Sentences with phrase «line drawing in space»

The piece, essentially a line drawing in space, is held aloft by a red helium balloon above and anchored to the ground by a heavy stone below.

The catalogue, published by the Upper East Side gallery Zwirner & Wirth, includes two pages of notes written by the artist in the 1970s, which read like a crash course in the paradoxes woven into his incorporeal realm of three - dimensional lines drawn in space:

Craig - Martin's recent large powder coated steel sculptures are essentially three - dimensional line drawings in space, again of readily identifiable objects.

But by removing it from its ordinary context and treating it instead as a mock ceremonial bunting, Feher has transformed it into an abstract gesture, a line drawn in space.

The earliest pieces — explorations in geometric forms, like lines drawn in space and painted in the offbeat colours that he first saw in the work of Piero del la Francesca — are reminiscent of those that were being made simultaneously in the United States by John McCracken and Donald Judd, though the Italian only became aware of their existence when he travelled to New York in 1970.

Not exact matches

All three players are meant to displace or draw out defenders from the back line, and the presence of Sturridge in particular, provides Alexander - Arnold with the space to shoot, and he gets a fortunate deflection.

It looks like it is the RB however Çalhanoğlu is drawn out wide leaving Candreva space for Škriniar to find therefore breaking the lines and giving Inter a great chance to attack in numbers.

We can use graphs to convey mathematical relationships as though they were lines and shapes drawn in space.

• Then, on the next card in that stack, draw a circle (just as far to the right) four line spaces up from the previous circle (again skipping three line spaces), and continue this until you reach the top of a card.

On the next card in the same stack, draw a similar - size circle just as far to the right, but on the next line space down.

The BrainPort provides information in two dimensions, like a line drawing on a piece of paper, but the user's brain must learn to translate this information into things like perspective, dimension, and location in space.

♦ Spell it (write it in the «letter boxes») ♦ Connect it (draw a line to connect the letters) ♦ Find it (find the word written 4 times) There is also space on the top of each sheet for your students to write their name.

The pack includes: Banner - A long banner for your restaurant - this is provided in Sasson Primary Infant font and also in Chinese style writing Posters - Open and closed signs for your restaurant Opening times - An opening times poster Food posters - 10 colourful pictures of different foods to buy in the restaurant Price posters - Each showing a different colourful picture of Chinese food and space to write the price Menus - Various menus in colour and black and white for your restaurant Hats - 3 different hats to make for the restaurant staff to wear Badges - Name badges to make for the staff to wear Welcome - A long «Welcome» with Chinese style writing Today's special - A poster with Chinese style writing to write in that days special meal Restaurant posters - «Wait here to be seated» and «Thank you for your custom» Poster - A poster for the restaurant Kitchen area Clock - A themed clock to laminate and either draw the hands on or add clock hands using a split pin Colour lanterns - Colourful lanterns to hang in the restaurant area - each lantern is a different colour and has colour labels to add if you want to Number line - A number line to 20 on food bowls Table numbers - Table numbers up to 10 to display on the restaurant tables with Chinese style writing Order forms - Printable order forms for the restaurant and takeaway Colouring mats - Colouring mats to use in the restaurant - these could also be coloured and used as posters in the restaurant Message pads - Message pads and telephone message pads to make decorated with Chinese lanterns Takeaway opening poster - a poster showing the opening times of the Chinese Takeaway

All designs come in fully lined paper and half lined paper to allow space for a drawing.

Yet while the notion of drawing in space had already featured prominently in Clement Greenberg's writing about midcentury expressionist sculpture, Sandback's drawing is hardly so subjective; his lines look less like traces of the artist's hand than like vectors laid out with a parallel rule or a T square.

Lines in Space: Paule Vézelay & Linda Karshan Drawings and 3 - D constructions by British abstract pioneer Paule Vézelay and drawings by contemporary artist Linda Drawings and 3 - D constructions by British abstract pioneer Paule Vézelay and drawings by contemporary artist Linda drawings by contemporary artist Linda Karshan.

In 2010, the exhibition Lines in Space: Paule Vézelay & Linda Karshan featured Linda Karshan's recent minimalist drawings as a complement to the purity of Paule Vézelay's constructions (the «Lines in Space» series) and her related drawings spanning the 1930s to 197In 2010, the exhibition Lines in Space: Paule Vézelay & Linda Karshan featured Linda Karshan's recent minimalist drawings as a complement to the purity of Paule Vézelay's constructions (the «Lines in Space» series) and her related drawings spanning the 1930s to 197in Space: Paule Vézelay & Linda Karshan featured Linda Karshan's recent minimalist drawings as a complement to the purity of Paule Vézelay's constructions (the «Lines in Space» series) and her related drawings spanning the 1930s to 197in Space» series) and her related drawings spanning the 1930s to 1970.

She wants to highlight the ways in which we lay claim to a space, stopping only to draw a line under modernism's cold, macho aesthetics.

In his Aerei (1977), or Airplanes series, Alighiero e Boetti left as negative space line drawings of modern and historical airplanes.

Looking at the idea of illustration in space a start point Lynch will use premade gridded rubber stamps to mark out anything angular in the room and then describe the rooms» use with quick overlaid line drawings.

Through the concept of the line in space the artist's works expand the boundaries of the medium of drawing and his installation Double O (2008) was recently exhibited in MoMA's show On Line: Drawing Through the Twentieth Century (20line in space the artist's works expand the boundaries of the medium of drawing and his installation Double O (2008) was recently exhibited in MoMA's show On Line: Drawing Through the Twentieth Century drawing and his installation Double O (2008) was recently exhibited in MoMA's show On Line: Drawing Through the Twentieth Century (20Line: Drawing Through the Twentieth Century Drawing Through the Twentieth Century (2010).

It's a bold move for a brand - new space, but the inclusion of Wittenberg's preparatory studies for the piece in the form of monotypes, line drawings, and acrylic on paper works promises to provide a rare window into the process of an artist who is getting increasing attention these days.

His sculpture «Twice Told» (2015), suspended from the ceiling, uses chair legs glued together to create a dynamic parallel - line - drawing in space.

Yet while the notion of drawing in space had already featured prominently in Clement Greenberg's writing about midcentury expressionist sculpture, Sandback's drawing is hardly so subjective; his lines look less

Recent group exhibitions include «Fifty Years of Bay Area Art: The SECA Awards» at the San Francisco Museum of Modern Art, San Francisco, CA; «Drawing the Line» at The Boston Center for the Arts, Boston, MA; «Exonome» at the Consulate General of Mexico, San Francisco, CA; «Selections from the Collection,» BAM / PFA, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; «Regarding Truth, An Exhibition of Work by Artadia Award Winners» at the California College of the Arts, San Francisco, CA; «Hair Rising» at the San Jose Institute of Contemporary Art, San Jose, CA; «2004 SECA Art Award» at the San Francisco Museum of Modern Art, San Francisco, CA; «Wall - to - Wall» at The Drawing Center, New York, NY; «In My Empire Life is Sweet» at DCKT Contemporary, New York, NY; «Next New» at the San Jose Institute of Contemporary Art, San Jose, CA; «Commission» 04» at the San Francisco Arts Commission, San Francisco, CA; «Warped Space» at CCA Wattis Institute of Contemporary Arts, San Francisco, CA; «Cream» at ArtsBenicia, Benicia, CA; «Comers... up and 2» at Jay Jay Gallery, Sacramento, CA; «M.F.A. Exhibition» at Mills College Art Museum, Oakland, CA; «Graduating Student Exhibition» at S.M.F.A., Boston, MA; «Post-Baccalaureate Class Exhibition» at S.M.F.A., Boston, MA; «S.M.F.A. Annual Juried Exhibition» at S.M.F.A., Boston, MA; «Post-Bac» at S.M.F.A., Boston, MA; «B.F.A. Honors Student Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Graduating Students Exhibition» at the Cleveland Institute of Art, Cleveland, OH; «Collective Sculpture Exhibition» at Universidad Complutense, Madrid, Spain; and «Collective Drawing Exhibition,» Leon, Spain.

The curatorial construction of image and space will draw attention to the semantics of dimensions, materialized movements, and semiotic layering in line with pure materiality.

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

Her work has been included in group exhibitions, including «Lines and Spaces», Hartford Art School, CT; «About Painting» and «Twice Drawn», Tang Museum, Skidmore College, Saratoga Springs, NY; and the traveling exhibitions «Drawn by New York: Six Centuries of Watercolors and Drawings at the New - York Historical Society», and «Drawing is Another Kind of Language» which originated at the Harvard University Art Museums and traveled to museums in the U.S. and Europe.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, ParIn My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

Also included in the show are new large - scale drawings using natural earth pigments which were created with a bamboo stick that the artist presses repeatedly on paper to create resonant and rhythmic lines in space.

Close up, the elements prove to be a fizzle of lines drawn in and through space.

The hoses, articulating the formal lines of a drawing in space as much as a three - dimensional sculpture, create a multitude of niches and smaller locales within the gallery.»

I was thinking about how to translate the drawn line into three - dimensional form, so I thought it made sense to make a sculpture out of line, to literally cross-hatch in space.

In Floors of the Exhibition, 2011, lines of magnetic tape run along the gallery walls creating three distinct elevated architectural drawings of the three theatre spaces used by Welles.

Galleries: Small, bold works dazzle in a big space By Edith Newhall Luis Romero's obsessively constructed and painted paper assemblages and quirky line drawings easily could lead you to believe he's a self - taught artist.

In an untitled work from 1963 a labyrinthine and dense series of black lines simultaneously resembles a thumbprint and a black hole of space; in an inkblot drawing from 1995 the small mirrored shapes recall the self - reflective quality of fleeting images of inner thoughIn an untitled work from 1963 a labyrinthine and dense series of black lines simultaneously resembles a thumbprint and a black hole of space; in an inkblot drawing from 1995 the small mirrored shapes recall the self - reflective quality of fleeting images of inner thoughin an inkblot drawing from 1995 the small mirrored shapes recall the self - reflective quality of fleeting images of inner thought.

Curated by Miami gallerist Carol Jazzar, Following the Line advances the understanding of drawing in contemporary art, an arena that is increasingly preoccupied with mass spectacle, public space and multimedia.

Pfaff creates installations, sculptures, and drawings that explore the possibilities of line in space using materials that range from tree roots to steel, plastics, fiberglass, and plaster.

Back in North Carolina, the artist adapted this technique by essentially drawing in space with continuous lines of looped wire that defined three - dimensional form.

Drawing is placing something on a two - dimensional surface in relation to something else; it is putting a line in space.»

Extending beyond the screen, The Drawing Project continues into the tangible world in the form of public programs including a series of webisodes, talks, panel discussions and events, inviting the public to experience the project in a multitude of forms and make their own decisions regarding what defines line and what spaces it can it occupy.

Wednesday, April 3, 5 pm: Launch and Introductory Panel Along with a panel, a reception will usher in the launch of The Drawing Project; What is line and how does it travel through space.

His latest drawings and sculptures search for those in - between spaces where void and the dividing line interact and coexist.

Occupying a space between sculpture, cinema and drawing, his work's historical importance has been internationally recognized in such exhibitions as Into the Light: the Projected Image in American Art 1964 - 77 at the Whitney Museum of American Art, New York (2001 - 2); The Expanded Screen: Actions and Installations of the Sixties and Seventies at the Museum Moderner Kunst, Vienna, Austria (2003 - 4); The Expanded Eye at the Kunsthaus Zurich, Switzerland (2006); Beyond Cinema: the Art of Projection at Hamburger Bahnhof, Berlin, Germany (2006 - 7); The Cinema Effect: Illusion, Reality and the Projected Image at the Hirshhorn Museum, Washington, DC (2008); The Geometry of Motion 1920s / 1970s at the Museum of Modern Art, New York (2008); and On Line at the Museum of Modern Art, New York (2010 - 11).

While this feminine and political exploration draws lines between ourselves and the women we portray, it also destroys those lines, leaving the narrative to rest in the awkward reality of compassion and communion alongside abstraction and disconnect — a space that often constitutes foreign relations.

Big minimal geometric drawings on shaped pages where the line follows folds of the paper, such as «Conservation Class # 5» (1973), keep company with a squared - up Tintoretto of a man falling backward in an open, indeterminate space — the sky, perhaps.

Zander Blom's exhibition «Place and Space» presents a selection of recent paintings, drawings and photographs in which the artist explores different configurations of lines, shapes and forms.

2012 Afro: Black Identity in America and Brazil, Tamarind Institute, Albuquerque, USA Falling Through Space Drawn by the Line, UB Art Galleries, University at Buffalo, USA

In each work, the artist employs formal dualities from the art historical canon — namely, narration versus abstraction, color versus line, flat versus recessive space, and painting versus drawing — not as a means to a conceptual end, but rather as a method to push these painterly concerns to their extremes.

Probably best known for her paintings of lines and grids using understated colors, Martin's work has been hailed as «pure abstraction, in which space, metaphysics, and internal emotional states are explored through painting, drawing and printmaking.»