Like Chase - Riboud's work, Falkenstein's «
linear drawing in space» — as she called her wire constructions — incorporates exhibition space as a sculptural medium.
Not exact matches
So,
in your context of a sports hall, obviously shape is one that you have identified and used, but others that quickly come to mind would be dimension and measurement esp for different activities that can be played indoors - the dimensions of different playing surfaces / areas etc; construction design (more shape and
space incl scale
drawings), costs of construction (lots of maths including rates which could incorporate
linear equations with fixed and variable costs); the rules and scoring of different indoor games played (basketball is a good example with different points for different shots); and probably more.
Primarily working
in drawing and sculpture, he often depicts ambiguous interior
spaces filled with books, posters, and paintings, as well as commonplace objects, such as bottles and cigarettes,
in a stark,
linear style reminiscent of architectural...
Other big likes: Louise Bourgeois's cast bronzes and carved marbles; Franz West's lumpy, painted organic form - on - a stick; Antony Gormley's hanging metal sculpture, whose
linear materials — and certainly its shadows — functioned as
drawings in space.
«Among the wildly disparate features of today's art - world landscape, two modes of pictorial thought with venerable lineages have recently re-emerged: materials - oriented abstract painting, and a
linear approach to the investigation of the third dimension that may conveniently be referred to as «
drawing in space.»
Juxtaposing dimensional
space with
drawn and painted shapes, Moore's reductive paintings reflect his interest
in the illusions perpetrated by photography and
linear perspective.
Penn continues to explore the
linear language of
drawing in three - dimensional
space.
Immersed
in materiality and process, her
linear and geometric sculptural forms create
drawings in space, and aim to transform everyday objects and materials into architectonic inventions.
The
linear quality of neon allowed Sonnier to
draw in space with light and color while colored light interacted with the surrounding architecture.
Artist Statement «
In my recent work I explore the linear language of drawing in three - dimensional space using the lexicon of gestural abstractio
In my recent work I explore the
linear language of
drawing in three - dimensional space using the lexicon of gestural abstractio
in three - dimensional
space using the lexicon of gestural abstraction.
The exhibition
draws a comparison between representation of
space in western Renaissance «perspective,» which depicts a
linear system with objects receding
in space, and that of traditional Japanese compositions.
Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.
In 1968, the artist began working with neon, which quickly became a defining element of his work.The
linear quality of neon allows Sonnier to
draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations
in public
spaces have earned him wide acclaim
in an international context.
Working with a wire armature and an oxyacetylene torch to make sculpture that seemed to accumulate as a series of molten marks and
linear strands, Mr. Lassaw took the idea of
drawing in space quite literally.
In these artists» hands, the traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond traditional linear representation in photographic, painterly, and sculptural work.&raqu
In these artists» hands, the traditional practice of
drawing is transformed into an exploration of time and
space manifest
in forms beyond traditional linear representation in photographic, painterly, and sculptural work.&raqu
in forms beyond traditional
linear representation
in photographic, painterly, and sculptural work.&raqu
in photographic, painterly, and sculptural work.»
Artist Statement My new pieces bridge the gap between sculpture and
drawing: three - dimensional objects
in low relief that define
space with colorful,
linear elements.
The
linear shapes mapped out
in these early
drawings acquire an architectural value as they define and illuminate
space through these recent sculptures.
In these artists» hands and through their bodies, the traditional practice of drawing is transformed into an exploration of time and space manifest in forms beyond conventional linear representation in photographic, painterly, and sculptural wor
In these artists» hands and through their bodies, the traditional practice of
drawing is transformed into an exploration of time and
space manifest
in forms beyond conventional linear representation in photographic, painterly, and sculptural wor
in forms beyond conventional
linear representation
in photographic, painterly, and sculptural wor
in photographic, painterly, and sculptural work.