Sentences with phrase «limits of reason»

Such objects operate at the outer limits of reason, flirting with spatial, behavioral,... Read More

It is painful to watch otherwise intelligent people contort themselves, with such weak - minded casuistry, beyond all limits of reason to reconcile that which they know with that which they want to believe.

In today's intellectual climate, self - contradiction is deemed a small price to pay for liberation from the limits of reason.

Kant emphasized the limits of reason.

It is an incessant reform of thinking, but within the limits of reason alone.

It's profoundly rational to ask what our lives mean; to acknowledge the limits of our reasoning and senses; and to hope for and seek something more than this life.

She evokes his delight in «the world» together with his vivid sense of its brokenness; his dedication to the life of the mind along with his awareness of the limits of reason; his ease amidst cultural pluralism and multiple interpretations; his understanding of choice as always constitutive and often tragic; his struggles with temptation and doubt.

(The title of Tindal's 1730 book, Christianity as Old as Creation, or the Gospel a Republication of the Religion of Nature, says it all, as in fact does Kant's Religion within the Limits of Reason Alone and Schleiermacher's Speeches on Religion Addressed to its Cultured Despisers.)

Pannenberg engaged in extended polemics against the limits of reason to which so much of Protestant theology had appealed, opening the door to renewal of the bolder claims of Christian theology to affirm universal truth and to encompassing the sciences.

Kant had shown the limits of reason in order to make room for faith.

He did not scorn a good cake, a good bottle, a tasty dinner; everything within the limits of reason.»

M. Night Shyamalan's new film, The Happening, involves an environmental backlash, the limits of reason and the beauty of math.

Met Breuer is presenting «Delirious: Art at the Limits of Reason, 1950 - 1980,» a retrospective of postwar art showcasing the period as an exercise in calculated lunacy.

At the Met Breuer's recent exhibition «Delirious: Art and the Limits of Reason», I was struck by evidence that the grid — often a structural cipher for rationality in Western art — could be used to demonstrate its opposite.

«Delirious: Art at the Limits of Reason» ran at The Met Breuer through January 14.

Installation view of Julião Sarmento: Some Limits of Reason at Sean Kelly, New York March 12 - April 23, 2005 Courtesy of Sean Kelly, New York

Exhibition: «Delirious: Art at the Limits of Reason 1950 — 1980» at Met Breuer This expansive show explores 30 years of absurd and irrational art made in part as a response to the political and cultural turbulence from the 1950s through the»80s.

Dean Fleming In New York: Included in the Met Breuer Exhibition, «Delirious: Art at the Limits of Reason, 1950 - 1980» and An Upcoming Solo Exhibition, «Duality» at David Richard Gallery's New Location in Harlem 211 East 121st Street New York, NY 10035

Fleming's artwork is included in the current exhibition at the Met Breuer in New York, «Delirious: Art at the Limits of Reason, 1950 — 1980», organized by Kelly Baum and on exhibition through January 14, 2018.

I was looking forward to «Delirious: Art at the Limits of Reason» at the Met Breuer, which promised to be one of the big adventures of the fall art season.

Some of her earlier work was featured in the Metropolitan Museum of Art's Delirious: Art at the Limits of Reason 1950 — 1980 this fall, so it should come as no surprise that it explores themes of logic, order and chaos, and objectivity and subjectivity.

Met Breuer will present «Delirious: Art at the Limits of Reason, 1950 - 1980,» a retrospective of postwar art showcasing the period as an exercise in calculated lunacy.

This same exhibition will open at São Paulo's Sesc Pinheiros on July 25, 2018; Delirious: Art at the limits of reason, 1950 — 1980, Met Breuer, New York, USA; and Mario Pedrosa: on the affective nature of form, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain.

Delirious: Art at the Limits of Reason 1950 - 1980.

This is the case with «Delirious: Art at the Limits of Reason, 1950 - 1980» at the Met Breuer, a nervy multimedia survey of postwar art.

Interestingly the subtitle here isn't «art beyond the limits of reason.»

The Metropolitan Museum of Art Breuer is hosting an exhibition titled «Delirious: Art at the Limits of Reason, 1950 - 1980» that will be running through January 14, 2018.

Hales is delighted to announce the inclusion of Carolee Schneemann's Viet Flakes in The Met Breuer exhibition Delirious: Art at the Limits of Reason 1950 — 1980.

And for the record, generally speaking, I am all in favor of artists taking the money and running, since I tend to think it ultimately bolsters the public's perception of art, but this pushes the limits of reason, to say nothing of good taste in its outlandishness.