Sentences with phrase «line at a red light»

So there are times I feel like I'm half - looking through the top of the windshield frame, notably when I'm first in line at a red light

Not exact matches

This might sound like a huge challenge for the most impatient among us, but Brooks suggests that «when you find yourself in a line at Starbucks or the supermarket or at a red light, just breathe and observe your surroundings (e.g., the sights, sounds, and smells) or you can use the time to make some inner observations (e.g., are your muscles tense, are you cold, hot, thirsty, hungry?).»
Finally they added a fluorescent iron line, amazingly bright and red - shifted so strongly that it had to be coming from iron atoms streaking just over the event horizon at near - light speed.
This simple part of Eagle Pose can be practiced several times a day, and you can do it anywhere — on an airplane, in line at the coffee shop, and even stopped at a red light.
Related Reviews: Martin Scorsese: Taxi Driver • The Last Temptation of Christ • Shine a Light • Hugo Woody Allen: Annie Hall • Whatever Works • You Will Meet a Tall Dark Stranger • Midnight in Paris Francis Ford Coppola: The Godfather Trilogy • Bram Stoker's Dracula • John Grisham's The Rainmaker • Jack Anthology Films: Four Rooms • New York, I Love You • Fantasia & Fantasia 2000 New to Blu - ray: Father of the Bride & Father of the Bride Part II (2 - Movie Collection) • Being John Malkovich (Criterion Collection) Nick Nolte: The Thin Red Line • Tropic Thunder Talia Shire: Rocky Giancarlo Giannini: Shadows in the Sun 1980s on Blu - ray: Scrooged • Planes, Trains & Automobiles • Platoon • Dead Poets Society Eloise at the Plaza • Punky Brewster: Turn Your World Around
We'd prowl the streets of our sleepy college town, searching for willing contenders and red lights, ripping their doors off right at the line and disappearing before the cops got a whiff of our oil - heavy exhaust.
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The central brake light is now just a small line at the top of the tailgate, in a pinkish red that does not match the red of the other LEDs.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
Notable solo presentations include to draw with light at SCAD Museum of Art in Savannah, GA (2013),... and to draw a bright, white line with light at The Art Institute of Chicago (2011), Henry Art Gallery at the University of Washington in Seattle (2011), nowhere near, and of time, white blind (bright red)(1999 — 2002) at SITE Santa Fe in New Mexico (2005), nowhere near at the Lannan Foundation in Santa Fe, New Mexico (2000), and In Between Places, which originated at the Henry Art Gallery at the University of Washington and traveled to the Contemporary Arts Museum in Houston (2000).
Assume that bicyclists will attempt to squeeze between vehicles at red lights to get to the head of the line.
NO PAPER CERTIFICATES ACCEPTED AT DRIVER LICENSE OFFICES Convenient on - line reporting lets traffic schools automatically report course completions to DHSMV so the Driver License offices can view students who successfully complete Traffic Law and Substance Abuse Education (TLSAE), Basic Driver Improvement (BDI, TCAC, Red Light), and Advanced Driver Improvement (ADI).
Any spare moment in a grocery check - out line, sitting in a waiting room, or even stopped at a red light in traffic is a moment spent checking emails and social media.
We can now respond while sitting at red lights, waiting in line for lunch, during the middle of the 3rd quarter of a Memphis Grizzlies game, in the bathroom (I know, TMI), etc..
St. Louis is served by two MetroLink light rail lines, Red and Blue, that link downtown with the Central West End, an affluent neighborhood featuring an employment center at the Washington University Medical Center.
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