contain more inscrutable sculpture, in foam shaped like sagging curtains or unmade beds.

Pioneering fiber artist Sheila Hicks blurs the boundary between painting and sculpture with her vibrant woven and textile works, which she creates in many shapes and sizes, from wall mountings that mimic the format of painting to suspended pieces that hang from ceiling to floor like textured columns.

Building on the legacy of post-impressionism and process art, the Catalyst works are net - like sculpture drawn directly on the wall.

In Home, Katzenstein presented 12 sculptures of figures who look like him and screened videos on the walls of actors, also made to look like Katzenstein.

The main room feels overwhelming in scale, full of over-sized and crudely modeled ceramic sculptures, towering red dripping sculptures that look like some sort of giant animal's tendons freshly ripped from its body, and spray - painted canvases hanging on the walls.

In their exhibition, scheduled for next June, the artists will collaborate on walls comprising their sculptures that will camouflage distinctive parts of the Shigeru Ban - designed building — «almost like erasing these known elements,» Ms. Zuckerman said.

Like the multi-part octopus piece by Joakim Ojanen pictured above, each work in CLAY TODAY will be a significant ceramic artwork, whether sculpture, wall work or even claymation video.

In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).

This makes them essentially different from Frank Stella's wall - mounted high reliefs that are constructed like three - dimensional sculptures (with space in between) projecting directly from the wall.

Donzeaud's experiments in turning a plastic used for containers into flat screens that adapt to the walls of the indoor space are stretched out and over a frame; sometimes hanging like a canvas in «Untitled PE (Caring 01)» and «Untitled PE (Caring 02, 03, 04)» or jutting out of wall and becoming a sort of installation - sculpture in «Untitled PE (Caring 05, 06)».

Behind a sofa sculpture that you can climb into the back are mixed media wall pieces next to paintings depicting what looks like a tabloid cover.

Though housed in the impeccable walls of Dominique Lévy uptown, the sculptures of Germaine Richier look to have been unearthed just moments ago, as if pulled from the ground like the cast bodies of Pompeii.