Exploring the possibilities of the grid since the late 1960's, Willis became a member of the Third Generation of Abstract Expressionists, with his «Wall» paintings where he worked in a unique wet - on - wet method creating
linear colored bands across the surface plane.
Not exact matches
Fine's Accordment series of paintings made use of an underlying
linear structure over which
bands of
color were set in deliberate pattern.
His gradient
bands of
color become uniform and flat, in some works forming a
linear pattern, and the black and white grounds move fluidly between foreground and back.
Employing a brightly
colored palette dominated by yellows, pinks and blues, his fields and angular
bands overlap one another, creating irregular geometric shapes within the paintings, with
linear elements emerging from beneath earlier layers of paint.