Sentences with phrase «limitless space»

I once thought live tweeting was where it's at until I traded in the bite - sized format for limitless space in a focused environment.
All the while providing limitless space and possibilities to enjoy your next drive.
In addition, the fracturing of the forms depicted in this instance is a nod to Cubism, as if Pan is asking us to enter the painting passing through the vagaries of limitless space as we bounce from one angle or vantage point to another.
Macrophysics deals with a four - dimensional space - time continuum in which limitless space curves back on itself like a Möbius strip and time is diversely calculated by bodies in motion.
The digital marketplace puts all books — new releases and backlist books alike — on the same limitless space provided by the virtual bookshelf.
And with nearly limitless space, the sheer amount of information readers can now have through the app far outshines the limits of an expensive, full - color print edition.
I try to create limitless space, as Rothko did in his paintings.
By using a vector - based program to construct her scenes before they are transferred to canvas, Singer creates a world that is resolutely analog while containing the sense of limitless space and the illusion of depth that have defined the evolution of moving images across projection screens and digital platforms.
Armed with a nuanced palette of blacks and grays, Celmins renders these limitless spaces — seascapes, night skies, and the barren desert floor — with an uncanny accuracy, working for months on a single image.
It is this idea of the underneath that has continuously interested the artist, and it is in that limitless space where Iglesias constructs.
Sapphire Frater's «Aeon of Harporcrates» is inspired by «dissolution and unity with infinite - limitless space,» the artist says, «to become one with all that is infinite.»
She had the rare ability to make small works, such as the series of tiny monochrome oils, Waves On Porthmeor Beach, with a sense of limitless space; and big works, like the 12 panels constituting Resounding (2001), which filled a wall at Tate St Ives, as compactly organised as a small drawing.
Armed with a nuanced array of blacks and grays, Celmins depicts these limitless spaces — seascapes, night skies, and the barren desert floor — with uncanny accuracy, matching a tangible sense of space with intricate detail.
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