Of course, the very best and expensive services — that can exceed $ 20,000 very quickly — can offer a highly quality experience which is much
like working with traditional publishers.
For full - length tradebooks I still
like working with traditional publishers.
Not exact matches
Whether you're unpublished, self - published, or
working with a
traditional publisher (
like Random House), it's important to know that book royalties should only be one of your many streams of income.
Should you try to get a
traditional publisher like Random House, self - publish, or
work with a vanity press?
And while a freelance editor (
like me) makes more money simply from more
work, a
traditional publisher's editor makes more money from higher - quality
work — and suffers at least in reputation from association
with low quality
work.
While
traditional publishers (actually, the top end
publishers) are fighting over business and legal issues,
like any big business, you adapt and
work with what
works — eBooks still represent a minority in sales, but it is rapidly catching up to print, and by all accounts, has already passed hardcover (which has been in decline in a slow death since the advent of paperbacks and trade paperbacks in the 40s and 50s).
If getting published traditionally doesn't especially help you to get your books on the shelves of stores (unless you are talented, awesome, hard -
working, and lucky enough to be a Jim Butcher), then you've got a legitimate reason to question whether you want to roll the dice
with traditional publishers (who absolutely offer many great advantages), or get 70 % royalties on your indie ebooks and get paid 80 % of your print book's list price (minus the cost of POD printing)
with your print - on - demand book via Lightning Source and their 20 % short discount option — which gets you right into Amazon.com and other online bookstores, just
like the big boys do.
I
like to keep control of my
work and unless you're a J.K. Rowling or a «Celebrity» there's no advantage in being
with a
traditional publisher.
The Author's Assistants can help you locate a qualified editor and proofreader,
work with a professional designer for your book's interior and cover art, take care of details
like applying for the ISBN, LLCN and copyright, research a
traditional publisher or help you find the perfect print - on - demand (POD) service to self - publish.
Just
like any
traditional publisher, when you sign a publishing contract
with FFF Digital, you sign over certain rights so that we can legally distribute and sell the copyrighted
work in your name.
Quite simply, we can take that manuscript that you have been
working on and get it published for you just
like a
traditional publisher, but
with a slight difference.
(For one thing, a self - published author is able to reject covers they don't
like, which is rarely an option when
working with traditional publishers.)
Are there any legal steps I need to take to protect my
work, especially if I would
like to
work with a
traditional publisher one day?