Sentences with phrase «line as a point of departure»

I'm excited to be a part of the Pencil / Line / Eraser exhibition at Carroll / Fletcher gallery in London, «a group show surveying recent works in expanded drawing which use paper and line as a point of departure.»

Carroll / Fletcher is to present a group show surveying recent works in expanded drawing which use paper and line as a point of departure.

Carroll / Fletcher is pleased to present a group show surveying recent works in expanded drawing which use paper and line as a point of departure.

Not exact matches

And, as Arseblog pointed out, note the subtle differences in the last lines of the announcements of the departures of Carlos Vela and Robin van Persie.

Perhaps the most appropriate point of departure in examining how the Dhammapada parallelsclassic yogic principles as outlined in Patanjali's Yoga Sutras, is in comparing each text's first lines.

Taking European constructions of tropicality as its point of departure, this volume juxtaposes 200 pre-modern works from Africa, Asia, Oceania and tropical America (from the collections of the Museum of Ethnology in Berlin) with works by 40 contemporary artists from Brazil, South America, Europe, Africa, Australia and Asia, tracing lines of affiliation and critical reflection.

Out of Line featured nearly thirty historical works taking Colombian artist Feliza Bursztyn's raucous, stainless steel sculpture Sin título (de la serie Histéricas)(1967) as the point of departure.

Occupying both floors of the massive gallery, the exhibition features one of the first works that the artist made of his own body using a plaster mold and a lead skin, titled Bridge, from his 1985 series Bodycases, and a new work that takes the grid of horizontal and vertical lines in Bridge as the point of departure for a freestanding sculpture that maps the internal volumes of the body.

In her new work, A Nearly Endless Line # 3, developed for the gallery's Corner Space, she takes exhibitions that were held in Winter 2010 at Whitney Museum of American Art (The Endless Line) and Sue Scott Gallery in New York City (Another Endless Line) as her point of departure.

Taking as its point of departure Lucio Fontana's Spatialism, proclaimed in his Manifestos of 1947 and 1948, «THE GALLANT APPAREL: Italian Art and the Modern» charts a line through the main exponents -LSB-...]

In more recent work, Islam often takes a single visual motif as her point of departure, such as a woman distractedly spinning a ring in Dead Time (2000), a girl turning towards the camera and then vanishing in Turn (Gaze of Orpheus)(1998), a group of rickshaw drivers instructed by the artist to sit and do nothing in First Day of Spring (2005), or a cable car receding from its port in Time Lines (2005).