Sentences with phrase «line spacing etc.»

Does it allow the reader to modify margins, paragraph spacing, line spacing etc..

Not exact matches

, power lines, healthcare, public schools, defense, national security, EPA, social security, municipalities, civic services, public spaces, national parks, etc., etc., etc..

«[PepisCo] remains focused on straddling spaces amidst the blurring of lines of retailers (e.g. c - store, food retailers, dollar stores, etc.), occasions (e.g. snacks vs. meals), and categories (e.g. hydration & CSDs),» said Herzog.

Good public Investments made in the 1950s, «60s «70s and «80s were sold off or strategically undermined to create space for private investment — NITEL, Nigerian Shipping Line, Nigerian Airways, Nigerian Railways, the Vehicle Assembly Plants; the Textile Mills; the Breweries; etc..

They were written for year 10 as an introduction to the skill of using different compositions such as negative space, rule of thirds, leading lines etc. and will be a useful reference for year 11 as a visual reminder.

While there is no limit to formatting capabilities in print design, ebook formatting is limited to a selection of web - friendly typefaces, line spacing, etc..

That will include the right trim size, margins, gutters, line spacing, fonts selected, font size, running heads, title page, copyright page, page numbers, etc..

KENPC is calculated using standard formatting settings (font, line height, line spacing, etc.).

The ebooks are laid out in 2 - columns and there are options to change text size, type, line spacing, justification, etc..

If all you are doing is changing first line indents, line spacing, etc., you can do that by modifying your styles.

They are different across devices, so they may have different line heights, different character spacing both on the horizontal and vertical axis, etc..

Strip double spacing between lines, paragraphs, indenting, and remove images, etc..

• Not using the built in style such as Heading 1, Heading 2, etc. • Improper indents (only use the First Line indent feature under Format > Paragraph) • Using spaces or tabs for alignment or indents (A no - no)..

(EDIT: hmmm... maybe my creating and ordering dummy books that include different samples of font sizes, line spacing, margins, etc. isn't such a bad idea after all.

The basics, like removing tabs, extra line breaks, extra spaces, page numbers, unsupported symbols, etc..

The app allows for adjusting the text size, but doesn't have any settings for margins, line - spacing, etc..

Especially when resources to move animals through to adoption are limited (e.g. space in adoption areas, staff time for evaluations, surgical slots for spay / neuter, etc.), fast track animals should «skip to the head of the line» ahead of slow track animals.

Iglesias, F.Meisenberg, B.Ruais, K.Thorne, J.VanDyke / Abrons / 466 Grand / thru 12/20 Kaari Upson / Ramiken Crucible / 389 Grand / thru 12/14 Matt Connolly / Essex Flowers / 365 Grand / thru 1/4 Opening 11/21 Keumnin Lee / Shin / 322 Grand / thru 11/30 Ulf Puder; Bettina Blohm / Straus / 299 Grand / thru 12/12 Amy Lien & Enzo Camacho / 47 Canal / 291 Grand — floor 2 (new location) / thru 12/21 Bright Matter: LAb [au]; Numen / For Use; Joanie Lemercier; Nonotak; François Wunschel / Guepin / 83 Orchard / thru 1/11 Opening 11/21 Kiki Kogelnik / Subal / 131 Bowery / thru 12/19 Brad Troemel / Tomorrow / 106 Eldridge / thru 11/30 (extended) The Contract / Essex Street / 114 Eldridge / thru 1/11 Opening 11/21 Reception 11/22 Foster Mickley / Munch / 245 Broome / thru 12/21 Opening 11/21 Robin Kang; Duhirwe Rushemeza / Tabacaru / 250 Broome / thru 12/9 Michelle Lopez / Preston / 301 Broome / thru 12/21 Alexander Tovborg / Beauchene / 327 Broome / thru 12/21 Mary Ann Aitken; John Maggie; Jonathan Rajewski / Hanley / 327 Broome / thru 12/21 Guglielmo Achille Cavellini / Whitebox / 329 Broome / 11/1 thru 11/30 Yui Kugimiya / Marlborough / 331 Broome (third NYC location) / thru 12/21 Opening 11/20 Lily Ludlow / Canada / 333 Broome / thru 12/14 Ulrike Theusner; Paul Brainard / Lodge / 131 Chrystie / thru 12/14 Cristina Vergano / Woodward / 133 Eldridge / thru 12/21 Nayda Collazo - Llorens / LMAK / 139 Eldridge / thru 11/30 James Hoff / Callicoon / 49 Delancey / thru 12/21 Noam Rappaport / Fuentes / 55 Delancey / thru 12/21 XYZ collective / Brennan & Griffin / 55 Delancey / thru 12/21 Jana Winderen & Marc Fornes / Storefront for Art & Architecture / 97 Kenmare @ Centre / thru 11/21 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 12/21 Josh Faught / Cooley / 107 Norfolk / thru 12/21 Joseph Montgomery / Gitlen / 122 Norfolk / thru 12/21 My Big Fat Painting curated by Rick Briggs; Fred Gutzeit / Morris / 163 Chrystie / thru 11/23 (extended) Closing Reception 11/20 (7 - 9 PM) Mark Joshua Epstein / Morris project space / 163 Chrystie / thru 12/20 Opening 11/20 (7 - 9 PM) Addie Wagenknecht / Bitforms / 131 Allen (new location) / thru 12/7 David Mramor / James / 143b Orchard / thru 12/7 Angelo Volpe / Krause / 149 Orchard / thru 12/8 Beatrice Scaccia / Cuchifritos / 120 Essex (SE corner of market) / thru 11/30 Tommy Hartung / On Stellar Rays / 1 Rivington / thru 11/30 Valeska Soares / Eleven Rivington / 11 Rivington / thru 11/23 Bill Traylor / Cuningham / 15 Rivington (new location) / thru 12/6 Micki Pellerano / Envoy / 87 Rivington / thru 11/23 Do the Write Thing: Read Between the Lines / Berst / 95 Rivington / thru 12/20 Guglielmo Achille Cavellini / Lynch Tham / 175 Rivington / thru 12/21 Jessica Rankin / Salon 94 / 1 Freeman Alley / thru 12/21 Red, Yellow and Orange: Ford Crull; Debra Drexler; Peggy Cyphers / Van Der Plas / 156 Orchard / / thru 12/31 AS IF: Abigail Donovan; Troy Richards; Robert Straight; Peter Williams / Novella / 164 Orchard / thru 12/6 Raquel Rabinovich / Y / 165 Orchard / thru 12/23 Opening 11/21 Tai Ogawa / Matsumiya / 153 1/2 Stanton / thru 12/31 Magnolia Laurie / Frosch & Portmann / 53 Stanton / thru 11/23 Forces at Play: S.Crider; B.Gardner; M.Keller; J.Mellon; L.Rablin / Molly Krom / 53c Stanton / thru 11/30 Valeska Soares / Eleven Rivington / 195 Chrystie (second location) / thru 11/23 Sara Goldschmied; Eleonora Chiari / Lorello / 195 Chrystie — floor 6 / 11/19 thru 1/25 Reception 12/11 Kader Attia / Lehmann Maupin / 201 Chrystie / thru 12/13 George Horner thru 12/6, Henry Mandell thru 1/10 / Charles / 196 Bowery Lili Reynaud - Dewar thru 1/25; Chris Ofili thru 2/10; etc. / New Museum / 231 - 235 Bowery Takeshi Murata / Salon 94 / 243 Bowery / thru 12/21 Heinz Mack / Sperone Westwater / 257 Bowery / thru 12/13 Notes on Undoing / Garis & Hahn / 263 Bowery / thru 12/20 Opening 11/20 Charles Dunn / Rucker / 141 Attorney / thru 11/26 Serge Alain Nitegeka / Boesky East / 20 Clinton (new, third NYC location) / thru 12/21 Matthew Fischer / Junior Projects / 139 Norfolk / thru 12/21 Pierre St - Jacques / Station Independent / 164 Suffolk / thru 12/14 Aki Sasamoto / JTT / 170a Suffolk / thru 12/14 (Performances 12/12 @ 6 PM) Sara Greenberger Rafferty / Uffner / 170 Suffolk / thru 12/21 Matt Hoyt / Bureau / 178 Norfolk / thru 12/21 Stuart Shils / Harvey / 208 Forsyth / thru 12/21 Opening 11/19 Arianna Carossa / Rooster / 190 Orchard / thru 1/4 Opening 11/25 Greer Lankon / Participant / 253 E Houston / thru 12/21 Henry Flynt / Audio Visual Arts / 34 E 1st / thru 11/23 (extended) Joel Holmberg / American Contemporary / 4 E 2nd / thru 12/19 Early Man / The Hole / 312 Bowery / thru 12/28

This potent mixture of the past and present reveals a rich contemporary vernacular that explores the fundamentals of painting (line and form, the space between illusion and matter, etc.) with new texture.

My own ideas about how feeling is transmitted involve «color desire»: how color and everything else related — shape line, expanse, space, etc. — «draw» the viewer through the painting, searching for unity.

EWF is a density over distance along a line (in the absence of scattering, etc.) or lines (when partial specular reflection occurs), or a density over volume (when scattering contributes to the CSD), where the sum over all space = 1; it matches the distribution over space of the absorption of a unit amount of radiation incident at L from the opposite direction.

The purpose of Climate Science could be be something along the lines of «to discover how the Earth's climate system actually works, what causes it to change when it changes, at whatever scales of space and time, etc.» don't take this purpose as definitive, it just an example of how BIG the purpose is... there is a great deal more to it.

Click that, and the selected Style will be updated with all of that text's settings — font, justification, line spacing, etc..

CTRL+Q — This removes all paragraph - level formatting — weird indents, line spacing, extra spacing before and after the paragraphs, etc..

Change the line spacing or add words and phrases that lawyers use all of the time (like court of appeals, plaintiff, appellant, etc.) with a single keystroke.

There's line spacing, which is exactly what it sounds like: single - spaced, double - spaced, etc..

Save the html file, open it in your word processing program, and modify the line spacing, font, etc. as you prefer.

Formatting — Your format should be clean with a blend of white space, content and text enhancements (bolding, borders, lines, etc.).

Use three line spaces between your closing (i.e., «Sincerely» etc.) and your typed signature.

Of course, it is the exterior of he building that will be measured for the most part, however reductions in the functional living space above a main floor area because of the effect of roof lines etc., should usually be taken into consideration — within a good set of guidelines.

If I were to totally renovate this kitchen, it would lead to gutting the entire space: tearing up the floor, pulling down the ceiling, moving gas and plumbing lines, etc..