Sentences with phrase «line illustrations for»

I have to say that the line illustrations for this particular section are sadly wanting and may lead to initial confusion over identification.

Not exact matches

We must not dissociate the lines of the text from their accompanying illustration, for the apocalyptic epiphany of Jesus occurs when Satan and Jerusalem engage in a mutual embrace.

My work ranges from intricate monochrome line drawings used on my shoe range to bright and colourful 3d paper cut illustrations which I use for my range of prints, greetings cards, notebooks and postcards.»

The left - hand side of each page is reserved for a short line of text while full - color illustrations dominate the right - hand side.

The multi-paneled illustrations, the jumpy story lines and the fact that my daughter skips way ahead make it hard for me to engage.

Investigating mouse models for biological for research The congress aims to promote the International Mouse Phenotyping Consortium (IMPC) mouse lines, importance of mouse phenotyping & clinical and drug discovery collaboration, to present progresses performed by IMPC with regards CRISPR editing genome, rare diseases, microbiota and ageing pipeline, as well as illustration of examples of scientific projects about «Animal models for human diseases» and recent developments in mouse models phenotyping imaging.

The congress aims to promote the International Mouse Phenotyping Consortium (IMPC) mouse lines, importance of mouse phenotyping & clinical and drug discovery collaboration, to present progresses performed by IMPC with regards CRISPR editing genome, rare diseases, microbiota and ageing pipeline, as well as illustration of examples of scientific projects about «Animal models for human diseases» and recent developments in mouse models phenotyping imaging.

I personally love adding little illustrations to photos, but the time lines for baby bumps and month - to - month photos is super cute, too.

I was curious about Meow Meow Tweet skincare line for a while — their signature animal illustrations on colorful packaging plus great reviews all over the green beauty blogosphere were keeping me intrigued till this exact moment when I received the package from Integrity Botanicals.

They all have their own voice lines and illustrations, and for returning characters, those are completely brand new (so recycled art or voice lines).

This handout includes a line for the headline of the story, lines for the article text, a line for the author's name, and a box for an illustration with a caption.

The changes also call for deleting numbers for AIDS hot lines, removing some illustrations of human sexual organs, and revising discussions of assisted suicide and homosexuality.

I already had the line but the idea for the illustration came from an eight - year - old girl.

In the «Elements» section within the left side tool bar there are free stock images, vector icons, and illustrations, shapes, lines, and infographic elements as well as frames and grids for your designs.

Encourage students to add labels or descriptions to their illustrations and include lines for adding words to all other assignments.

They got pre-made as fonts for people who wouldn't know decent illustrations even if they were beaten into their heads at a picket line.

The clean lines and uniform shading used in creating Personal Touch illustrations are perfect for a simple, classic look.

When you use x-ray, if available for your book, you can see a time - line illustration that shows where fictional characters, ideas, historical figures, places and topics are mentioned on the current page, current chapter or the entire book.

The clean lines and uniform shading of the Personal Touch line of black - and - white illustrations are perfect for a simple, classic style.

This illustration is offered as an explanation for the increase in line AE and BC in this study and also for the change in brain shape with increasing CM affectedness.

Travel Between The Lines Adult Coloring Book: Inspirational Coloring for Globetrotters and Daydreamers is a 47 - illustration printed coloring book published in December 2015 by Wandertooth Media Inc..

Our first book, Travel Between the Lines Adult Coloring Book: Inspirational Coloring for Globetrotters and Daydreamers is a 47 - illustration printed coloring book.

You can see from the illustration below that even the lowest construction line for the base of the house is still well above my eye line, with all the others becoming steeper as they pass through the top of the door, the upper windows and roof, etc: -

After focusing on graphic design for over a decade, she decided to pursue the path of illustration, creating richly coloured vector artworks that place a huge emphasis on simple shapes and lines.

The artist's line quality, often similar to a doodle or illustration, is both idle and obsessive, serving for Brand as the raw material of the mind, as a transcription of the automatic or subconscious.

Some of these overlay works reflect an interest less in an image's expressive power than in its status as a visual cliche (the dark - eyed women with flawless lips drawn in the unmodulated line of romance comic - book or movie - poster illustrations, for example).

Merging his traditional graffiti education, his inclination toward «certain colour forms and certain application techniques», with his deep love of illustration and preliminary design, his fondness for «drafts, architectural renderings and pre-production concepts», Kofie plays with form and line, with balance and depth, twisting and manipulating his murals, his illustrations, his compositions, into ever new and dramatic arrangements.

Some of the works included in the exhibition explicitly engage with Eliot and his writing, such as Philip Guston's grim deathbed painting East Coker: T.S.E. (1979); David Jones's painted inscription Nam Sibyllam (1958), made as a gift for Eliot, which combines the text from Petronius that is The Waste Land's epigraph with the opening lines of the poem and other phrases connected to the Grail myth; Graham Sutherland's two Illustrations for T. S. Eliot (1973); and Vibeke Tandberg's The Waste Land (2007), which consists of 36 collages in which the artist has cut out each of the words of the poem, and re-organised them alphabetically and in groups, at once fragmenting Eliot's poem of «broken images» even further and bringing its underlying verbal structure to light.

Ferone adds her signature illustration style to the art, as she reimagines each playing card with bold brushwork and graphic lines for a charming and unique court — all while maintaining good playing - card design needed for game play.

Although undated, this Excelsior Library edition for children was published before 1925 and is an early example of a coloured (letterpress line - block separations) narrative illustration as a promotional jacket.

Really shiny things that don't mean anything, Public Commission, Trybuna Honorowa, Plac Defilad, Muzeum Sztuki Nowoczesnej w Warszawie, Warsaw, PL Ryan Gander, Billboard for Edinburgh: Year 4, Ingleby Gallery, Edinburgh, UK Icarus Falling - An Exhibition Lost, Maison Hermès, Le Forum, Tokyo, JP Meaning... surrounds me now, 1223 Gendaikaiga, Tokyo, JP New Collisions in Culturefield, Johnen Galerie, Berlin, DE Locked Room Scenario, Artangel, London UK Now there's not enough of it to go around, Annet Gelink Gallery, Amsterdam, NL You have my word, Dazaifu Tenmangu, Fukuoka, JP Attempting to remain light on ones feet: Work from Daiwa Collection, Okinawa Prefectural Museum, Okinawa, JP Ftt, Ft, Ftt, Ftt, Ffttt, Ftt, or somewhere between a modern representation of how a contemporary gesture came into being, an illustration of the physicality of an argument between Theo and Piet regarding the dynamic aspect of the diagonal line and attempting to produce a chroma - key set for a hundred cinematic scenes, Taro Nasu Gallery, Tokyo, JP

The Victoriana vibe continues in grotesque botanic illustrations of «corpse plants», archival plans for the glasshouses, an 1858 series of paintings by RK Greville who drew tropical scenes for British audiences (despite never even leaving Scotland), and a room upholstered in a cartoonish saffron linen, with Oliver Osborne's forensic paintings of rubber plants lining the walls.

On the other Voula Ferentinou is using for many years the more «realistic» technique of illustration, In her works she removes the blurry of frames and lines and represents the anarchic arrangement of the figures in an enclosure.

His work straddles the line between art, comics, and illustration, drawing on everything from Peruvian pottery to the city of Chicago for inspiration.

Battaglia, Andy, «Suggestive States of Disarray: Raymond Pettibon Prepares for His Opening at the David Zwirner Gallery,» The Wall Street Journal, September 11, 2013 Appleford, Steve, «Art for the YouTube Crowd,» Los Angeles Times, July 28, 2013 «Art Of Punk: MOCAtv Series Explores Raymond Pettibon's Black Flag Logo,» Huffington Post, June 17, 2013 Cartwright, James, «Illustration: Complete Archive of Raymond Pettibon's Work for Black Flag,» It's Nice That Online, June 13, 2013 Stutz, Colin, «Black Flag «Revolutionary» Iconography Dissected in Raymond Pettibon Documentary,» Spin Magazine Online, June 13, 201 Lecaro, Linda, «MOCA Web Series Chronicles the Art of Punk,» LA Weekly Blogs, June 13 2013 Turcotte, Bryan Ray, «Pretty Much Every Single Black Flag Flyer Ever Designed By Raymond Pettibon,» Noisey — Vice Magazine Music Blog, June 11, 2013 Roberts, Randall, «MOCAtv Releases New Black Flag / Raymond Pettibon Doc On Punk Art,» The Los Angeles Times Music Blog, June 11, 2013 Sutton, Benjamin, «See Raymond Pettibon's Notorious B.I.G. - Quoting High Line Billboard, Blouin Artinfo, June 3, 2013 Brisick, Jamie, «Swinging for the Fences: The Wicked Irony & Massive Output of Raymond Pettibon,» Malibu Magazine, April - May 2013, p. 120 - 30 Brisick, Jamie, «Raymond Pettibon: The Game of Words and Pics,» Huck Magazine, March 7, 2013.

The colors you choose to incorporate are inappropriate for that line of illustration.

-- Opera Campana dei Caduti — Rovereto - Italy Fishwick Papers — The Smokehouse Gallery — London MAGNET OPEN ART PROJECT — Concord, New Hampshire — USA RARITIES — Hastings / Brighton 13 ELP Annual Exhibition — Triangle Gallery — London Show Me The Monet — Royal College of Art — produced by BBC Dreams — The Freud Museum — London LightBite 2011 — Nottingham — UK Type / Script — Chapel Gallery — Ormskirk 2010 Artisti Mitteleuropei 2010 — Casa della Cultura — Calitri (AV)-- Italy Wishing — ArteOra Spazio Arte Contemporanea — Foggia — Italy The Public Are Not Invited — The Nottingham Workshop - UK ELP Box Set 2010 Launch — 242 Gallery — London 6 × 4 Postcard Exhibition — Yorkshire ArtSpace — Sheffield Link — ArteOra Gallery — group show curated by Maria Vinella — Foggia — Italy Penang International Printmaking Exhibition — Penang State Museum — Malaysia Freud Experience — solo exhibition — Freud Café Gallery — London A Suite of Lighted Rooms — Pushkin House Centre for Russian Culture - London Acqua Bene Comune — Foggia — Italy Twelve — Space Gallery — London Print for Peace 2010 — Arte AC Tecnologico Institute — Monterrey — Mexico Prize Winner — «Copertine al Tratto» 2010 — Subway Edizioni — Milan — Italy C'era una volta Pasolini — group show — Galleria Terre Rare — Bologna — Italy F.A.C.T.S. — Center for the Study in Political Graphics — Los Angeles — USA London Fashion Week — MariaFrancesca Pepe collection — Somerset House — London 2009 The Grand Plasto - Baader - Books — Kaleid Gallery — London Alexandria MiniPrint Biennal — Bibliotheca Alexandrina Conference Center — Egypt Segni 20 × 20 — Micro Macro Gallery — Turin One Night Only — group show — Shoreditch Town Hall — London Quijiang International Print Festival 2009 — Quijian — China Eco Art Project ’09 — Rome IMPACT Centerpiece 09 — SpikePrint Studio — Bristol Pasquale Siniscalco Gallery — Milan Estetica 09 — Church of S.S. Annunziata — Calitri (AV)-- Italy Premio Spazi Evasi ’09 — Francavilla al Mare (CH) Unplug — Solo show — EstremaDura Café Gallery — Verbania — Italy Eleven — ELP Group show — Banside Gallery — London Ex Libris — Group show — Meliusz Center — Debrecen — Hungary 2nd Guanlan International Print Biennial — Guanlan Museum — Shenzen — China Biennial of Humour and Satire in the Arts — Museum of Humour and Satire — Gabrovo — Bulgaria Sorry If I'm Not in Line — Factory - Art Contemporanea — Trieste Ex Libris Mini Print Biennal — Sint Niklaas Dienst Museum — Belgium CDO's and Double Clubs — August Art Space — London Adreanlina 09 — Former Jewish Fish Market — Rome Wonderland — Brothers Grimm Museum — Kessel — Germany Vigna degli Artisti 09 2008 Light One Night — Group Show — ArteOra Gallery — Foggia — Italy Temptation — Group show — Cupola Gallery — Sheffield Urban Jungle — Group show — London City Hall Orange Calls Italy - Shortlisted for the final group show — PolarExpo Space — Bergamo ArteIngenua Second Act — ArteIngenua prize 08 — Guido Iemmi Art Studio — Milan — Italy Concorso Fumetto Giovani 2008 Jury Prize — illustration — Museum of Modern Art — Foggia — Italy Second Impressions — Romford Art Institute — Essex E17 Art Trail — Kelmscott School — walthamstow — London Sustainability — Latajaka Gallery — Warsaw — Poland Wonderland — Deutsches Maerchen und Wesersagen Museum — Bad Oeynhausen — Germany Lessedra International Mini Print — Lessedra Contemporary Art Gallery — Sofia — Bulgaria Evento MUSAE 08 — Museo Urbano Sperimentale Arte Emegente — Tourism Palace — Jesolo (VE) Decarbonart — Greater London City Hall — London — curated by Katja Rosenberg Art Fusion — Live painting performance — The Hub — Aldgate East — London I Am Ten — Bankside Gallery — London 2007 Tetovo IV International Biennial — Museum of Tetovo Area — Republic of Macedonia Dontpanic Design Exhibition — 93 Feet East — London Less Common Event — The Arts Gallery — Bond Street — London Shortlisted for San Fedele Visual Arts Prize — San Fedele Gallery — Milan — Italy Media Poster exhibition — DontPanicMedia — Cargo — Shoreditch — London Museo Urbano Sperimentale Artisti Emergenti — Motta Monte Corvino — Italy PROPAGANDA III WORLD TOUR 2007 — START SOMA gallery and CSPG Center for the Study of Political Graphics Los Angeles — Phoenix Hotel — San Francisco World Annual Print Show — Lessedra Contemporary Art Gallery — Sofia - Bulgaria Triangle Artists Open Studios — Arts Unwrapped 2007 — Hackney — London Innovative — Don't Panic Media, Playstation Season — Manchester International Festival 2007 PRE: CURSORI 2007 — Aragona Castle Museum Gallery of Taranto — Italian Ministry of Culture Illustration group show — Literature Department Gallery — Florence University Draw Drawing 2 — Foundry Gallery — Shoreditch — London — London Biennale 2006 2006 Italian Factory 2006 — Finalist in the competition — Casa del Pane Gallery — Milan XHIBIT ’06 — The Arts Gallery — Holborn — London Alhambra Café Gallery — Aldgate East — London Secuestro Express — ICA Institute of Contemporary Arts — London Cinderella» s shoe — Ascoli Piceno — Italy 2005 In the city: Eye for Art — Curator Space Gallery — London From here to here — London Design Festival — London Those Who Wonder — London College of Communication — London Ofcom Office of Communications — Riverside House Southwark — London 2004 The Sound of Print — Symposium — Victoria and Albert Museum — London Ad Fab — Solo painting exhibition — Red Gate Gallery — London Berlin Design Mai — In collaboration with Shift Magazine — Germany Conversation — London College of Communications — London 2003 Ichiza Project — in collaboration with Croillustration — Museum of Modern Art — Foggia — Italy Second Impressions — Romford Art Institute — Essex E17 Art Trail — Kelmscott School — walthamstow — London Sustainability — Latajaka Gallery — Warsaw — Poland Wonderland — Deutsches Maerchen und Wesersagen Museum — Bad Oeynhausen — Germany Lessedra International Mini Print — Lessedra Contemporary Art Gallery — Sofia — Bulgaria Evento MUSAE 08 — Museo Urbano Sperimentale Arte Emegente — Tourism Palace — Jesolo (VE) Decarbonart — Greater London City Hall — London — curated by Katja Rosenberg Art Fusion — Live painting performance — The Hub — Aldgate East — London I Am Ten — Bankside Gallery — London 2007 Tetovo IV International Biennial — Museum of Tetovo Area — Republic of Macedonia Dontpanic Design Exhibition — 93 Feet East — London Less Common Event — The Arts Gallery — Bond Street — London Shortlisted for San Fedele Visual Arts Prize — San Fedele Gallery — Milan — Italy Media Poster exhibition — DontPanicMedia — Cargo — Shoreditch — London Museo Urbano Sperimentale Artisti Emergenti — Motta Monte Corvino — Italy PROPAGANDA III WORLD TOUR 2007 — START SOMA gallery and CSPG Center for the Study of Political Graphics Los Angeles — Phoenix Hotel — San Francisco World Annual Print Show — Lessedra Contemporary Art Gallery — Sofia - Bulgaria Triangle Artists Open Studios — Arts Unwrapped 2007 — Hackney — London Innovative — Don't Panic Media, Playstation Season — Manchester International Festival 2007 PRE: CURSORI 2007 — Aragona Castle Museum Gallery of Taranto — Italian Ministry of Culture Illustration group show — Literature Department Gallery — Florence University Draw Drawing 2 — Foundry Gallery — Shoreditch — London — London Biennale 2006 2006 Italian Factory 2006 — Finalist in the competition — Casa del Pane Gallery — Milan XHIBIT ’06 — The Arts Gallery — Holborn — London Alhambra Café Gallery — Aldgate East — London Secuestro Express — ICA Institute of Contemporary Arts — London Cinderella» s shoe — Ascoli Piceno — Italy 2005 In the city: Eye for Art — Curator Space Gallery — London From here to here — London Design Festival — London Those Who Wonder — London College of Communication — London Ofcom Office of Communications — Riverside House Southwark — London 2004 The Sound of Print — Symposium — Victoria and Albert Museum — London Ad Fab — Solo painting exhibition — Red Gate Gallery — London Berlin Design Mai — In collaboration with Shift Magazine — Germany Conversation — London College of Communications — London 2003 Ichiza Project — in collaboration with CroIllustration group show — Literature Department Gallery — Florence University Draw Drawing 2 — Foundry Gallery — Shoreditch — London — London Biennale 2006 2006 Italian Factory 2006 — Finalist in the competition — Casa del Pane Gallery — Milan XHIBIT ’06 — The Arts Gallery — Holborn — London Alhambra Café Gallery — Aldgate East — London Secuestro Express — ICA Institute of Contemporary Arts — London Cinderella» s shoe — Ascoli Piceno — Italy 2005 In the city: Eye for Art — Curator Space Gallery — London From here to here — London Design Festival — London Those Who Wonder — London College of Communication — London Ofcom Office of Communications — Riverside House Southwark — London 2004 The Sound of Print — Symposium — Victoria and Albert Museum — London Ad Fab — Solo painting exhibition — Red Gate Gallery — London Berlin Design Mai — In collaboration with Shift Magazine — Germany Conversation — London College of Communications — London 2003 Ichiza Project — in collaboration with Crossroad Works

Concerning the derivation of my own graphical adaptations of the IPCC and Hadley Center source graphics, the process by which the slopes of historical CET trend lines were determined is readily evident from direct examination of the illustration, without any further explanation other than to clarify that all fitting of trend slopes was done by visually placing each linearized trend line onto the original HadCET source plot wherever it was appropriate in the CET record for the particular decadal rate of change being fitted: -0.1, -0.03, +.03, +0.1, +0.2, +0.3, or +0.4

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